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Packaging Environments : = the Art and Design of the Container Corporation of America.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Packaging Environments :/
其他題名:	the Art and Design of the Container Corporation of America.
作者:	Lynch, Robin.
面頁冊數:	1 online resource (358 pages)
附註:	Source: Dissertations Abstracts International, Volume: 83-05, Section: A.
Contained By:	Dissertations Abstracts International83-05A.
標題:	Art galleries & museums. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28800805click for full text (PQDT)
ISBN:	9798494445759

Packaging Environments : = the Art and Design of the Container Corporation of America.
Lynch, Robin.

Packaging Environments :the Art and Design of the Container Corporation of America. - 1 online resource (358 pages)

Source: Dissertations Abstracts International, Volume: 83-05, Section: A.

Thesis (Ph.D.)--McGill University (Canada), 2021.

Includes bibliographical references

Focussing on the art and design programs of the Container Corporation of America (CCA), this dissertation interrogates the conceptualization and employment of environmental design across the CCA's management strategies from the mid-1930s to 1970. The project begins by analyzing the dialogue between the CCA's design strategies and Laszlo Moholy-Nagy's philosophies at the New Bauhaus, and concludes with the corporation's conceptualization of Aspen, CO as a total environment. Using original archival research, each chapter advances a claim in relationship to corporate management, art, and environment, working to both specify these connections and explore their implications. The literature surrounding the CCA's art programs typically revolves around the cooptation of artists by the corporate capitalism of the CCA and American Cold War propaganda interests. While I do not deny that this history is interwoven with capitalism, by tracing the theme of environment I provide a more detailed understanding of what capitalism means in the context of these industrial-cultural partnerships, as well as the stakes involved in the usage of art and design for corporate strategy. Through focusing on the environmental, I analyze how these kinds of partnerships are embedded in geo-political issues related to resource extraction, colonialism, and understandings of the natural world. The continued influence of corporations on cultural practice underscores the relevance of unpacking histories of art and corporate relationships like the CCA's in greater detail. Not only have these partnerships contributed to forming institutions and frameworks that remain relevant and present in the 21st century, but they are also complicated stories of how artists, such as Moholy-Nagy and Herbert Bayer, have negotiated, advanced, and resisted some of these overarching corporate strategies.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9798494445759Subjects--Topical Terms:

3561426
Art galleries & museums.
Index Terms--Genre/Form:

542853
Electronic books.

Packaging Environments : = the Art and Design of the Container Corporation of America.
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504 $a Includes bibliographical references
520 $a Focussing on the art and design programs of the Container Corporation of America (CCA), this dissertation interrogates the conceptualization and employment of environmental design across the CCA's management strategies from the mid-1930s to 1970. The project begins by analyzing the dialogue between the CCA's design strategies and Laszlo Moholy-Nagy's philosophies at the New Bauhaus, and concludes with the corporation's conceptualization of Aspen, CO as a total environment. Using original archival research, each chapter advances a claim in relationship to corporate management, art, and environment, working to both specify these connections and explore their implications. The literature surrounding the CCA's art programs typically revolves around the cooptation of artists by the corporate capitalism of the CCA and American Cold War propaganda interests. While I do not deny that this history is interwoven with capitalism, by tracing the theme of environment I provide a more detailed understanding of what capitalism means in the context of these industrial-cultural partnerships, as well as the stakes involved in the usage of art and design for corporate strategy. Through focusing on the environmental, I analyze how these kinds of partnerships are embedded in geo-political issues related to resource extraction, colonialism, and understandings of the natural world. The continued influence of corporations on cultural practice underscores the relevance of unpacking histories of art and corporate relationships like the CCA's in greater detail. Not only have these partnerships contributed to forming institutions and frameworks that remain relevant and present in the 21st century, but they are also complicated stories of how artists, such as Moholy-Nagy and Herbert Bayer, have negotiated, advanced, and resisted some of these overarching corporate strategies.
520 $a Se concentrant sur les programmes d'art et de design de la Container Corporation of America (CCA), cette these interroge la conceptualisation et l'utilisation de la conception environnementale dans les strategies de gestion de la CCA du milieu des annees 1930 a 1970. Le projet commence par analyser le dialogue entre les strategies de la CCA et les philosophies de Laszlo Moholy-Nagy au New Bauhaus, et se termine par la conceptualisation par la corporation d'Aspen, CO comme un environnement total. En utilisant des recherches d'archives originales, chaque chapitre avance une revendication en relation avec la gestion de l'entreprise, l'art et l'environnement, en travaillant a la fois a specifier ces liens et a explorer leurs implications. La litterature entourant les programmes artistiques de la CCA tourne generalement autour de la cooptation d'artistes par le capitalisme corporatif de la CCA et des interets de propagande de la guerre froide Americaine. Je ne nie pas que cette histoire soit imbriquee avec le capitalisme, mais en retracant le theme de l'environnement je donne une comprehension plus detaillee de ce que signifie le capitalisme dans le contexte de ces partenariats industriels-culturels, ainsi que des enjeux lies a l'usage de l'art dans la strategie d'entreprise. En me concentrant sur l'environnement, j'analyse comment ces types de partenariats sont ancres dans les questions geopolitiques liees a l'extraction des ressources, au colonialisme et a la comprehension du monde naturel. L'influence continue des entreprises sur la pratique culturelle souligne l'importance de decouvrir plus en detail les histoires de l'art et les relations d'entreprise comme celles de la CCA. Non seulement ces partenariats ont contribue a la formation d'institutions et de cadres qui restent pertinents et presents au 21e siecle, mais ce sont aussi des histoires compliquees sur la facon dont des artistes, tels que Moholy-Nagy et Herbert Bayer, ont negocie, avance et resiste a certains de ces strategies d'entreprise.
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