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Critical Fabulation Meets Material Culture : = Reimagining Kosova's Art by Feminist Knowledge Production.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Critical Fabulation Meets Material Culture :/
其他題名:
Reimagining Kosova's Art by Feminist Knowledge Production.
作者:
Kabashi, Drita Bruqi.
面頁冊數:
1 online resource (112 pages)
附註:
Source: Masters Abstracts International, Volume: 85-04.
Contained By:
Masters Abstracts International85-04.
標題:
Art history. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30765092click for full text (PQDT)
ISBN:
9798380418911
Critical Fabulation Meets Material Culture : = Reimagining Kosova's Art by Feminist Knowledge Production.
Kabashi, Drita Bruqi.
Critical Fabulation Meets Material Culture :
Reimagining Kosova's Art by Feminist Knowledge Production. - 1 online resource (112 pages)
Source: Masters Abstracts International, Volume: 85-04.
Thesis (M.A.)--University of Illinois at Chicago, 2023.
Includes bibliographical references
Working briefly at the National Museum of Kosova there were artifacts within the permanent collection that stuck to me, haunting me beyond my short internship. I found myself thinking incessantly about these markers of Albanian identity: how have they come to gain their venerated status and who/ what does this status negate? What is this status in service of? I turn to the objects themselves: the Goddess on the Throne (a figurine of the Neolithic), the Xhubleta (customary dress), and oil lamps of Ancient Dardania. I ask them to animate, to respond (or not respond), to engage in a collaboration with me as an art historian and as a female Kosovar American, as Drita. In many ways, these case studies are an attempt to exorcise their haunting through invoking the material objects as agents of their own narration, through tracking historical processes that destabilize notions of linear time. Using critical fabulation (specifically the medium of poetry) I am hoping to create an alternative archive for these artifacts. My goal is to propose these poems as alternative museum labels that decenter fixed notions of cultural identity, femininity, and time, and recenter the contradictions that live within the pedestalized status of these cultural icons.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023
Mode of access: World Wide Web
ISBN: 9798380418911Subjects--Topical Terms:
2122701
Art history.
Subjects--Index Terms:
Critical fabulationIndex Terms--Genre/Form:
542853
Electronic books.
Critical Fabulation Meets Material Culture : = Reimagining Kosova's Art by Feminist Knowledge Production.
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Working briefly at the National Museum of Kosova there were artifacts within the permanent collection that stuck to me, haunting me beyond my short internship. I found myself thinking incessantly about these markers of Albanian identity: how have they come to gain their venerated status and who/ what does this status negate? What is this status in service of? I turn to the objects themselves: the Goddess on the Throne (a figurine of the Neolithic), the Xhubleta (customary dress), and oil lamps of Ancient Dardania. I ask them to animate, to respond (or not respond), to engage in a collaboration with me as an art historian and as a female Kosovar American, as Drita. In many ways, these case studies are an attempt to exorcise their haunting through invoking the material objects as agents of their own narration, through tracking historical processes that destabilize notions of linear time. Using critical fabulation (specifically the medium of poetry) I am hoping to create an alternative archive for these artifacts. My goal is to propose these poems as alternative museum labels that decenter fixed notions of cultural identity, femininity, and time, and recenter the contradictions that live within the pedestalized status of these cultural icons.
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