語系:
繁體中文
English
說明(常見問題)
回圖書館首頁
手機版館藏查詢
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
Picture-work: On the Circulating Ima...
~
Kamin, Diana.
FindBook
Google Book
Amazon
博客來
Picture-work: On the Circulating Image Collection.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Picture-work: On the Circulating Image Collection./
作者:
Kamin, Diana.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2018,
面頁冊數:
476 p.
附註:
Source: Dissertation Abstracts International, Volume: 79-10(E), Section: A.
Contained By:
Dissertation Abstracts International79-10A(E).
標題:
Communication. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10813103
ISBN:
9780438004634
Picture-work: On the Circulating Image Collection.
Kamin, Diana.
Picture-work: On the Circulating Image Collection.
- Ann Arbor : ProQuest Dissertations & Theses, 2018 - 476 p.
Source: Dissertation Abstracts International, Volume: 79-10(E), Section: A.
Thesis (Ph.D.)--New York University, 2018.
This item is not available from ProQuest Dissertations & Theses.
The accumulation and subsequent circulation of images from vast collections is a defining mode of contemporary visual culture. This dissertation project historicizes the circulating image collection, offering detailed media histories of image management practices at the Museum of Modern Art, the New York Public Library, and stock photography agency H. Armstrong Roberts, from their founding at the turn of the twentieth century through their digitization at the turn of the twenty-first century. This dissertation examines techniques of acquisition, classification, cataloguing, storage, and search, and their continuity over time, in the context of labor, law, and technological change. In turn, this project highlights the conceptual overlaps between these technical processes and the theoretical discourses of art production and the cultural politics of the image. It emphasizes the theoretical work done in everyday practice and provides essential analysis of the systems that undergird the circulation of images throughout 20th century and today.
ISBN: 9780438004634Subjects--Topical Terms:
524709
Communication.
Picture-work: On the Circulating Image Collection.
LDR
:03241nmm a2200337 4500
001
2204321
005
20190709084846.5
008
201008s2018 ||||||||||||||||| ||eng d
020
$a
9780438004634
035
$a
(MiAaPQ)AAI10813103
035
$a
(MiAaPQ)steinhardt.nyu:10575
035
$a
AAI10813103
040
$a
MiAaPQ
$c
MiAaPQ
100
1
$a
Kamin, Diana.
$3
3431163
245
1 0
$a
Picture-work: On the Circulating Image Collection.
260
1
$a
Ann Arbor :
$b
ProQuest Dissertations & Theses,
$c
2018
300
$a
476 p.
500
$a
Source: Dissertation Abstracts International, Volume: 79-10(E), Section: A.
500
$a
Adviser: Marita Sturken.
502
$a
Thesis (Ph.D.)--New York University, 2018.
506
$a
This item is not available from ProQuest Dissertations & Theses.
520
$a
The accumulation and subsequent circulation of images from vast collections is a defining mode of contemporary visual culture. This dissertation project historicizes the circulating image collection, offering detailed media histories of image management practices at the Museum of Modern Art, the New York Public Library, and stock photography agency H. Armstrong Roberts, from their founding at the turn of the twentieth century through their digitization at the turn of the twenty-first century. This dissertation examines techniques of acquisition, classification, cataloguing, storage, and search, and their continuity over time, in the context of labor, law, and technological change. In turn, this project highlights the conceptual overlaps between these technical processes and the theoretical discourses of art production and the cultural politics of the image. It emphasizes the theoretical work done in everyday practice and provides essential analysis of the systems that undergird the circulation of images throughout 20th century and today.
520
$a
This interdisciplinary project draws on frameworks from the fields of art history, visual culture, Science and Technology Studies (STS), library and information science, and media history. Archival research and interviews with current administrators, archivists and programmers provide thick description that captures the everyday life of images in circulation. Ultimately, this project reframes ontological questions as epistemological ones. How are values or expectations about what constitutes an image and what it means to use an image encoded by information structures, and how are these influenced by technology change? What are the shifts in power relations that result from attention to everyday practice, specifically with regard to gender and labor? How has the history of circulating visual material contributed to the development of digital media? This dissertation argues that these three circulating image collections defined distinct genres of the image, established aesthetic and commoditized values for photography, and created logics of circulation and distribution that form the basis for digital platforms for image sharing.
590
$a
School code: 0146.
650
4
$a
Communication.
$3
524709
650
4
$a
Art history.
$3
2122701
650
4
$a
Museum studies.
$3
2122775
690
$a
0459
690
$a
0377
690
$a
0730
710
2
$a
New York University.
$b
Media, Culture, and Communication.
$3
1677519
773
0
$t
Dissertation Abstracts International
$g
79-10A(E).
790
$a
0146
791
$a
Ph.D.
792
$a
2018
793
$a
English
856
4 0
$u
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10813103
筆 0 讀者評論
館藏地:
全部
電子資源
出版年:
卷號:
館藏
1 筆 • 頁數 1 •
1
條碼號
典藏地名稱
館藏流通類別
資料類型
索書號
使用類型
借閱狀態
預約狀態
備註欄
附件
W9380870
電子資源
11.線上閱覽_V
電子書
EB
一般使用(Normal)
在架
0
1 筆 • 頁數 1 •
1
多媒體
評論
新增評論
分享你的心得
Export
取書館
處理中
...
變更密碼
登入