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Framing Representation: An Ethnograp...

Hughes, Laura A.

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Framing Representation: An Ethnographic Exploration of Visual Sovereignty and Contemporary Native American Art.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Framing Representation: An Ethnographic Exploration of Visual Sovereignty and Contemporary Native American Art./
Author:	Hughes, Laura A.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2020,
Description:	184 p.
Notes:	Source: Masters Abstracts International, Volume: 82-04.
Contained By:	Masters Abstracts International82-04.
Subject:	Museum studies. -
Online resource:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28088524
ISBN:	9798678178947

Framing Representation: An Ethnographic Exploration of Visual Sovereignty and Contemporary Native American Art.
Hughes, Laura A.

Framing Representation: An Ethnographic Exploration of Visual Sovereignty and Contemporary Native American Art. - Ann Arbor : ProQuest Dissertations & Theses, 2020 - 184 p.

Source: Masters Abstracts International, Volume: 82-04.

Thesis (M.A.)--University of Denver, 2020.

This item must not be sold to any third party vendors.

The nature of this research is to explore the idea of visual sovereignty within contemporary Native American art, and how this concept engages with practices of decolonization. Through conducting semi-structured interviews with five artists who self-identify as Native American, I explore how the artists engage with this concept, what visual narratives their artwork presents, and how their works function as acts of decolonization. I connect their narratives to a broader conversation of critical museology and museum anthropology within museum spaces including how to reconsider the art/artifact divide, how to frame Indigenous arts reception through Indigenous aesthetics, and how their narratives add multiplicity to the concept of sovereignty. This research utilizes critical ethnography and narrative methodology to present the data, which is interpreted through the frameworks of visual sovereignty, Tribal Critical Race Theory, and both relational and Indigenous aesthetics.

ISBN: 9798678178947Subjects--Topical Terms:

2122775
Museum studies.
Subjects--Index Terms:

Critical museology

Framing Representation: An Ethnographic Exploration of Visual Sovereignty and Contemporary Native American Art.
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300 $a 184 p.
500 $a Source: Masters Abstracts International, Volume: 82-04.
500 $a Advisor: Kreps, Christina.
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506 $a This item must not be sold to any third party vendors.
520 $a The nature of this research is to explore the idea of visual sovereignty within contemporary Native American art, and how this concept engages with practices of decolonization. Through conducting semi-structured interviews with five artists who self-identify as Native American, I explore how the artists engage with this concept, what visual narratives their artwork presents, and how their works function as acts of decolonization. I connect their narratives to a broader conversation of critical museology and museum anthropology within museum spaces including how to reconsider the art/artifact divide, how to frame Indigenous arts reception through Indigenous aesthetics, and how their narratives add multiplicity to the concept of sovereignty. This research utilizes critical ethnography and narrative methodology to present the data, which is interpreted through the frameworks of visual sovereignty, Tribal Critical Race Theory, and both relational and Indigenous aesthetics.
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653 $a Indigenous aesthetics
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653 $a Visual sovereignty
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