Museum studies.
概要
作品: | 534 作品在 0 項出版品 0 種語言 |
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書目資訊
The displays, silences, and aesthetic possibilities of museum fashion's gendered geopolitics.
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Preserving horticultural heritage: Planned distribution of plant collections from public horticulture institutions.
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A Place at the Table: The Role of Historic Sites in Gentrifying Neighborhoods. Our Stories: Shaw through the 1970s.
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The Legacy of the Lady: The American Female Collector and the Legacy of her Collection.
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Art Lending Incorporated: Revealing the Mutually Beneficial Relationship between Corporations and Museums.
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Daring to be Dramatic: An Examination of the Live Interpretation of Slavery at Two Living History Museums.
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Art Museums, School Visits and Critical Thinking: A Case Study of Programmatic Strategies.
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Rocking the Boat: Exhibition Methods of Storytelling the Experience of Gender and Sexuality in Museums.
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Three Case Studies on Digital Technology Implementation in Museums for Disabled Patrons.
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The discourse and teaching of immigration history in France: Negotiations of terminology, ideology and school space.
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Engaging Young Children in the Art Museum: An Educational Criticism of an Art Museum Summer Class.
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Taking action toward inclusion: Organizational change and the inclusion of people with disabilities in museum learning.
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Earthenwhere: Intersections between place and pottery in the lives of Newfoundland and Southern New Zealand ceramic artists.
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Imagining the Way Forward Through Museum Space: Approaching Working Relationships Between Museums and Indigenous Communities.
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Operating a Museum For Profit: Furthering the dialogue about corporate structures available to museums.
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Designing Together with the World Cafe: Inviting Community Ideas for an Idea Zone in a Science Center.
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Wildlife + Human Interaction: Creating a Mindful Link between the Visitor + Pygmy Elephant Territories.
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A Digital Flame: Successful Social Media Strategies for Memorials and Memorial Museums.
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Mapping through Memory: The 2010 Rencontres Picha biennial in Lubumbashi, Democratic Republic of Congo.
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From art to performance: Marcel Duchamp's Imagery of Chess exhibition at the Julien Levy Gallery.
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The visual rhetoric of Charles Callahan Perkins: The early Italian Renaissance and a new fine arts paradigm for Boston.
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Designing mobile learning environments to support teacher-led field trips within informal learning environments.
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Cultural Identity Through Art A Twentieth Century Russian Art Museum Baltimore, Maryland.
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How Can We Talk About It?: Disrupting Heteronormativity Through Historic House Museums.
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Analysis of the application of universal design principles at National Park Service facilities.
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Entangled relations: Signs and consequences of conflated patronage at the Metropolitan Museum of Manila from 1976-1986.
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Curating Ali`i Collections: Responsibility, Sensibility, and Contextualization in Hawai'i-based Museums.
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So We Beat On: How Native Interpreters at Living History Museums Experience Racial Microaggressions.
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Connecting Literature and Exhibition: Combining Exhibition and Literature to create an Interactive Children's Literary Museum.
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Sustainability Of American Museums In The 21st Century: The Many Uses of Scientific Advancement and New Media Technology.
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Marfa, Marfa: Minimalism, rasquachismo, and questioning decolonial aesthetics in far West Texas.
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Building a Museum Culture in Saudi Arabia: Where are we now and what needs to be done?
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Developing Leadership for Canadian Museums: Linking Self-Leadership to Community Relevance.
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A study of the effectiveness of community outreach and public accessibility in art museums.
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Beyond the museum: Formative evaluation of a public program to encourage visitors' connections with nature.
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Skin Deep: African American Women and the Building of Beauty Culture in South Carolina.
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History in Your Hand: Design Elements to Enhance Adoption of a Mobile Multimedia Historical Tour.
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Conservation of a Han-Chinese woman's skirt panel from the late nineteenth to early twentieth century.
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Connect/Create: A Case Study of Choice-Based Resources at the University of Arizona Museum of Art.
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How Accessible Are You? The Need for the Effective Communication of Accessibility at Museums.
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Developing and Experiencing Visitor-Centered Exhibitions with the Supported Interpretation (SI) Model: A Double Case Study.
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Branding the North Carolina Museum of Art: Planning and implementing a public identity.
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Engaging Spaces, Engaged Audiences: The Socio-Spatial Context of Cultural Experiences in Art Galleries and Art Museums.
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These Ways of Working: Reflections on the Collaborative Nature of Staff Roles in Creating Space in Art Museums.
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An Evolving Experiment in Community Engagement: The Philippine Co-curation Partnership at the Field Museum.
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Care and Preservation of Cultural Heritage: Bridging the Fields of Conservation and Collections Management.
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Cultivating Creativity: Understanding Visitor Perceptions of Creativity in Art Museum Exhibits.
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Sites of New Media Art: Using the Internet to Explore Touch, Sociality, and Preservation.
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The Radical Potential of the Wunderkammer in Contemporary Museum and Exhibition Practice.
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The Conservation of a Qing Dynasty Kesi Panel: Treatment Decisions for a Textile in Poor Condition Containing Metal Threads.
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Green Museums Waking up the World: Indigenous and Mainstream Approaches to Exploring Sustainability.
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Museum Provenance and Its Financial Impact: The Analysis of Museum Deaccessioning and the Value of Art.
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Resiliency of Native American Women Basket Weavers from California, Great Basin, and the Southwest.
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Representations of Genocide: A Critical Examination of the Scholarly and Public Interpretations of the Conestoga Massacre.
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The Future of the Past: Third-Party Heritage Preservation Interventions and 3D Printing.
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Smithsonian Folklife Festival 2007 and the presentation of cultural diversity in America.
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Exploring the Role of In-Gallery Technology-Based Interactives on Visitor-Object Experience.
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Networked Alternatives: Digital Curation and Artistic Production on Artist-Run Platforms.
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Imagined Asia: Archaeology and Museum Anthropology of the Chinese Diaspora and the Ainu.
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Approaching the Limitless: The Sustainability of Art-Collecting Institutions of the Pacific Northwest.
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Rematerializing the Rococo: The Conservation and Display of a ca. 1775 robe a la francaise.
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Forward to Heritage: The Future of the American and British Art Museum in Their Communities.
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The Glass Collection of Ferdinand II in Museu Nacional de Arte Antiga: Study and Preservation.
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Replicating a Revolutionary War Knapsack: The Challenges and Ethics of Creating a Museum Reproduction.
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Enacting a Third Space Pedagogy in an Art Museum Setting: Strategies, Intersections, and Values.
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House Museums in Chicago: A Re-examination of Motives, Origins, and Transformations of the Institutions.
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Is the Mission the Message? A Critical Discourse Analysis of Museum Mission Statements.
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Does Awareness-Making Elicit Meaning-Making in Bell Museum Visitors? A Mixed-Methods Study of a Natural History Moose Exhibit.
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The Museum of London 1976-2007: Reimagining Metropolitan Narratives in Postcolonial London.
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"There Was Nothing, and Now We Have Something": Representation of Trans Narratives in British Museums, 2015-2018.
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Diversity and Inclusion in Art Museum Board of Governance: Does the Boardroom Reflect the Community?
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'The People's Glossary': Using Dialogic Art to Create a Common Language for User-Led Museum Practice.
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Parallaxical Identities: Architectural Semantics of Contemporary Arts Institutions and the Curation of Cultural Identity.
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When Repatriation Doesn't Happen: Relationships Created Through Cultural Property Negotiations.
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Framing Representation: An Ethnographic Exploration of Visual Sovereignty and Contemporary Native American Art.
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The Southern Front: Gay Liberation Activists in the U.S. South and Public History Through Audiovisual Exhibition.
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Influence of an Art Museum Visit on Individuals' Psychological and Physiological Indicators of Stress.
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Creating a Long-Term Relationship Between a Museum and Its Patrons: Examining Social Media as OPR Tool.
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Interactivity and Pedagogy: Developing Sensory Educational Models in Heritage Museums.
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Inclusive History: How City Museums Adapt to Significant Demographic Changes in Their Communities.
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Viajeros Y Museos De Mexico: Construyendo Una Comunidad Imaginada Una Idea Y Un Objeto a La Vez.
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Exhibitions of Witness: Locating the Fantastical Imaginaries in Cape Malay History and Identity.
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Perspectives, approaches, and experiences in curating contemporary art: A phenomenographic study.
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Telling a good story: Presenting living intangible cultural heritage in China and Africa museums.
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Art museums and their connection to neighborhood change: A case study of the Portland Art Museum in Oregon.
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Different organizational responses to the same institutional complexity: A study of U.S. art museums.
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Designing with information and communications technology for event potentials in an art museum context.
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Ephemerality and Dress Traditions A Qualitative Investigation of Wearer-Object Attachment in Participatory Dress Traditions.
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Re-imaging antiquities in Lincoln Park: Digitized public museological interactions in a post-colonial world.
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Learning together: Exploring the educational potential of a co-educational program on feminist art at the Brooklyn museum.
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The faces of PTSD an exhibition design proposal aiming to change the discussion about mental illness.
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Responsible Tourism for the New Museum: An evaluation of offsite museum travel programs.
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One on One: An Exploratory Study of Facilitated Dialogue at the Hirshhorn Museum and Sculpture Garden.
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Are Museum Professionals Happy? Exploring Well-Being Across Domains and in the Workplace.
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Leisure & Practice: An Exploratory Study on the Impact of Leisurely Museum Visits on Museum Professionals.
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Interpreting Incarceration: How Historical Prison Museums are Addressing the Social Aspects of Criminal Justice.
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Places of our own, spaces of our own: A look at the National Museum of Mexican Art and the National Hispanic Cultural Center.
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Getting Attention for a Ceramic Art Exhibition: A Case Study of a Nonprofit's Promotional Campaign.
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Living the history: The role of archaeology in the interpretation of the Wampanoag Homesite at Plimoth Plantation.
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Incorporating Gallery Lighting in a Color-Managed Imaging Workflow For Cultural Heritage.
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Olfaction and Exhibition: Assessing the Impact of Scent in Museums on Exhibit Engagement, Learning and Empathy.
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Teen programs in twenty-first century art museums: A critical analysis of nine American programs.
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Know Your Stuff: The Role of a Museum Board in Collections Policy of Historical Societies.
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Narratives of Elsewhere and In-Between: Refugee Audiences, Edu-Curators, and the Boundary Event in Art Museums.
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Applying User Experience (UX) Design in Interior Space for Art, Science Museums, and Learning Environments.
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Dr. Arthur Caswell Parker and His Impact on the Rochester Museum of Arts and Sciences and Native Americans.
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Competing Discourses, Developing Partnerships: Navigating Differences Between Ethnographic Museums and Tribal Museums.
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Towards an Indigenous Museology: Native American and First Nations Representation and Voice in North American Museums.
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Museums without Walls: Smarthistory and the Google Art Project---A Mission Possible Prophecy.
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Objects of Veneration: Music and Materiality in the Composer-Cults of Germany and Austria, 1870-1930.
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Designing for family learning in museums: How framing, joint attention, conversation, and togetherness are at play.
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Collecting Our Culture Telling the Story of Museum Collections While Exploring Object Focused Exhibitions.
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Young Adults and Nonprofit Arts and Culture Organizations: A Generational Change Analysis.
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Designing for Creativity, Collaboration, and Problem-Solving in Family Art-Making Programs at Art Museums.
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Interactive E-book Experiences in a Children's Museum: Discovery of Family Interactions.
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Caravaggio: Perception Shifts Through Selected Twentieth- and Twenty-first Century Museum Exhibitions.
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What about Us? Inclusivity, Community, and the Future of Sustainability in African-American Museums.
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Un-Disciplining the Art Museum: Museum Educators, Institutional Structures, and Processes of Change.
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Fighting against Indigenous Stereotypes and Invisibility: Gregg Deal's Use of Humor and Irony.
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Treasures and Splendors: Exhibiting Colonial Latin American Art in U.S. Museums, 1920-2020.
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In the New Body: Simone Forti's Dance Constructions (1960-61) and Their Acquisition by the Museum of Modern Art (MOMA).
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Computer-Supported Collaborative Learning Using Augmented and Virtual Reality in Museum Education.
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Do It Off Broadway: Exploring the Politics of Diversity and Inclusion in Museums through Risk, Advocacy, and Queer Experience.
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Public Curation as Civic Engagement: Naming Success in Participatory Curatorial Models.
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Whose Community Museum Is It? Collaboration Strategies and Identity Affirmation in the Amache Museum.
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Walking the Tightrope: On the Balance of Digital Technology in Museum Exhibits and the UB Anderson Gallery Interactive.
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The Collections Connection: Understanding the Attitudes of Participants in Behind-the-Scenes Museum Tours.
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Exploring Characteristics of Family Engagement Strategies Implemented within Art Museum Exhibitions.
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Creating Inclusive Experiences in Children's Museums for Children with Autism Spectrum Disorder.
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Education and the Art Viewing Experience: The Evolution of Learning in Museums and Corporate Art Collections.
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Painting a Portrait of Organizational Evaluation Capacity in the Canadian Art Museum Sector.
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Stepping Out: 10,000 Years of Walking the West: Decolonizing Strategies at the Museum of Indian Arts and Culture.
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History, Locality, and Art Worlds: A Case Study of the Center for the Arts at San Agustin Etla (CASA), Oaxaca, Mexico.
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Museum Websites and Restitution: Rediscovering Holocaust-Era Objects in the Digital Age.
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Promoting Sustainable Design in Science and Technology Museums: Exhibition Techniques for Engaging Middle School Students.
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Museum Curatorial Practices, Experiential Learning, and Undergraduate Student Transformation.
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Embodied by Design: The Presence of Creativity, Art-Making, and Self in Virtual Reality.
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Building a Collection's Care Index: An Approach to Helping Preserve Our Cultural Heritage Before It Disappears.
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Archives as Artifact for Art Analysis: A Study of the Benefits of Including Archival Material in Art Exhibits.
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Museums, Native American Representation, and the Public: The Role of Museum Anthropology in Public History, 1875-1925.
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Wayfinding for Novice Art Museum Educators: A Post-Intentional Phenomenological Exploration.
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Behind the Exhibit: Exploring the Processes of Indigenous Rights Representation at the Canadian Museum for Human Rights.
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Getting Dressed for Public History: Using Costuming YouTube as a Model for Historic Sites and Museums.
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Selective Memories / Crossing Boundaries: Reconstructing Narratives under the Camouflage of Consumption.
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Re/Staging: Critical Design and the Curatorial. An Analysis of Emerging Product Design and the Museum as Context.
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Human Echoes of Divine Words: Spiritual Madrigals Based on Italian Poetic Paraphrases of Latin Sacred Texts.
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Art for a N[ot]Ation: An Ethics of Curating the Group of Seven and Their Contemporaries.
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Private Collection, Personal Utopia: An Examination of Trends in Contemporary Private Museums in the United States.
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Determining interpretive methods for self-guided millennial visitors at an immersive art museum.
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This Is Not a Drill: A Survey of Natural Disaster Preparedness in House Museums and Historic Sites.
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Decision-Making at the Executive Level: How Boards of Trustees and Search Firms Hire Art Museum Executive Directors.
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What Asian Caregivers Observe About Their Children's Learning During a Visit to the Children's Museum.
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Decolonization and Databases: Examining Collections Management Systems and Decolonizing Practices.
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Utilizing Existing Museum Collections and GIS for Paleontological Site Assessment and Management.
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Party time: Presidential campaigns since 1832: An exhibition at the New-York Historical Society.
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A Study of Arm Ornaments on Gandharan Bodhisattva images, 1st century BCE-5th Century CE.
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The impact of Native American activism and the media on museum exhibitions of indigenous peoples: Two case studies.
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A Democratization of Approaches: Integrating Citizen Science Into the Museum Visitor Experience.
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Textiles: A Catalyst for Transformational Social Change Nonprofits Using Textiles to Empower.
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Achieving Diversity in Art Museum Staff: Understanding the Role of Statistical Data and Social Commentary.
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Museum to Museum Collaboration: Exploring the Relationships Between Museums and Cultural Organizations in Denver, Colorado.
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Opportunities in Liminality: An Inquiry into Museum Narratives and Structures as Catalysts for Culture.
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Approaching Activism: A Systematic Review of Museum Conservation Education Program Evaluations.
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Perceptions of Dutch and Belgian Art Museum Educators and Administrators on Technology Enhanced Learning.
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Anticipating the STOP Act: Perspectives on the Voluntary Repatriation of Native American Ancestors and Cultural Objects.
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The Origin, Present, and Future of Regional Art Museums - Using the Woodmere Art Museum as a Case Study.
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Social Media's Influence on Interior Design: A Visual Analysis of Experiential Museums.
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An Investigation into the Curation of Archaeological Collections in Cultural Resource Management in Ontario, Canada.
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Curating Conflict : = The Material Record of the Philippine-American War at the Oregon Historical Society.
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Exhibiting Indigenismo : = Identity Creation in the State-Organized Exhibitions of Post-Revolutionary Mexico.
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The Science Museum Field Trip : = A Case Study of Urban Teachers' Perspectives, Experiences and Planning Processes.
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Street Performance in the Making of Global Cultural City Taipei - Licensing, Navigation, Atmosphere.
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Social Media and Museum Brands as Networks: An Actor-Network Theory Study of the Manchester art Gallery.
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Enriching the public history dialogue: Effective museum education programs for audiences with special needs.
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Imperfect Inclusions: Exhibiting Non-Western Art at the Museum of Modern Art, 1935-2019.
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The Legal Lives of Things: The Metropolitan Museum of Art at the Boundary Between Public and Private.
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Restoring Identity: The Analysis and Conservation of a Pair of Early Nineteenth-Century New England Samplers.
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A History of the British Museum's Repatriation Debates of the Parthenon Marbles and Benin Bronzes.
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Decoding Artifacts for the Museum Viewer: Case Study of a Virtue from the Cathedral of Notre Dame in the Nasher Museum of Art.
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Interrogating Museum Narratives: Early American Genre Painting, Kehinde Wiley and Photographic Perspectives of Youth of Color.
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What I Learned about Learning in the Museum from Visitors and from Exhibit Design Research -2003 to 2013.
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Know Your Artist: A Critical Exploration of the Effects of Artist Identity Knowledge on Viewers' Aesthetic Emotions.
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The Pedagogical Intersection of Material Culture and Apparel Design Scholarship at a Midwestern University.
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Learning recollection and connection: a study of cultural identities amongst visitors to local museums in taiwan.
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Immersive Media, Social Change, and Creativity: A Framework for Designing Collaborative 360° Video Productions.
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Tourism, Education, and Identity Making: Agency and Representation of Indigenous Communities in Public Sites within Florida.
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Teaching and Learning for Historical Justice: A Comparative Case Study of Four Sites of History Education in Canada.
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Conservation of Functional Heritage Railway Buildings as an Archetype for the Conservation of Functional Heritage Buildings.
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Applications of Augmented and Virtual Reality at Museums and Archaeological Parks to Improve Sustainability.
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Function and Aesthetic Value : = An Analysis of the Milwaukee Public Museum's Thai Royal Silver Collection.
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Inside the Postdigital Crowds : = The Aesthetics and Politics of the Mediation and Governing of Digitised Crowds.
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The Normative Functions of Artist Intentions in a Twenty-First Century Contemporary Art Practice.
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Teacher agenda and teacher museum experience : = A comparative study of England and Taiwan.
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Packaging Environments : = the Art and Design of the Container Corporation of America.
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Moccasin Economics : = Entangled Museum Stories of Niitsitapi Women, Labor, and Footwear.
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(Im)Possibilities : = Exhibition Curation at the National Museum of the American Indian and the Decolonizing Agenda.
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Transformative Opportunities Through Decolonizing and Indigenizing Museums : = People, Collections, Exhibitions.
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Getting Outside Our Walls : = How a Provulnerable Culture Supports Organizational and Visitor Learning in Museums.
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Screen Education : = Using Exhibitions to Research Museums in Movies and Learning Through Film.
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Tactile Interpretations of Historical Embroidered Patches : = Methods and Best Practices.
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Art-At-Work : = Creativity and Social Practice as Collaborative, Interdisciplinary Research.
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Native Fashion and Museums : = How Institutions Use Native Clothing Objects in Their Exhibitions.
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Critical Fabulation Meets Material Culture : = Reimagining Kosova's Art by Feminist Knowledge Production.
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