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Movement and the figure A sculptural...

Jackson, James K.

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Movement and the figure A sculptural realization of the theology of creation.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Movement and the figure A sculptural realization of the theology of creation./
作者:	Jackson, James K.
面頁冊數:	121 p.
附註:	Source: Masters Abstracts International, Volume: 55-05.
Contained By:	Masters Abstracts International55-05(E).
標題:	Fine arts. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10129001
ISBN:	9781339869797

Movement and the figure A sculptural realization of the theology of creation.
Jackson, James K.

Movement and the figure A sculptural realization of the theology of creation. - 121 p.

Source: Masters Abstracts International, Volume: 55-05.

Thesis (M.F.A.)--Mississippi College, 2016.

The principle of movement in figurative design deals with the figure shifting its weight which forces the artist to deal with anatomy and balance. This research studied how to use the principle of movement in order to sculpt figures, to express the moment of creation when the supernatural and natural worlds described in Genesis came together. Limited evidence of evolution, archaeology, paleoanthropology, and geology, was introduced with science technologies that parallel the investigation of the biblical creation with primary interest to develop fountains with sculptural aesthetics. Artists from history known for their figurative works were studied in order to reflect the supernatural Spirit in a fountain of a column and capital component. Movement of the figures for the fountain column and capital is compared between that of Primeval, Classical Greek, Middle Ages, Baroque, Impressionism, American Realism, and contemporary. The column figures become modeled together forming a twisting movement from an awareness of DNA design which distinguishes contemporary time, and was not known or reflected in art periods past. The figures in clay are seen from a distance to the viewer in the center of the fountain, and represent that the spiritual world we can not touch is realized by faith. Natural stone around the fountain that creates the pool, represents the natural world of the Earth that we can touch through the geological qualities of their surfaces.

ISBN: 9781339869797Subjects--Topical Terms:

2122690
Fine arts.

Movement and the figure A sculptural realization of the theology of creation.
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500 $a Adviser: Carrie L. Reeves.
502 $a Thesis (M.F.A.)--Mississippi College, 2016.
520 $a The principle of movement in figurative design deals with the figure shifting its weight which forces the artist to deal with anatomy and balance. This research studied how to use the principle of movement in order to sculpt figures, to express the moment of creation when the supernatural and natural worlds described in Genesis came together. Limited evidence of evolution, archaeology, paleoanthropology, and geology, was introduced with science technologies that parallel the investigation of the biblical creation with primary interest to develop fountains with sculptural aesthetics. Artists from history known for their figurative works were studied in order to reflect the supernatural Spirit in a fountain of a column and capital component. Movement of the figures for the fountain column and capital is compared between that of Primeval, Classical Greek, Middle Ages, Baroque, Impressionism, American Realism, and contemporary. The column figures become modeled together forming a twisting movement from an awareness of DNA design which distinguishes contemporary time, and was not known or reflected in art periods past. The figures in clay are seen from a distance to the viewer in the center of the fountain, and represent that the spiritual world we can not touch is realized by faith. Natural stone around the fountain that creates the pool, represents the natural world of the Earth that we can touch through the geological qualities of their surfaces.
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