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Restoring Identity: The Analysis and Conservation of a Pair of Early Nineteenth-Century New England Samplers.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Restoring Identity: The Analysis and Conservation of a Pair of Early Nineteenth-Century New England Samplers./
作者:	Freeman, Carrie Miller.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2020,
面頁冊數:	165 p.
附註:	Source: Masters Abstracts International, Volume: 81-10.
Contained By:	Masters Abstracts International81-10.
標題:	Textile research. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27836442
ISBN:	9798641783659

Restoring Identity: The Analysis and Conservation of a Pair of Early Nineteenth-Century New England Samplers.
Freeman, Carrie Miller.

Restoring Identity: The Analysis and Conservation of a Pair of Early Nineteenth-Century New England Samplers. - Ann Arbor : ProQuest Dissertations & Theses, 2020 - 165 p.

Source: Masters Abstracts International, Volume: 81-10.

Thesis (M.A.)--Fashion Institute of Technology, State University of New York, 2020.

This item must not be sold to any third party vendors.

This paper recounts the analysis and treatment of two embroidered samplers from New England, dated 1815 and 1823-1824, respectively. The textiles are family heirlooms that belong to a private client. The first section places the pieces into context within the history of embroidered samplers, describing their use as educational tools and their representation of young female artists working within patriarchal social institutions. The composition, materials, motifs, and poetry are analyzed to provide insight into the artists' personal values, tastes, and circumstances. Finally, genealogical research traces the connection between the artists and the client. Having been passed down over many generations, the samplers provide an ideal case study of conservation issues typical of textiles stored in a domestic environment. The second and third chapters describe the conservation treatment of each sampler in preparation for reframing and vertical display in the client's home. Processes of vacuuming, humidification, suction cleaning, dyeing-to-match threads, infilling loss, adhesive removal, rust removal, mounting, and conservation framing are discussed. Digitally printed infills are used to replicate the texture of woven fabric, and a template is developed and presented for color matching printed textiles. These chapters also examine the ethical challenges of working with a private client whose end goals may differ from that of a museum collection, as well as some health and safety considerations confronting pregnant and nursing conservators. Finally, the decision to preserve an associated material, used in an earlier restoration, is investigated.

ISBN: 9798641783659Subjects--Topical Terms:

2153103
Textile research.
Subjects--Index Terms:

Applied sciences

Restoring Identity: The Analysis and Conservation of a Pair of Early Nineteenth-Century New England Samplers.
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300 $a 165 p.
500 $a Source: Masters Abstracts International, Volume: 81-10.
500 $a Advisor: Morris, Bernice.
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506 $a This item must not be sold to any third party vendors.
520 $a This paper recounts the analysis and treatment of two embroidered samplers from New England, dated 1815 and 1823-1824, respectively. The textiles are family heirlooms that belong to a private client. The first section places the pieces into context within the history of embroidered samplers, describing their use as educational tools and their representation of young female artists working within patriarchal social institutions. The composition, materials, motifs, and poetry are analyzed to provide insight into the artists' personal values, tastes, and circumstances. Finally, genealogical research traces the connection between the artists and the client. Having been passed down over many generations, the samplers provide an ideal case study of conservation issues typical of textiles stored in a domestic environment. The second and third chapters describe the conservation treatment of each sampler in preparation for reframing and vertical display in the client's home. Processes of vacuuming, humidification, suction cleaning, dyeing-to-match threads, infilling loss, adhesive removal, rust removal, mounting, and conservation framing are discussed. Digitally printed infills are used to replicate the texture of woven fabric, and a template is developed and presented for color matching printed textiles. These chapters also examine the ethical challenges of working with a private client whose end goals may differ from that of a museum collection, as well as some health and safety considerations confronting pregnant and nursing conservators. Finally, the decision to preserve an associated material, used in an earlier restoration, is investigated.
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653 $a Digital printing
653 $a Embroidered sampler
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653 $a Textile conservation
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