東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

FindBook

Google Book

Amazon

博客來

The Relationship between Curators and Living Artist when Managing an Exhibition.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The Relationship between Curators and Living Artist when Managing an Exhibition./
作者:	Delahunt, Olivia Micheale.
面頁冊數:	1 online resource (74 pages)
附註:	Source: Masters Abstracts International, Volume: 84-07.
Contained By:	Masters Abstracts International84-07.
標題:	Arts management. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30243088click for full text (PQDT)
ISBN:	9798368446950

The Relationship between Curators and Living Artist when Managing an Exhibition.
Delahunt, Olivia Micheale.

The Relationship between Curators and Living Artist when Managing an Exhibition. - 1 online resource (74 pages)

Source: Masters Abstracts International, Volume: 84-07.

Thesis (M.S.)--Drexel University, 2022.

Includes bibliographical references

I found that there was a lack of literature on the actual day-to-day of curators who manage exhibitions of living artists. That is when my research question came about: what does the relationship between curators and living artists look like when they are managing an exhibition? I explored the effect of the COVID-19 pandemic when it came to finding artists and developing relationships during a completely virtual world, and how it translated into coming back into the museum space and being in person. It has become very prominent that social media has played a role in art being distributed and put on display during COVID-19 and it was important to see how curators have used that to their advantage. I used the interviewing method to collect qualitative data from four curators from four different contemporary art museums. I chose all museums that were on the East coast but in different states, Delaware, New Jersey, New York, and Pennsylvania. I wanted to see if policies determined the treatment and relationship with the artists. I found that each curator has their own set of rules and standards that they use to pick artists to exhibit, regardless of the museum. When it came to working with the artists, they all said to remember that artists are people, and sometimes it is hard to work with people, but overall, they have had good experiences. Going into the curating field with knowledge of how to select an artist, managing the relationship, successfully managing an exhibition, and maintaining the relationship with the artist is something that will set new professionals up to do significant impact in this field.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9798368446950Subjects--Topical Terms:

3168382
Arts management.
Subjects--Index Terms:

Art museumIndex Terms--Genre/Form:

542853
Electronic books.

The Relationship between Curators and Living Artist when Managing an Exhibition.
LDR:02976nmm a2200397K 4500 001 2355829
005 20230523083444.5
006 m o d
007 cr mn ---uuuuu
008 241011s2022 xx obm 000 0 eng d
020 $a 9798368446950
035 $a (MiAaPQ)AAI30243088
035 $a AAI30243088
040 $a MiAaPQ $b eng $c MiAaPQ $d NTU
100 1 $a Delahunt, Olivia Micheale. $3 3696285
245 1 4 $a The Relationship between Curators and Living Artist when Managing an Exhibition.
264 0 $c 2022
300 $a 1 online resource (74 pages)
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Source: Masters Abstracts International, Volume: 84-07.
500 $a Advisor: Yau, Pamela.
502 $a Thesis (M.S.)--Drexel University, 2022.
504 $a Includes bibliographical references
520 $a I found that there was a lack of literature on the actual day-to-day of curators who manage exhibitions of living artists. That is when my research question came about: what does the relationship between curators and living artists look like when they are managing an exhibition? I explored the effect of the COVID-19 pandemic when it came to finding artists and developing relationships during a completely virtual world, and how it translated into coming back into the museum space and being in person. It has become very prominent that social media has played a role in art being distributed and put on display during COVID-19 and it was important to see how curators have used that to their advantage. I used the interviewing method to collect qualitative data from four curators from four different contemporary art museums. I chose all museums that were on the East coast but in different states, Delaware, New Jersey, New York, and Pennsylvania. I wanted to see if policies determined the treatment and relationship with the artists. I found that each curator has their own set of rules and standards that they use to pick artists to exhibit, regardless of the museum. When it came to working with the artists, they all said to remember that artists are people, and sometimes it is hard to work with people, but overall, they have had good experiences. Going into the curating field with knowledge of how to select an artist, managing the relationship, successfully managing an exhibition, and maintaining the relationship with the artist is something that will set new professionals up to do significant impact in this field.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2023
538 $a Mode of access: World Wide Web
650 4 $a Arts management. $3 3168382
650 4 $a Museum studies. $3 2122775
653 $a Art museum
653 $a Arts management
653 $a Contemporary art
653 $a Curator
653 $a Exhibition mManagement
653 $a Living artists
655 7 $a Electronic books. $2 lcsh $3 542853
690 $a 0424
690 $a 0730
710 2 $a ProQuest Information and Learning Co. $3 783688
710 2 $a Drexel University. $b Arts Administration and Museum Leadership (Westphal College of Media Arts and Design). $3 3683249
773 0 $t Masters Abstracts International $g 84-07.
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30243088 $z click for full text (PQDT)