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People and Place: A Journey through ...
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Beals, Sarah.
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People and Place: A Journey through Film, Tourism, and Heritage.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
People and Place: A Journey through Film, Tourism, and Heritage./
作者:
Beals, Sarah.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2020,
面頁冊數:
146 p.
附註:
Source: Masters Abstracts International, Volume: 82-04.
Contained By:
Masters Abstracts International82-04.
標題:
Museum studies. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28088889
ISBN:
9798678179135
People and Place: A Journey through Film, Tourism, and Heritage.
Beals, Sarah.
People and Place: A Journey through Film, Tourism, and Heritage.
- Ann Arbor : ProQuest Dissertations & Theses, 2020 - 146 p.
Source: Masters Abstracts International, Volume: 82-04.
Thesis (M.A.)--University of Denver, 2020.
This item must not be sold to any third party vendors.
Old Tucson Studios is a theme park where film, tourism, and heritage all converge through the American Western genre. During national social change, Westerns increase in number to reflect national values and identity. Westerns that ally with landscapes and people are potentially the most powerful storytelling tool in mainstream media. My research shows that this paring of people and place creates a prevailing image in the audience's memory. The results suggest that the current image of the West comes from films made between 1951-1970, despite there being newer Westerns. John Wayne and saguaro cactus are enduring images with historic, cultural, and pilgrimage-like importance. Through national identity/history/film, film-induced tourism, decolonization, and intersectionality. I explore the cycle of expectations between storytellers and the audience, the importance of building new Westerns for modern times, especially where audiences can experience it in person at Old Tucson Studios.
ISBN: 9798678179135Subjects--Topical Terms:
2122775
Museum studies.
Subjects--Index Terms:
Decolonization
People and Place: A Journey through Film, Tourism, and Heritage.
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Old Tucson Studios is a theme park where film, tourism, and heritage all converge through the American Western genre. During national social change, Westerns increase in number to reflect national values and identity. Westerns that ally with landscapes and people are potentially the most powerful storytelling tool in mainstream media. My research shows that this paring of people and place creates a prevailing image in the audience's memory. The results suggest that the current image of the West comes from films made between 1951-1970, despite there being newer Westerns. John Wayne and saguaro cactus are enduring images with historic, cultural, and pilgrimage-like importance. Through national identity/history/film, film-induced tourism, decolonization, and intersectionality. I explore the cycle of expectations between storytellers and the audience, the importance of building new Westerns for modern times, especially where audiences can experience it in person at Old Tucson Studios.
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