Performing arts.
概要
| 作品: | 523 作品在 17 項出版品 17 種語言 | |
|---|---|---|
書目資訊
What's It Going To Be Then, Eh? Youth Violence, Free Will, and the Creative Cycle in "A Clockwork Orange".
by:
(書目-電子資源)
Performativity and Social Space: A Study of Three Yamada-ryu Koto Musicians in The Northeast of The U.S.
by:
(書目-電子資源)
The buck stops here: Financial management strategies in folk and traditional arts organizations.
by:
(書目-電子資源)
Contemporary commercial music (CCM) singers: Lifestyle choices and acoustic measures of voice.
by:
(書目-電子資源)
I could not swallow the grainy flesh-colored memory critical underpinnings of a multimedia art installation.
by:
(書目-電子資源)
An Actor's Process in Performing the Role of Oberon in William Shakespeare's "A Midsummer Night's Dream".
by:
(書目-電子資源)
The Art of Reconciling Contradictions: An Account of the Preparation and Performance of Charles Marlow.
by:
(書目-電子資源)
Strength in numbers: Data-driven strategic marketing in mid-sized to large performing arts organizations.
by:
(書目-電子資源)
Establishing a Percussion Jazz Ensemble at the Collegiate Level Historical Context, Resource Guide, and Arrangements.
by:
(書目-電子資源)
Performing the Museum: Displaying Gender and Archiving Labor, from Performance Art to Theater.
by:
(書目-電子資源)
Linked Together: Creative Movement as a Way to Promote Creativity, Collaboration, and Ownership among At-Risk Youth.
by:
(書目-電子資源)
Acting technology: Media technology as actor, the actor as media technology, and Big Art Group's vibrant assemblage.
by:
(書目-電子資源)
Flirting with Global Citizenship: The Construction of Gender, Class, and National Identity in Taiwanese Salsa Practice.
by:
(書目-電子資源)
Uncovering Performance in Medieval Scandinavia: A Survey and Analysis of Medieval Performance in Scandinavia.
by:
(書目-電子資源)
Sensualities/textualities and technologies = writings of the body in 21st century performance /
by:
(書目-電子資源)
History as theatrical metaphor = history, myth and national identities in modern Scottish drama /
by:
(書目-電子資源)
Contemporary vocal technique in the choral rehearsal: Exploratory strategies for learning.
by:
(書目-電子資源)
The Collaborative Pianist's Role In An Integrated-Arts Setting: Dance, Music, and Visual Arts.
by:
(書目-電子資源)
An analysis of the three modern Chinese orchestras in the context of cultural interaction across Greater China.
by:
(書目-電子資源)
Mockmusicals: Parody, Satire, and Musical Comedy at the Turn of the Twenty-First Century.
by:
(書目-電子資源)
Deconstructing "the abyss of the future:" Theatre, performance, and holes in the discourse of 9/11.
by:
(書目-電子資源)
In search of third space: Composing the transcultural experience in the operas of Bright Sheng, Tan Dun, and Zhou Long.
by:
(書目-電子資源)
Feeling History: Emotion, Performance, and Meaning-Making in Bill T. Jones/Arnie Zane Dance Company.
by:
(書目-電子資源)
Playing hippies and Indians: Acts of cultural colonization in the theatre of the American counterculture.
by:
(書目-電子資源)
Gestural modernism: Performative choreographies in American modernist literature and modern dance.
by:
(書目-電子資源)
Dancing into Modernity: Kinesthesia, Narrative, and Revolutions in Modern China, 1900-1978.
by:
(書目-電子資源)
Female musical theater belting in the 21st century: A study of the pedagogy of the vocal practice and performance.
by:
(書目-電子資源)
African American high school students in a space of creative engagement: From can't to can.
by:
(書目-電子資源)
Cultivating Mindful Leadership: Engaging Wholehearted Practices in the "Hamlet" Process.
by:
(書目-電子資源)
"If more women knew more jokes..." The comic dramaturgy of Sarah Ruhl and Sheila Callaghan.
by:
(書目-電子資源)
The Marriage of Mom & Dad: An exploration in crossing boundaries of form to stage the ineffable.
by:
(書目-電子資源)
Constructing the Russian Moral Project through the Classics: Reflections of Pushkin's "Eugene Onegin", 1833-2014.
by:
(書目-電子資源)
Another Way of Being: The Performative Practices of Contemporary Female Colombian Artists.
by:
(書目-電子資源)
Producing on the fringe: How fringe festival structure impacts participant experience.
by:
(書目-電子資源)
The Role of the Performance Document: The Photographic Paradox and the Ephemeral Event.
by:
(書目-電子資源)
A conversation with Rita Moreno: Examining the employment challenges of the Latino actor.
by:
(書目-電子資源)
Flute extended techniques: A practice guide and analytical study of "Hatching Aliens" by Ian Clarke.
by:
(書目-電子資源)
Musical responses to AIDS: Meaning and signification in two works for solo piano by Robert Savage and Kevin Oldham.
by:
(書目-電子資源)
Task variables in violin bowing: Influence on variability of bow and bowing limb movement.
by:
(書目-電子資源)
Overcoming initial hurdles: Strategies for developing a university free improvisation ensemble.
by:
(書目-電子資源)
Recipe for a guaguanco sabroso: Understanding quinto drum improvisation in Cuban rumba.
by:
(書目-電子資源)
The journey of a digital story: A healing performance of Mino-Bimaadiziwin: The good life.
by:
(書目-電子資源)
Performing the Racial Ambiguity Act: Settler Colonialism, Imperialism, and Performance.
by:
(書目-電子資源)
Performance and Visibility: Arab American Women's Influence on Post-9/11 Plays, Solo Performance, and Stand-Up Comedy.
by:
(書目-電子資源)
Performing the female superhero: An analysis of identity acquisition, violence, and hypersexuality in DC comics.
by:
(書目-電子資源)
The Best Show in Town: A Study of Friend, Nebraska and Fairfield, Nebraska Opera Houses.
by:
(書目-電子資源)
Proustian performance role-playing, repetition, and ritual in A la Recherche du Temps Perdu.
by:
(書目-電子資源)
Audience Engagement in San Francisco's Contemporary Dance Scene: Forging Connections Through Food.
by:
(書目-電子資源)
Part One: The Dramatic Function of Off-Stage Music in Bizet's "Carmen" Part Two: A Portfolio of Compositions.
by:
(書目-電子資源)
Beyond the Thong: Contexts, Representations, and the Performances of Erotic Masculinities in Male Strip Show(s).
by:
(書目-電子資源)
Now! That Is Hysterical: A Consideration of Black Humor Studies Toward a Liberatory Womanist Humor Arts Movement.
by:
(書目-電子資源)
Playing with Your Parts: Dismantling Bodily "Wholeness" through Queer and Crip Performance.
by:
(書目-電子資源)
"The idea of beauty in their persons:" Dandyism and the haunting of contemporary masculinity.
by:
(書目-電子資源)
Queering the Body: Cross-Dressing Performance and Identity Politics in Cantonese Opera of Post-1950s Hong Kong.
by:
(書目-電子資源)
The creative and technical differences in composing an electric guitar concerto and classical guitar concerto.
by:
(書目-電子資源)
Making It Real: Performance Styles and Contexts in Contemporary American Microbudget Cinema.
by:
(書目-電子資源)
Curating Sticky Relations: Transdisciplinary Performance and Excessive Aesthetics in the Work of Indigenous Artists.
by:
(書目-電子資源)
Dramaturgy on Queer and Performance Studies for the Play Orlando by Virginia Woolf Adapted by Sarah Ruhl.
by:
(書目-電子資源)
IntiIntimacy Direction: A New Role in Contemporary Theatre Makingmacy Direction: A New Role in Contemporary Theatre Making.
by:
(書目-電子資源)
An exploration of works inspired by spiritual traditions in contemporary flute repertoire (1981 - 2010).
by:
(書目-電子資源)
Learning from the autograph: A new critical approach to performing Liszt's Sonata in B Minor.
by:
(書目-電子資源)
The Political Kinesthetics of Contemporary Dance: Taiwan in Transnational Perspective.
by:
(書目-電子資源)
Perspectives on the symbiosis of traditional and modernist techniques in four violin compositions by Sergei Prokofiev.
by:
(書目-電子資源)
Knowing Bodies / Bodies of Knowledge: Eight Experimental Practitioners of Contemporary Dance.
by:
(書目-電子資源)
Bodies at Burning Man: Heterotopia, Temporality, and the Creative Act as Embodied Revolution.
by:
(書目-電子資源)
Directed expression: quantifying emotional expression with concepts derived from the performing arts.
by:
(書目-電子資源)
Expressive remix therapy: Facilitating narrative mash-ups through the use of digital media art.
by:
(書目-電子資源)
Circling the Cosmograms: Feminist Art, Vodou, and Dyasporic (Re)turns to Post-Quake Haiti.
by:
(書目-電子資源)
What do working performers in the Washington, DC area know: Describing arts advocacy & community.
by:
(書目-電子資源)
Lacing skates and unlacing corsets: Gender play and multiple femininities in roller derby and neo-burlesque.
by:
(書目-電子資源)
21st century choral performance practice: Presenting the mash-up with practical applications.
by:
(書目-電子資源)
Humanistic Vocal Pedagogy: Exploring a Voice Teacher's Scope of Practice through a Perspective of Wellness.
by:
(書目-電子資源)
Design as an Accompaniment to Performance Art: Incorporating Imagery to Amplify Emotional Impact.
by:
(書目-電子資源)
Collaborative crossover: Identifying classical vocal collaborative piano practices in jazz vocal accompanying.
by:
(書目-電子資源)
An Introduction to an Operetta: Pauline Viardot's Le Dernier Sorcier for the Young Opera Studio.
by:
(書目-電子資源)
A Performance Guide to Max Bruch's Double Concerto, Opus 88, According to the German Style.
by:
(書目-電子資源)
Performing Animals: Analyzing Live Animals in the Arts and Their Impacts on our Environmental Perceptions of the Animal Other.
by:
(書目-電子資源)
Questions of Gesture and Sound: Temporal Interactions in Conducted Ensembles A Multiple Study Dissertation.
by:
(書目-電子資源)
Networks of Performance and Patronage: Russian Artists in American Dance, Vaudeville, and Opera, 1909-1947.
by:
(書目-電子資源)
"We Get Free!": Chicago Hip-Hop, Juvenile Justice, and the Embodied Politics of Movement.
by:
(書目-電子資源)
Performing El Rap El 'Arabi 2005-2015: Feeling politics amid neoliberal incursions in Ramallah, Amman, and Beirut.
by:
(書目-電子資源)
What Is at Stake in Jazz Education? Creative Black Music and the Twenty-First-Century Learning Environment.
by:
(書目-電子資源)
Learning How to Do It: Local, Regional, and National Latinx Theatre Alliance Building in the 21st Century.
by:
(書目-電子資源)
A "Revolution in the Making": Rediscovering the Historical Sonic Production of the Early Saxophone.
by:
(書目-電子資源)
A conducting student's guide to the solving and execution of major gestural issues in Beethoven's first eight symphonies.
by:
(書目-電子資源)
Blue Mountain: A chamber opera for winds and voices by Justin Dello Joio. A unique contribution for wind band literature.
by:
(書目-電子資源)
Place-Based and Non-Place-Based Performing Arts Experiences and First-Generation, Appalachian College Student Engagement.
by:
(書目-電子資源)
Otherwise, The Gap: Performing Identities in Iranian Contemporary Art and Performance.
by:
(書目-電子資源)
A Performance Guide for Baritone: A Pedagogical Analysis of Beethoven's Sechs Lieder Nach Gedichten Von Gellert.
by:
(書目-電子資源)
J.S. Bach's Chaconne for Solo Violin: A Performer-Composer's Approach to Interpretation.
by:
(書目-電子資源)
Born in The Twentieth Century: Contemporary Flute Works by East Asian Female Composers.
by:
(書目-電子資源)
Implications for the Design of Technology in Students' Use of Tools and Signs in Notetaking from Texts.
by:
(書目-電子資源)
The Musical Style and the Cultural Connotation of Bright Sheng's Opera Dream of the Red Chamber.
by:
(書目-電子資源)
Indigenous Folk Styles and the Creation of a "Modern Sinhala Theatre" in Post-Independence Sri Lanka.
by:
(書目-電子資源)
Art as a Catalyst for Change: A Performance Ethnography of Social Practice Art in Community.
by:
(書目-電子資源)
Exuberant Intermediality: Hypermediacy, Technology, Space-Time, and Cyborgs in the U.S. Popular Theater 1873-1915.
by:
(書目-電子資源)
Collaborative and Democratic Organizational Structures in Professional Orchestra Organizations.
by:
(書目-電子資源)
Dancing to Death: Why are Eating Concerns Endemic Among Female Ballet Dancers? A Textual Analysis of Published Memoirs.
by:
(書目-電子資源)
Ethnic and Racial Formation on the Concert Stage: A Comparative Analysis of Tap Dance and Appalachian Step Dance.
by:
(書目-電子資源)
Constructing Diasporic Identity Through Kathak Dance: Flexibility, Fixity, and Nationality in London and Los Angeles.
by:
(書目-電子資源)
Stages of Emotion: Shakespeare, Performance, and Affect in Modern Anglo-American Film and Theatre.
by:
(書目-電子資源)
'Maybe I Can Take You by the Hand and We Can Do This': Transitions, Translation and Transformation in Creative Dance.
by:
(書目-電子資源)
Questioning Homeland, Sensing Home: Performance and the Negotiation of Identity Construction in Cold War China and Taiwan.
by:
(書目-電子資源)
Social Texts, Social Audiences, Social Worlds: The Circulation of Popular Dance on YouTube.
by:
(書目-電子資源)
Making Room: Feminist Architectures of Self and Social Care in Contemporary Art and Performance.
by:
(書目-電子資源)
Intimate Acts of Translation: Performance Collective Chaepani's Methods of Creating Intercultural Performance.
by:
(書目-電子資源)
Free Your Body, Free Your Singing: The Effect of Body Awareness Training on Singers' Vocal Function and Performance.
by:
(書目-電子資源)
Staging Belonging: Performance, Migration, and the Middle Eastern Diaspora in the United States.
by:
(書目-電子資源)
The Experiences of Parents/ Caregivers of Children with Autism Spectrum Disorder at a Sensory Friendly Theatre Performance.
by:
(書目-電子資源)
The Dynamics of Composer-Performer Relationships: A Study of Long-Term Creative Collaboration.
by:
(書目-電子資源)
The Bharatanatyam Body: Spectacularization as a Style in Bharatanatyam Aesthetics, 1930 to 2020.
by:
(書目-電子資源)
The American Symphony Orchestra Today: Problems in Community, Diversity and Representation.
by:
(書目-電子資源)
Indonesian Art Song: An Exploration of Indonesian Vocal Heritage, Phonetics, and Song Lyrics.
by:
(書目-電子資源)
Sholawat and the Sounds of Islam Nusantara: Music and Religious Authority in Contemporary Indonesia.
by:
(書目-電子資源)
Taiwanese Eyes on the Modern: Cold War Dance Diplomacy and American Modern Dances in Taiwan, 1950?1980.
by:
(書目-電子資源)
Forms Follows Action: Performance In/Against the City in New York and Los Angeles (1970-1985).
by:
(書目-電子資源)
A History of Keyboard Hand Division: Note (Re)Distribution in Keyboard Music from the Renaissance to the Twentieth Century.
by:
(書目-電子資源)
Affective Dramaturgies in Contemporary Dance Leaky Encounters and Turbulent Spectating.
by:
(書目-電子資源)
Capturing Sound: The Methods of Arranging and Executing Instrumental Sounds Between Orchestra and Piano.
by:
(書目-電子資源)
"Play Your Broken Music to My Broken Song?" Contemporary Implications of Performing Schubert Lieder in English Translation.
by:
(書目-電子資源)
Twenty-First Century Music that Embodies a Positive Relationship Between Trumpet and Piano.
by:
(書目-電子資源)
Bohuslav Martinu's Oboe Concerto, H. 353: A New Piano Reduction of the Orchestral Score.
by:
(書目-電子資源)
Repurposing Sound: A Conductor's Guide and a Focused Analysis of Viet Cuong's Wind Ensemble Version of Re(new)al.
by:
(書目-電子資源)
Strategic Producing Alliances: Are They the Key to Success for Nonprofit Theatre Companies? .
by:
(書目-電子資源)
Alternative Dramaturgies in Contemporary Western European Theatre for Young Audiences.
by:
(書目-電子資源)
An Homage to the Golden Age Book Musical: A Director's Approach to the New Gershwin Musical Crazy for You.
by:
(書目-電子資源)
COVID-Everlasting: Directing a University Production of Tuck Everlasting: The Musical during the COVID-19 Pandemic.
by:
(書目-電子資源)
Breath, Gravity, Giants, and Death: Puppet-Musical Encounters from Die Zauberflote to Today.
by:
(書目-電子資源)
Going Gaga: Contradictions and Articulations of the Contemporary in the Work of Ohad Naharin.
by:
(書目-電子資源)
The Sound of Metal : = Timbral Characteristics of Crash Cymbals, Triangles, and Tambourines.
by:
(書目-電子資源)
The Use of Orchestration and Structure in the Exploration of Fluid Musical Hierarchies.
by:
(書目-電子資源)
A Rave at the End of World : = The Politics of Queer Hauntology and Psychedelic Chronomancy.
by:
(書目-電子資源)
Importance and pedagogical value of three sonatas for two cellos, Op. 43 by Bernhard Romberg.
by:
(書目-電子資源)
Jeff Scott's "Startin' Sumthin', Composed for the Monmouth Winds," Transcribed for Full Wind Band.
by:
(書目-電子資源)
Interpreting the Journey of Orpheus : = An Exploration of Five Operas Based on the Myth of Orpheus Over Four Centuries.
by:
(書目-電子資源)
Archival Entanglements : = Re/Encountering History in Contemporary Decolonial, Feminist, and Queer Art and Performance.
by:
(書目-電子資源)
Fernand Leger and the Creation of "La Creation du Monde": "Le Negre", Mechanical Abstraction, and the Spectacle.
by:
(書目-電子資源)
Mike Parr: The body, identity, and the element of time in performance art, 1970's to the present.
by:
(書目-電子資源)
Motivation Strategies for Improving Consistency in Live-Entertainment Employees' Performances.
by:
(書目-電子資源)
Young Adults and Nonprofit Arts and Culture Organizations: A Generational Change Analysis.
by:
(書目-電子資源)
From Pre-recorded Tape to Live Computer Processing: Piano Music from Davidovsky to the Present Day.
by:
(書目-電子資源)
Singing the Myths of the Nation: Historical Themes in Russian Nineteenth-Century Opera.
by:
(書目-電子資源)
A Matter of Life and Breath: The Fitzmaurice Voicework Teacher's Connection to Audience and Subject Matter.
by:
(書目-電子資源)
"Children and Art": Stephen Sondheim's Influence on the Current Prolific Generation of Broadway Composer/Lyricists.
by:
(書目-電子資源)
An Analysis of Beginning Percussion Education Through Wind Band Repertoire and Method Books.
by:
(書目-電子資源)
Joann South Ottley (B. 1935): Her Life and Contributions as a Teaching Artist to Vocal Music Education.
by:
(書目-電子資源)
Evaluating Appropriate Repertoire for Developing Singers: An African-American Art Song Anthology.
by:
(書目-電子資源)
A History of the First and Second Varieties Theatres of New Orleans, Louisiana, 1849 to 1870. (Volumes I and II).
by:
(書目-電子資源)
A Study of the Impact of Employee Engagement and Empowerment on Performance Management in Nonprofit and Community Theater.
by:
(書目-電子資源)
The Memorization, Preparation, and Performance of Piano Music: Cognitive Foundations and Current Neuro-Music Research.
by:
(書目-電子資源)
Composers and Publishers of Parlor Songs and Spirituals from Civil War Richmond: 1861 - 1867.
by:
(書目-電子資源)
In Search of Clear Execution: An Eighteenth-Century Approach to Franz Schubert's Piano Sonata in a Major D. 959.
by:
(書目-電子資源)
Transactional Bodies: Politics, Pedagogies, and Performance Practices of the San Francisco Bay Area.
by:
(書目-電子資源)
Transformational Festivals and the Enchantment Economy: Performance and Race in Neoliberal Times.
by:
(書目-電子資源)
Dr. Aban Mistry, a Renowned Tabla Maestro of Farukhabad Gharana: A Comprehensive Study.
by:
(書目-電子資源)
Performing Paradox: Balleticized Bodies and the Construction of Modernity in Armenian Concert Dance.
by:
(書目-電子資源)
Immersive Shakespeare : = Locating Early Modern Immersion in Contemporary Adaptations.
by:
(書目-電子資源)
Two Works by Isang Yun and Byungdong Paik for Harpsichord or Piano : = Analysis and Performance Guide.
by:
(書目-電子資源)
The Historical and Cultural Influences of Gagok 가곡 (Korean Art Song) : = A Musical Guide.
by:
(書目-電子資源)
A Performer's Analysis of Isang Yun's Monolog for Bassoon with an Emphasis on the Role of Traditional Korean Influences.
by:
(書目-電子資源)
The World of Tan Dun : = the Central Importance of Eight Memories in Watercolor, Op. 1.
by:
(書目-電子資源)
The Practices of Everyday Life and the Syrian Body : = Art, Life, and Political Activism of the Syrian Crisis, 2011-2022.
by:
(書目-電子資源)
Beyond Boundaries : = The Aesthetics of the Scream in the Music of the Second Viennese School.
by:
(書目-電子資源)
Heritagization of Traditional Performing Arts : = Impact and Negotiation of Transmission Practices in Taiwan.
by:
(書目-電子資源)
Designing and Investigating a Magic Performance-Based Method to Facilitate Design Flexibility.
by:
(書目-電子資源)
Leos Janacek : = The Theory of Speech Melody in His Piano Sonata 1. X. 1905 and In The Mists.
by:
(書目-電子資源)
Psychoacoustic Studies of Music Spatialization Strategies in Different Listening Contexts.
by:
(書目-電子資源)
All the World's a Stage : = Creating for Live Performance Inside and Outside of the Boundaries of a Theater.
by:
(書目-電子資源)
An Analysis of the Compositional Technique and Structures of Nikolai Kapustin's Piano Sonata No. 6, Opus 62.
by:
(書目-電子資源)
Florence B. Price's Compositional Style to Song Settings of Paul Laurence Dunbar's Dialect Poetry : = A Performance Guide.
by:
(書目-電子資源)
The Evolution of Musical Theatre in Nigeria : = A Case Study of Bolanle Austen-Peters' Musicals.
by:
(書目-電子資源)
"For 'Their Own Good'" : = Education, The Performing Arts, and Social Justice at the Brooklyn Academy of Music, 1915-2023.
by:
(書目-電子資源)
Audio-Visual Stress : = Cognitive Approaches to the Perceptual Performativity of William Forsythe and Ensemble.
by:
(書目-電子資源)
The Development, Tradition, and Global Influence of the Paris Conservatoire Flute Examinations.
by:
(書目-電子資源)
更多
較少的
主題