語系:
繁體中文
English
說明(常見問題)
回圖書館首頁
手機版館藏查詢
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
FindBook
Google Book
Amazon
博客來
Human Echoes of Divine Words: Spiritual Madrigals Based on Italian Poetic Paraphrases of Latin Sacred Texts.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Human Echoes of Divine Words: Spiritual Madrigals Based on Italian Poetic Paraphrases of Latin Sacred Texts./
作者:
Medzvieckaite, Ginte.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2020,
面頁冊數:
461 p.
附註:
Source: Dissertations Abstracts International, Volume: 83-03, Section: A.
Contained By:
Dissertations Abstracts International83-03A.
標題:
Study abroad. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28731750
ISBN:
9798544225638
Human Echoes of Divine Words: Spiritual Madrigals Based on Italian Poetic Paraphrases of Latin Sacred Texts.
Medzvieckaite, Ginte.
Human Echoes of Divine Words: Spiritual Madrigals Based on Italian Poetic Paraphrases of Latin Sacred Texts.
- Ann Arbor : ProQuest Dissertations & Theses, 2020 - 461 p.
Source: Dissertations Abstracts International, Volume: 83-03, Section: A.
Thesis (Ph.D.)--The University of Manchester (United Kingdom), 2020.
This item must not be sold to any third party vendors.
The present thesis examines spiritual madrigals based on Italian poetic paraphrases of Latin sacred texts printed in the Italian States between the late 1530s and 1630. 'Spiritual madrigal' is the term used to label madrigals setting texts with explicit religious or moral content instead of secular love lyrics. Virtually ignored by musicologists until half a century ago, the spiritual madrigal finally found its way into scholarly discourse thanks to the works of Elena Ferrari Barassi (1969), Margaret Ann Rorke (1980) and Katherine Susan Powers (1997). Since then, the topic has become established in cultural and musicological historiography, not least due to the general surge of interest in questions surrounding early modern religious devotion. Many of the Italian poetic texts used for the spiritual madrigal are freely composed, but some of them are in fact paraphrases of Latin texts from Scripture or the Catholic liturgy. It is this sub-group of spiritual madrigals that the thesis focuses on.The musical analysis centers around four major case studies - spiritual madrigal cycles based on paraphrases of sacred Latin texts published in the decades surrounding the turn of the seventeenth century when the popularity of the spiritual madrigal had reached its peak. The cycles were composed by Giovanni Pellio, Giovanni Pierluigi da Palestrina, Giovanni Croce and Flaminio Oddi. The thesis queries the role and the purpose of these spiritual madrigals in the religious and musical culture of late sixteenth-century Italy. The inquiry considers not only the style of the case studies and the biographies of their authors, but also the cultural and religious practices with which the case studies would have been associated by their audiences. It does this from the conviction that knowing on what cultural vocabulary a composition or a poem drew helps to infer what messages its author was trying to convey and what person or group of people could have been interested in that composition or poem.The inquiry has demonstrated that, despite their lyrics being paraphrases of Latin sacred texts, the musical style of the spiritual madrigals examined was without doubt that of the madrigal rather than that of sacred music. However, the setting of the closest paraphrase, Giovanni Croce's "Sette Sonetti penitentiali" (Venice: Giacomo Vincenzi, 1596/7), also contains some allusions to sacred music associated with the Penitential Psalms on which the texts of the madrigals are modelled. The works examined were most probably aimed at individuals who valued the poetic and musical sophistication of the madrigal genre but preferred spiritual texts with scriptural references to secular erotic texts: cultured members of the clergy, monks or nuns hailing from upper-class families and elite members of lay religious confraternities. In addition to their general orientation, at least three of the four cycles examined in detail were published with a specific agenda in mind on the part of their author or dedicatee.Although poetic paraphrases of Latin sacred texts and the spiritual madrigals based on them are just two of the many types of intertextual cultural outputs created during the sixteenth century, they provide valuable and, due to their nature, specific insights into the cultural reality of the period. The present thesis is the first larger-scale study on Italian devotional music since 2013 and the only study thus far focusing on spiritual madrigals based on paraphrases of sacred Latin texts. Due to the holistic methodological approach taken, the thesis not only provides an analysis and the first ever modern editions of several lesser-known musical works, but also shows how these works were embedded in early modern Italian Catholic culture.
ISBN: 9798544225638Subjects--Topical Terms:
3557623
Study abroad.
Human Echoes of Divine Words: Spiritual Madrigals Based on Italian Poetic Paraphrases of Latin Sacred Texts.
LDR
:04978nmm a2200361 4500
001
2343732
005
20220512072143.5
008
241004s2020 ||||||||||||||||| ||eng d
020
$a
9798544225638
035
$a
(MiAaPQ)AAI28731750
035
$a
(MiAaPQ)Manchester_UKe884e00f-6afb-4ce6-8ba2-9edb10161e8c
035
$a
AAI28731750
040
$a
MiAaPQ
$c
MiAaPQ
100
1
$a
Medzvieckaite, Ginte.
$3
3682374
245
1 0
$a
Human Echoes of Divine Words: Spiritual Madrigals Based on Italian Poetic Paraphrases of Latin Sacred Texts.
260
1
$a
Ann Arbor :
$b
ProQuest Dissertations & Theses,
$c
2020
300
$a
461 p.
500
$a
Source: Dissertations Abstracts International, Volume: 83-03, Section: A.
500
$a
Advisor: Schmidt, Thomas;Rutherford, Susan.
502
$a
Thesis (Ph.D.)--The University of Manchester (United Kingdom), 2020.
506
$a
This item must not be sold to any third party vendors.
520
$a
The present thesis examines spiritual madrigals based on Italian poetic paraphrases of Latin sacred texts printed in the Italian States between the late 1530s and 1630. 'Spiritual madrigal' is the term used to label madrigals setting texts with explicit religious or moral content instead of secular love lyrics. Virtually ignored by musicologists until half a century ago, the spiritual madrigal finally found its way into scholarly discourse thanks to the works of Elena Ferrari Barassi (1969), Margaret Ann Rorke (1980) and Katherine Susan Powers (1997). Since then, the topic has become established in cultural and musicological historiography, not least due to the general surge of interest in questions surrounding early modern religious devotion. Many of the Italian poetic texts used for the spiritual madrigal are freely composed, but some of them are in fact paraphrases of Latin texts from Scripture or the Catholic liturgy. It is this sub-group of spiritual madrigals that the thesis focuses on.The musical analysis centers around four major case studies - spiritual madrigal cycles based on paraphrases of sacred Latin texts published in the decades surrounding the turn of the seventeenth century when the popularity of the spiritual madrigal had reached its peak. The cycles were composed by Giovanni Pellio, Giovanni Pierluigi da Palestrina, Giovanni Croce and Flaminio Oddi. The thesis queries the role and the purpose of these spiritual madrigals in the religious and musical culture of late sixteenth-century Italy. The inquiry considers not only the style of the case studies and the biographies of their authors, but also the cultural and religious practices with which the case studies would have been associated by their audiences. It does this from the conviction that knowing on what cultural vocabulary a composition or a poem drew helps to infer what messages its author was trying to convey and what person or group of people could have been interested in that composition or poem.The inquiry has demonstrated that, despite their lyrics being paraphrases of Latin sacred texts, the musical style of the spiritual madrigals examined was without doubt that of the madrigal rather than that of sacred music. However, the setting of the closest paraphrase, Giovanni Croce's "Sette Sonetti penitentiali" (Venice: Giacomo Vincenzi, 1596/7), also contains some allusions to sacred music associated with the Penitential Psalms on which the texts of the madrigals are modelled. The works examined were most probably aimed at individuals who valued the poetic and musical sophistication of the madrigal genre but preferred spiritual texts with scriptural references to secular erotic texts: cultured members of the clergy, monks or nuns hailing from upper-class families and elite members of lay religious confraternities. In addition to their general orientation, at least three of the four cycles examined in detail were published with a specific agenda in mind on the part of their author or dedicatee.Although poetic paraphrases of Latin sacred texts and the spiritual madrigals based on them are just two of the many types of intertextual cultural outputs created during the sixteenth century, they provide valuable and, due to their nature, specific insights into the cultural reality of the period. The present thesis is the first larger-scale study on Italian devotional music since 2013 and the only study thus far focusing on spiritual madrigals based on paraphrases of sacred Latin texts. Due to the holistic methodological approach taken, the thesis not only provides an analysis and the first ever modern editions of several lesser-known musical works, but also shows how these works were embedded in early modern Italian Catholic culture.
590
$a
School code: 1543.
650
4
$a
Study abroad.
$3
3557623
650
4
$a
Secularism.
$3
660507
650
4
$a
Art galleries & museums.
$3
3561426
650
4
$a
Poetry.
$3
528749
650
4
$a
Culture.
$3
517003
650
4
$a
Religious music.
$3
3556286
650
4
$a
Intellectual property.
$3
572975
650
4
$a
Sonnets.
$2
lcstt
$3
3274512
650
4
$a
16th century.
$3
1973898
650
4
$a
17th century.
$3
1973271
650
4
$a
Bible.
$3
1248681
650
4
$a
Religion.
$3
516493
650
4
$a
Sacred texts.
$3
3682375
650
4
$a
Latin language.
$3
3682376
650
4
$a
Hebrew language.
$3
924483
650
4
$a
Inscriptions.
$3
815165
650
4
$a
Language.
$3
643551
650
4
$a
Literature.
$3
537498
650
4
$a
Museum studies.
$3
2122775
650
4
$a
Music.
$3
516178
650
4
$a
Manuscripts.
$3
3566242
650
4
$a
Bibliographic literature.
$3
3560640
650
4
$a
Book reviews.
$3
3556298
650
4
$a
Case studies.
$2
itrt
$3
996239
650
4
$a
Academic libraries.
$3
635314
650
4
$a
Copyright.
$3
601694
690
$a
0513
690
$a
0318
690
$a
0679
690
$a
0401
690
$a
0730
690
$a
0413
710
2
$a
The University of Manchester (United Kingdom).
$3
3422292
773
0
$t
Dissertations Abstracts International
$g
83-03A.
790
$a
1543
791
$a
Ph.D.
792
$a
2020
793
$a
English
856
4 0
$u
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28731750
筆 0 讀者評論
館藏地:
全部
電子資源
出版年:
卷號:
館藏
1 筆 • 頁數 1 •
1
條碼號
典藏地名稱
館藏流通類別
資料類型
索書號
使用類型
借閱狀態
預約狀態
備註欄
附件
W9466170
電子資源
11.線上閱覽_V
電子書
EB
一般使用(Normal)
在架
0
1 筆 • 頁數 1 •
1
多媒體
評論
新增評論
分享你的心得
Export
取書館
處理中
...
變更密碼
登入