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Speculative Subjectivities : = Essayistic Forms and Material Bodies.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Speculative Subjectivities :/
其他題名:
Essayistic Forms and Material Bodies.
作者:
Siivonen, Eeva.
面頁冊數:
1 online resource (112 pages)
附註:
Source: Dissertations Abstracts International, Volume: 84-02, Section: A.
Contained By:
Dissertations Abstracts International84-02A.
標題:
Language. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29239087click for full text (PQDT)
ISBN:
9798841580867
Speculative Subjectivities : = Essayistic Forms and Material Bodies.
Siivonen, Eeva.
Speculative Subjectivities :
Essayistic Forms and Material Bodies. - 1 online resource (112 pages)
Source: Dissertations Abstracts International, Volume: 84-02, Section: A.
Thesis (Ph.D.)--The University of Western Ontario (Canada), 2022.
Includes bibliographical references
This practice-based research project focuses on selected contemporary moving image practices that work with strategies of experimental documentary, essayistic filmmaking, and site-specific installation. It focuses on the specific tactics employed by three artists, Dani ReStack, Rachel Rose and Diana Thater. The forms and strategies employed in these practices are analyzed through case studies of ReStack's Draft 9 (2003), Rose's Sitting Feeding Sleeping (2013), and Thater's Delphine (1999). The specific purpose of this research is to illuminate how these contemporary moving image practices describe subjective experience, in both single-channel and installation forms, to critically engage with anthropocentric and humanist notions of subjectivity and human exceptionalism. The research examines the use of essayistic strategies like voice-over and text-on-screen and the activation of the embodied and sensorial qualities of moving images, particularly in reference to how they have been analyzed in the context of phenomenological film theory by Vivian Sobchack, Jennifer M. Barker, and Laura U. Marks. These practices use the sensorial, affective, and embodied potential of moving images, and the tactics of moving image installation, to foreground the materiality of the body as the foundation of subjective experience. They also employ this materiality as a strategy for undermining boundaries and hierarchical relationships between human and nonhuman realms. This research, led by a practice-based perspective, creates an interdisciplinary dialogue between these contemporary practices and the theoretical frameworks of critical posthumanism, particularly new materialism. It specifically uses reconfigurations of subjectivity and humanness as they've been proposed by Rosi Braidotti, Elizabeth Grosz, Patricia MacCormack, and Donna Haraway.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023
Mode of access: World Wide Web
ISBN: 9798841580867Subjects--Topical Terms:
643551
Language.
Index Terms--Genre/Form:
542853
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Speculative Subjectivities : = Essayistic Forms and Material Bodies.
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This practice-based research project focuses on selected contemporary moving image practices that work with strategies of experimental documentary, essayistic filmmaking, and site-specific installation. It focuses on the specific tactics employed by three artists, Dani ReStack, Rachel Rose and Diana Thater. The forms and strategies employed in these practices are analyzed through case studies of ReStack's Draft 9 (2003), Rose's Sitting Feeding Sleeping (2013), and Thater's Delphine (1999). The specific purpose of this research is to illuminate how these contemporary moving image practices describe subjective experience, in both single-channel and installation forms, to critically engage with anthropocentric and humanist notions of subjectivity and human exceptionalism. The research examines the use of essayistic strategies like voice-over and text-on-screen and the activation of the embodied and sensorial qualities of moving images, particularly in reference to how they have been analyzed in the context of phenomenological film theory by Vivian Sobchack, Jennifer M. Barker, and Laura U. Marks. These practices use the sensorial, affective, and embodied potential of moving images, and the tactics of moving image installation, to foreground the materiality of the body as the foundation of subjective experience. They also employ this materiality as a strategy for undermining boundaries and hierarchical relationships between human and nonhuman realms. This research, led by a practice-based perspective, creates an interdisciplinary dialogue between these contemporary practices and the theoretical frameworks of critical posthumanism, particularly new materialism. It specifically uses reconfigurations of subjectivity and humanness as they've been proposed by Rosi Braidotti, Elizabeth Grosz, Patricia MacCormack, and Donna Haraway.
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