東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Survivor memory, collective narrativ...

Salazar, Alexxandra E. A.

FindBook

Google Book

Amazon

博客來

Survivor memory, collective narrative: Producing the "Remembering the Killing Fields" exhibit at the National Cambodian Heritage Museum and Memorial in Chicago, Illinois.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Survivor memory, collective narrative: Producing the "Remembering the Killing Fields" exhibit at the National Cambodian Heritage Museum and Memorial in Chicago, Illinois./
作者:	Salazar, Alexxandra E. A.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2016,
面頁冊數:	203 p.
附註:	Source: Masters Abstracts International, Volume: 55-06.
Contained By:	Masters Abstracts International55-06(E).
標題:	Cultural anthropology. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10158907
ISBN:	9781369139006

Survivor memory, collective narrative: Producing the "Remembering the Killing Fields" exhibit at the National Cambodian Heritage Museum and Memorial in Chicago, Illinois.
Salazar, Alexxandra E. A.

Survivor memory, collective narrative: Producing the "Remembering the Killing Fields" exhibit at the National Cambodian Heritage Museum and Memorial in Chicago, Illinois. - Ann Arbor : ProQuest Dissertations & Theses, 2016 - 203 p.

Source: Masters Abstracts International, Volume: 55-06.

Thesis (M.A.)--Northern Illinois University, 2016.

In 2011, the National Cambodian Heritage Museum and Killing Fields Memorial (NCHM) opened an exhibition titled, Remembering the Killing Fields (RKF). The exhibit was formed from the collection and curation of survivor memory in the form of life history interviews and documentary objects representing the period of the Khmer Rouge regime in Cambodia (1975-1979). This research examines the development process of the RKF exhibit, looking particularly at the negotiations, challenges, and decisions that occurred behind-the-scenes between multiple groups involved in the exhibit's design, including first-generation Cambodian survivors, 1.5/2.0-generation Cambodian Americans, as well as non-Khmer museum professionals and scholars. How did NCHM/CAI deal with the multiple, and sometimes conflicting, expectations for the exhibit by the various groups involved in its development? How did the museum balance efforts between goals of memorialization and education in the RKF exhibit? How did politics of memory and representation affect the exhibit design? How does the museum's representation of the Khmer Rouge period compare to other narratives and forms of representation of the period? This thesis explores the ways in which the Cambodian genocide is represented, remembrance is enacted, and how survivors and communities affected by genocide gain power and voice by producing survivor narratives in this memorial museum setting.

ISBN: 9781369139006Subjects--Topical Terms:

2122764
Cultural anthropology.

Survivor memory, collective narrative: Producing the "Remembering the Killing Fields" exhibit at the National Cambodian Heritage Museum and Memorial in Chicago, Illinois.
LDR:02470nmm a2200313 4500 001 2202519
005 20190510142249.5
008 201008s2016 ||||||||||||||||| ||eng d
020 $a 9781369139006
035 $a (MiAaPQ)AAI10158907
035 $a (MiAaPQ)niu:12568
035 $a AAI10158907
040 $a MiAaPQ $c MiAaPQ
100 1 $a Salazar, Alexxandra E. A. $3 3429275
245 1 0 $a Survivor memory, collective narrative: Producing the "Remembering the Killing Fields" exhibit at the National Cambodian Heritage Museum and Memorial in Chicago, Illinois.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2016
300 $a 203 p.
500 $a Source: Masters Abstracts International, Volume: 55-06.
500 $a Adviser: Judy Ledgerwood.
502 $a Thesis (M.A.)--Northern Illinois University, 2016.
520 $a In 2011, the National Cambodian Heritage Museum and Killing Fields Memorial (NCHM) opened an exhibition titled, Remembering the Killing Fields (RKF). The exhibit was formed from the collection and curation of survivor memory in the form of life history interviews and documentary objects representing the period of the Khmer Rouge regime in Cambodia (1975-1979). This research examines the development process of the RKF exhibit, looking particularly at the negotiations, challenges, and decisions that occurred behind-the-scenes between multiple groups involved in the exhibit's design, including first-generation Cambodian survivors, 1.5/2.0-generation Cambodian Americans, as well as non-Khmer museum professionals and scholars. How did NCHM/CAI deal with the multiple, and sometimes conflicting, expectations for the exhibit by the various groups involved in its development? How did the museum balance efforts between goals of memorialization and education in the RKF exhibit? How did politics of memory and representation affect the exhibit design? How does the museum's representation of the Khmer Rouge period compare to other narratives and forms of representation of the period? This thesis explores the ways in which the Cambodian genocide is represented, remembrance is enacted, and how survivors and communities affected by genocide gain power and voice by producing survivor narratives in this memorial museum setting.
590 $a School code: 0162.
650 4 $a Cultural anthropology. $3 2122764
650 4 $a Asian American studies. $3 2122841
650 4 $a Museum studies. $3 2122775
690 $a 0326
690 $a 0343
690 $a 0730
710 2 $a Northern Illinois University. $b Anthropology. $3 1020367
773 0 $t Masters Abstracts International $g 55-06(E).
790 $a 0162
791 $a M.A.
792 $a 2016
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10158907