東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Interpolation in Fine Art Drawing: A...

Ali, Caroline Ann.

FindBook

Google Book

Amazon

博客來

Interpolation in Fine Art Drawing: An Investigation of Drawing Informed by Strategies for Retouching in Conservation of Fine Art Works on Paper.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Interpolation in Fine Art Drawing: An Investigation of Drawing Informed by Strategies for Retouching in Conservation of Fine Art Works on Paper./
作者:	Ali, Caroline Ann.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2020,
面頁冊數:	280 p.
附註:	Source: Dissertations Abstracts International, Volume: 82-08, Section: A.
Contained By:	Dissertations Abstracts International82-08A.
標題:	Fine arts. -
電子資源:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28352200
ISBN:	9798569958900

Interpolation in Fine Art Drawing: An Investigation of Drawing Informed by Strategies for Retouching in Conservation of Fine Art Works on Paper.
Ali, Caroline Ann.

Interpolation in Fine Art Drawing: An Investigation of Drawing Informed by Strategies for Retouching in Conservation of Fine Art Works on Paper. - Ann Arbor : ProQuest Dissertations & Theses, 2020 - 280 p.

Source: Dissertations Abstracts International, Volume: 82-08, Section: A.

Thesis (Ph.D.)--University of Northumbria at Newcastle (United Kingdom), 2020.

This item must not be sold to any third party vendors.

Footed in practice-based drawing, this enquiry examines ways in which Fine Art drawing might be usefully informed by strategies for conservation retouching of works of art on paper. The two fields are closely aligned with intersecting practices historically bound to both, yet this remains a critically under-explored area for research. Through engagement with conservation processes this thesis contributes to addressing this gap. The aim of this enquiry is therefore to uncover methodological intersections and differences between the two fields of practice as a source for investigation, and to chart the trajectory of these findings. The thesis is in part supported by the Charles Sims R. A. (1873-1928) archive held at Northumbria University, with drawings selected as a source from which to explore the research themes. The transdisciplinary reach of this project is explored through observation and participation in scheduled paper conservation workshops. Distilled through studio practice, evidence from these observations created a unique position from which to illuminate an area of drawing ultimately identified as interpolation. Transcription methods informed by conservation retouching theories and practices were utilised, and existing theoretic models for imitation and copy tested for relevance to conservation, with adaptions subsequently applied to drawing practice. Whilst remaining grounded in Fine Art drawing, the findings of this thesis also contribute to the field of conservation an original point of reference for cross disciplinary discourses concerning conservation and drawing practices. The contribution to knowledge for this enquiry also lies in distilling terms appropriate and distinct to this territory and its critical interpretation of interpolated drawing as drawing that is introduced to another aspect of itself. In addition, this thesis provides a modified three-part model of transcription drawing offering a framework with which to more clearly identify aspects of the research territory as enlightened by conservation, and a parallel model for conservation retouching of works of art on paper.

ISBN: 9798569958900Subjects--Topical Terms:

2122690
Fine arts.
Subjects--Index Terms:

Art conservation

Interpolation in Fine Art Drawing: An Investigation of Drawing Informed by Strategies for Retouching in Conservation of Fine Art Works on Paper.
LDR:03317nmm a2200325 4500 001 2280113
005 20210823091523.5
008 220723s2020 ||||||||||||||||| ||eng d
020 $a 9798569958900
035 $a (MiAaPQ)AAI28352200
035 $a (MiAaPQ)Northumbria_44963
035 $a AAI28352200
040 $a MiAaPQ $c MiAaPQ
100 1 $a Ali, Caroline Ann. $3 3558615
245 1 0 $a Interpolation in Fine Art Drawing: An Investigation of Drawing Informed by Strategies for Retouching in Conservation of Fine Art Works on Paper.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2020
300 $a 280 p.
500 $a Source: Dissertations Abstracts International, Volume: 82-08, Section: A.
500 $a Advisor: Colbourne, Jane;Bowen, Sian;Hughes, Dean.
502 $a Thesis (Ph.D.)--University of Northumbria at Newcastle (United Kingdom), 2020.
506 $a This item must not be sold to any third party vendors.
520 $a Footed in practice-based drawing, this enquiry examines ways in which Fine Art drawing might be usefully informed by strategies for conservation retouching of works of art on paper. The two fields are closely aligned with intersecting practices historically bound to both, yet this remains a critically under-explored area for research. Through engagement with conservation processes this thesis contributes to addressing this gap. The aim of this enquiry is therefore to uncover methodological intersections and differences between the two fields of practice as a source for investigation, and to chart the trajectory of these findings. The thesis is in part supported by the Charles Sims R. A. (1873-1928) archive held at Northumbria University, with drawings selected as a source from which to explore the research themes. The transdisciplinary reach of this project is explored through observation and participation in scheduled paper conservation workshops. Distilled through studio practice, evidence from these observations created a unique position from which to illuminate an area of drawing ultimately identified as interpolation. Transcription methods informed by conservation retouching theories and practices were utilised, and existing theoretic models for imitation and copy tested for relevance to conservation, with adaptions subsequently applied to drawing practice. Whilst remaining grounded in Fine Art drawing, the findings of this thesis also contribute to the field of conservation an original point of reference for cross disciplinary discourses concerning conservation and drawing practices. The contribution to knowledge for this enquiry also lies in distilling terms appropriate and distinct to this territory and its critical interpretation of interpolated drawing as drawing that is introduced to another aspect of itself. In addition, this thesis provides a modified three-part model of transcription drawing offering a framework with which to more clearly identify aspects of the research territory as enlightened by conservation, and a parallel model for conservation retouching of works of art on paper.
590 $a School code: 5060.
650 4 $a Fine arts. $3 2122690
650 4 $a Art history. $3 2122701
653 $a Art conservation
690 $a 0357
690 $a 0377
710 2 $a University of Northumbria at Newcastle (United Kingdom). $3 3545556
773 0 $t Dissertations Abstracts International $g 82-08A.
790 $a 5060
791 $a Ph.D.
792 $a 2020
793 $a English
856 4 0 $u https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28352200