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Edvard Grieg's sonatas for stringed ...

Erdahl, Rolf Christian.

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Edvard Grieg's sonatas for stringed instrument and piano: Performance implications of the primary source materials. (Volumes I and II).

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Edvard Grieg's sonatas for stringed instrument and piano: Performance implications of the primary source materials. (Volumes I and II)./
作者:	Erdahl, Rolf Christian.
面頁冊數:	418 p.
附註:	Source: Dissertation Abstracts International, Volume: 55-06, Section: A, page: 1412.
Contained By:	Dissertation Abstracts International55-06A.
標題:	Music. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9427222

Edvard Grieg's sonatas for stringed instrument and piano: Performance implications of the primary source materials. (Volumes I and II).
Erdahl, Rolf Christian.

Edvard Grieg's sonatas for stringed instrument and piano: Performance implications of the primary source materials. (Volumes I and II). - 418 p.

Source: Dissertation Abstracts International, Volume: 55-06, Section: A, page: 1412.

Thesis (D.M.A.)--Peabody Institute of the Johns Hopkins University, 1994.

The concern of this dissertation is performance implications of primary source materials. While the author endeavors to reconstruct as closely as possible Edvard Grieg's (1843-1907, Bergen, Norway) formative influences and precise musical instructions relevant to his works for strings, the intent is not to instruct the performers how to perform, but rather to provide an authentic body of information on which to base an interpretation. In addition to details of notation, biographical and historical accounts of events that shed light on Grieg's ideals of performance, interpretation, and communication of ideas through music are also considered.Subjects--Topical Terms:

516178
Music.

Edvard Grieg's sonatas for stringed instrument and piano: Performance implications of the primary source materials. (Volumes I and II).
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100 1 $a Erdahl, Rolf Christian. $3 3193603
245 1 0 $a Edvard Grieg's sonatas for stringed instrument and piano: Performance implications of the primary source materials. (Volumes I and II).
300 $a 418 p.
500 $a Source: Dissertation Abstracts International, Volume: 55-06, Section: A, page: 1412.
500 $a Adviser: Bruno Amato.
502 $a Thesis (D.M.A.)--Peabody Institute of the Johns Hopkins University, 1994.
520 $a The concern of this dissertation is performance implications of primary source materials. While the author endeavors to reconstruct as closely as possible Edvard Grieg's (1843-1907, Bergen, Norway) formative influences and precise musical instructions relevant to his works for strings, the intent is not to instruct the performers how to perform, but rather to provide an authentic body of information on which to base an interpretation. In addition to details of notation, biographical and historical accounts of events that shed light on Grieg's ideals of performance, interpretation, and communication of ideas through music are also considered.
520 $a Music for strings, the sonatas in particular, occupies a special place in Grieg's oeuvre. Grieg collaborated with leading artists of his time in publicly and critically acclaimed performances of these works. Grieg learned from these performances and continually strove to perfect his understanding of stringed instruments and of ways to communicate his intentions from the keyboard, the podium, and the printed page.
520 $a In the years following Grieg's death, the respect his performances engendered for his music began to fade. New editions and revisions of his music have appeared, often with simplification for student performance taking precedence over achieving the composer's original intended timbres, articulations, and phrasings. Much has been done to remedy this situation in the preparation and publication of the Grieg Gesamtausgabe (New York: Peters, 1976-). However, the Gesamtausgabe is not free from problems of translation, transmission of information, and transcription; also, new sources have come to light since its publication.
520 $a Works most closely examined will be the three Violin Sonatas and the Violoncello Sonata. Relevant details regarding Grieg's other works for strings are related as they pertain to the works under discussion, and to general questions of late nineteenth-century performance practice. These musical choices are due both to the amount of primary material available, and to the prominence of these works in Grieg's own concert programs.
520 $a Background information concerning the creation of Grieg's works for strings will be provided in each chapter and the nature of the primary sources and their implications for performance will be discussed. Previously undocumented primary sources uncovered in the course of this study include music manuscripts and handwritten performance instructions and indications in Grieg's letters, personal papers, and printed performance scores. The Appendices include annotated scores for each of Grieg's sonatas for string instrument and piano, listing in detail all the findings of this study, including corrections and supplements to the information in the Grieg Gesamtausgabe. (Abstract shortened by UMI.).
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