Performing arts.
概要
| 作品: | 523 作品在 17 項出版品 17 種語言 | |
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書目資訊
Feeling History: Emotion, Performance, and Meaning-Making in Bill T. Jones/Arnie Zane Dance Company.
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Playing hippies and Indians: Acts of cultural colonization in the theatre of the American counterculture.
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Gestural modernism: Performative choreographies in American modernist literature and modern dance.
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Dancing into Modernity: Kinesthesia, Narrative, and Revolutions in Modern China, 1900-1978.
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Sensualities/textualities and technologies = writings of the body in 21st century performance /
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History as theatrical metaphor = history, myth and national identities in modern Scottish drama /
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Contemporary vocal technique in the choral rehearsal: Exploratory strategies for learning.
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The Collaborative Pianist's Role In An Integrated-Arts Setting: Dance, Music, and Visual Arts.
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An analysis of the three modern Chinese orchestras in the context of cultural interaction across Greater China.
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Mockmusicals: Parody, Satire, and Musical Comedy at the Turn of the Twenty-First Century.
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Deconstructing "the abyss of the future:" Theatre, performance, and holes in the discourse of 9/11.
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In search of third space: Composing the transcultural experience in the operas of Bright Sheng, Tan Dun, and Zhou Long.
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What's It Going To Be Then, Eh? Youth Violence, Free Will, and the Creative Cycle in "A Clockwork Orange".
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An exploration of works inspired by spiritual traditions in contemporary flute repertoire (1981 - 2010).
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Constructing the Russian Moral Project through the Classics: Reflections of Pushkin's "Eugene Onegin", 1833-2014.
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Contemporary commercial music (CCM) singers: Lifestyle choices and acoustic measures of voice.
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Another Way of Being: The Performative Practices of Contemporary Female Colombian Artists.
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Performativity and Social Space: A Study of Three Yamada-ryu Koto Musicians in The Northeast of The U.S.
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I could not swallow the grainy flesh-colored memory critical underpinnings of a multimedia art installation.
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An Actor's Process in Performing the Role of Oberon in William Shakespeare's "A Midsummer Night's Dream".
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The Art of Reconciling Contradictions: An Account of the Preparation and Performance of Charles Marlow.
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A conversation with Rita Moreno: Examining the employment challenges of the Latino actor.
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Producing on the fringe: How fringe festival structure impacts participant experience.
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The Role of the Performance Document: The Photographic Paradox and the Ephemeral Event.
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Female musical theater belting in the 21st century: A study of the pedagogy of the vocal practice and performance.
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African American high school students in a space of creative engagement: From can't to can.
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Cultivating Mindful Leadership: Engaging Wholehearted Practices in the "Hamlet" Process.
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"If more women knew more jokes..." The comic dramaturgy of Sarah Ruhl and Sheila Callaghan.
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The Marriage of Mom & Dad: An exploration in crossing boundaries of form to stage the ineffable.
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The buck stops here: Financial management strategies in folk and traditional arts organizations.
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Flute extended techniques: A practice guide and analytical study of "Hatching Aliens" by Ian Clarke.
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Knowing Bodies / Bodies of Knowledge: Eight Experimental Practitioners of Contemporary Dance.
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Bodies at Burning Man: Heterotopia, Temporality, and the Creative Act as Embodied Revolution.
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Strength in numbers: Data-driven strategic marketing in mid-sized to large performing arts organizations.
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Establishing a Percussion Jazz Ensemble at the Collegiate Level Historical Context, Resource Guide, and Arrangements.
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Performing the Museum: Displaying Gender and Archiving Labor, from Performance Art to Theater.
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Beyond the Thong: Contexts, Representations, and the Performances of Erotic Masculinities in Male Strip Show(s).
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Flirting with Global Citizenship: The Construction of Gender, Class, and National Identity in Taiwanese Salsa Practice.
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Audience Engagement in San Francisco's Contemporary Dance Scene: Forging Connections Through Food.
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Task variables in violin bowing: Influence on variability of bow and bowing limb movement.
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Overcoming initial hurdles: Strategies for developing a university free improvisation ensemble.
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Recipe for a guaguanco sabroso: Understanding quinto drum improvisation in Cuban rumba.
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Directed expression: quantifying emotional expression with concepts derived from the performing arts.
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Expressive remix therapy: Facilitating narrative mash-ups through the use of digital media art.
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The journey of a digital story: A healing performance of Mino-Bimaadiziwin: The good life.
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Performing the Racial Ambiguity Act: Settler Colonialism, Imperialism, and Performance.
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The Political Kinesthetics of Contemporary Dance: Taiwan in Transnational Perspective.
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Linked Together: Creative Movement as a Way to Promote Creativity, Collaboration, and Ownership among At-Risk Youth.
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Acting technology: Media technology as actor, the actor as media technology, and Big Art Group's vibrant assemblage.
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Uncovering Performance in Medieval Scandinavia: A Survey and Analysis of Medieval Performance in Scandinavia.
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Part One: The Dramatic Function of Off-Stage Music in Bizet's "Carmen" Part Two: A Portfolio of Compositions.
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Now! That Is Hysterical: A Consideration of Black Humor Studies Toward a Liberatory Womanist Humor Arts Movement.
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Playing with Your Parts: Dismantling Bodily "Wholeness" through Queer and Crip Performance.
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"The idea of beauty in their persons:" Dandyism and the haunting of contemporary masculinity.
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Circling the Cosmograms: Feminist Art, Vodou, and Dyasporic (Re)turns to Post-Quake Haiti.
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Mike Parr: The body, identity, and the element of time in performance art, 1970's to the present.
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An Homage to the Golden Age Book Musical: A Director's Approach to the New Gershwin Musical Crazy for You.
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An Introduction to an Operetta: Pauline Viardot's Le Dernier Sorcier for the Young Opera Studio.
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A Performance Guide to Max Bruch's Double Concerto, Opus 88, According to the German Style.
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Performing Animals: Analyzing Live Animals in the Arts and Their Impacts on our Environmental Perceptions of the Animal Other.
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Questions of Gesture and Sound: Temporal Interactions in Conducted Ensembles A Multiple Study Dissertation.
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Networks of Performance and Patronage: Russian Artists in American Dance, Vaudeville, and Opera, 1909-1947.
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Musical responses to AIDS: Meaning and signification in two works for solo piano by Robert Savage and Kevin Oldham.
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Learning from the autograph: A new critical approach to performing Liszt's Sonata in B Minor.
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Perspectives on the symbiosis of traditional and modernist techniques in four violin compositions by Sergei Prokofiev.
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Performance and Visibility: Arab American Women's Influence on Post-9/11 Plays, Solo Performance, and Stand-Up Comedy.
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Performing the female superhero: An analysis of identity acquisition, violence, and hypersexuality in DC comics.
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The Best Show in Town: A Study of Friend, Nebraska and Fairfield, Nebraska Opera Houses.
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Proustian performance role-playing, repetition, and ritual in A la Recherche du Temps Perdu.
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Fernand Leger and the Creation of "La Creation du Monde": "Le Negre", Mechanical Abstraction, and the Spectacle.
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What do working performers in the Washington, DC area know: Describing arts advocacy & community.
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Lacing skates and unlacing corsets: Gender play and multiple femininities in roller derby and neo-burlesque.
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Motivation Strategies for Improving Consistency in Live-Entertainment Employees' Performances.
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Young Adults and Nonprofit Arts and Culture Organizations: A Generational Change Analysis.
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Queering the Body: Cross-Dressing Performance and Identity Politics in Cantonese Opera of Post-1950s Hong Kong.
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The creative and technical differences in composing an electric guitar concerto and classical guitar concerto.
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Making It Real: Performance Styles and Contexts in Contemporary American Microbudget Cinema.
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Singing the Myths of the Nation: Historical Themes in Russian Nineteenth-Century Opera.
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"We Get Free!": Chicago Hip-Hop, Juvenile Justice, and the Embodied Politics of Movement.
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Otherwise, The Gap: Performing Identities in Iranian Contemporary Art and Performance.
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A Performance Guide for Baritone: A Pedagogical Analysis of Beethoven's Sechs Lieder Nach Gedichten Von Gellert.
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J.S. Bach's Chaconne for Solo Violin: A Performer-Composer's Approach to Interpretation.
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Born in The Twentieth Century: Contemporary Flute Works by East Asian Female Composers.
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A conducting student's guide to the solving and execution of major gestural issues in Beethoven's first eight symphonies.
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21st century choral performance practice: Presenting the mash-up with practical applications.
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Humanistic Vocal Pedagogy: Exploring a Voice Teacher's Scope of Practice through a Perspective of Wellness.
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Design as an Accompaniment to Performance Art: Incorporating Imagery to Amplify Emotional Impact.
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Collaborative crossover: Identifying classical vocal collaborative piano practices in jazz vocal accompanying.
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From Pre-recorded Tape to Live Computer Processing: Piano Music from Davidovsky to the Present Day.
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Performing El Rap El 'Arabi 2005-2015: Feeling politics amid neoliberal incursions in Ramallah, Amman, and Beirut.
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What Is at Stake in Jazz Education? Creative Black Music and the Twenty-First-Century Learning Environment.
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Learning How to Do It: Local, Regional, and National Latinx Theatre Alliance Building in the 21st Century.
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A "Revolution in the Making": Rediscovering the Historical Sonic Production of the Early Saxophone.
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Blue Mountain: A chamber opera for winds and voices by Justin Dello Joio. A unique contribution for wind band literature.
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Place-Based and Non-Place-Based Performing Arts Experiences and First-Generation, Appalachian College Student Engagement.
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Collaborative and Democratic Organizational Structures in Professional Orchestra Organizations.
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Constructing Diasporic Identity Through Kathak Dance: Flexibility, Fixity, and Nationality in London and Los Angeles.
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'Maybe I Can Take You by the Hand and We Can Do This': Transitions, Translation and Transformation in Creative Dance.
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Free Your Body, Free Your Singing: The Effect of Body Awareness Training on Singers' Vocal Function and Performance.
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A History of Keyboard Hand Division: Note (Re)Distribution in Keyboard Music from the Renaissance to the Twentieth Century.
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Alternative Dramaturgies in Contemporary Western European Theatre for Young Audiences.
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A History of the First and Second Varieties Theatres of New Orleans, Louisiana, 1849 to 1870. (Volumes I and II).
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COVID-Everlasting: Directing a University Production of Tuck Everlasting: The Musical during the COVID-19 Pandemic.
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A Study of the Impact of Employee Engagement and Empowerment on Performance Management in Nonprofit and Community Theater.
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Breath, Gravity, Giants, and Death: Puppet-Musical Encounters from Die Zauberflote to Today.
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Going Gaga: Contradictions and Articulations of the Contemporary in the Work of Ohad Naharin.
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The Sound of Metal : = Timbral Characteristics of Crash Cymbals, Triangles, and Tambourines.
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The Use of Orchestration and Structure in the Exploration of Fluid Musical Hierarchies.
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Psychoacoustic Studies of Music Spatialization Strategies in Different Listening Contexts.
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"For 'Their Own Good'" : = Education, The Performing Arts, and Social Justice at the Brooklyn Academy of Music, 1915-2023.
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The Development, Tradition, and Global Influence of the Paris Conservatoire Flute Examinations.
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Archival Entanglements : = Re/Encountering History in Contemporary Decolonial, Feminist, and Queer Art and Performance.
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A Matter of Life and Breath: The Fitzmaurice Voicework Teacher's Connection to Audience and Subject Matter.
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"Children and Art": Stephen Sondheim's Influence on the Current Prolific Generation of Broadway Composer/Lyricists.
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An Analysis of Beginning Percussion Education Through Wind Band Repertoire and Method Books.
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Joann South Ottley (B. 1935): Her Life and Contributions as a Teaching Artist to Vocal Music Education.
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Evaluating Appropriate Repertoire for Developing Singers: An African-American Art Song Anthology.
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Implications for the Design of Technology in Students' Use of Tools and Signs in Notetaking from Texts.
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The Musical Style and the Cultural Connotation of Bright Sheng's Opera Dream of the Red Chamber.
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Indigenous Folk Styles and the Creation of a "Modern Sinhala Theatre" in Post-Independence Sri Lanka.
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Art as a Catalyst for Change: A Performance Ethnography of Social Practice Art in Community.
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Exuberant Intermediality: Hypermediacy, Technology, Space-Time, and Cyborgs in the U.S. Popular Theater 1873-1915.
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Dancing to Death: Why are Eating Concerns Endemic Among Female Ballet Dancers? A Textual Analysis of Published Memoirs.
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Ethnic and Racial Formation on the Concert Stage: A Comparative Analysis of Tap Dance and Appalachian Step Dance.
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Stages of Emotion: Shakespeare, Performance, and Affect in Modern Anglo-American Film and Theatre.
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Questioning Homeland, Sensing Home: Performance and the Negotiation of Identity Construction in Cold War China and Taiwan.
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Social Texts, Social Audiences, Social Worlds: The Circulation of Popular Dance on YouTube.
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Making Room: Feminist Architectures of Self and Social Care in Contemporary Art and Performance.
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Intimate Acts of Translation: Performance Collective Chaepani's Methods of Creating Intercultural Performance.
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Staging Belonging: Performance, Migration, and the Middle Eastern Diaspora in the United States.
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The Experiences of Parents/ Caregivers of Children with Autism Spectrum Disorder at a Sensory Friendly Theatre Performance.
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The Dynamics of Composer-Performer Relationships: A Study of Long-Term Creative Collaboration.
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The Bharatanatyam Body: Spectacularization as a Style in Bharatanatyam Aesthetics, 1930 to 2020.
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The American Symphony Orchestra Today: Problems in Community, Diversity and Representation.
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Indonesian Art Song: An Exploration of Indonesian Vocal Heritage, Phonetics, and Song Lyrics.
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Sholawat and the Sounds of Islam Nusantara: Music and Religious Authority in Contemporary Indonesia.
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Curating Sticky Relations: Transdisciplinary Performance and Excessive Aesthetics in the Work of Indigenous Artists.
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Taiwanese Eyes on the Modern: Cold War Dance Diplomacy and American Modern Dances in Taiwan, 1950?1980.
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Dramaturgy on Queer and Performance Studies for the Play Orlando by Virginia Woolf Adapted by Sarah Ruhl.
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Forms Follows Action: Performance In/Against the City in New York and Los Angeles (1970-1985).
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Affective Dramaturgies in Contemporary Dance Leaky Encounters and Turbulent Spectating.
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Capturing Sound: The Methods of Arranging and Executing Instrumental Sounds Between Orchestra and Piano.
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"Play Your Broken Music to My Broken Song?" Contemporary Implications of Performing Schubert Lieder in English Translation.
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Twenty-First Century Music that Embodies a Positive Relationship Between Trumpet and Piano.
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Bohuslav Martinu's Oboe Concerto, H. 353: A New Piano Reduction of the Orchestral Score.
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Repurposing Sound: A Conductor's Guide and a Focused Analysis of Viet Cuong's Wind Ensemble Version of Re(new)al.
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Strategic Producing Alliances: Are They the Key to Success for Nonprofit Theatre Companies? .
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IntiIntimacy Direction: A New Role in Contemporary Theatre Makingmacy Direction: A New Role in Contemporary Theatre Making.
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The Memorization, Preparation, and Performance of Piano Music: Cognitive Foundations and Current Neuro-Music Research.
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Composers and Publishers of Parlor Songs and Spirituals from Civil War Richmond: 1861 - 1867.
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In Search of Clear Execution: An Eighteenth-Century Approach to Franz Schubert's Piano Sonata in a Major D. 959.
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Transactional Bodies: Politics, Pedagogies, and Performance Practices of the San Francisco Bay Area.
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Transformational Festivals and the Enchantment Economy: Performance and Race in Neoliberal Times.
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Dr. Aban Mistry, a Renowned Tabla Maestro of Farukhabad Gharana: A Comprehensive Study.
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Performing Paradox: Balleticized Bodies and the Construction of Modernity in Armenian Concert Dance.
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Immersive Shakespeare : = Locating Early Modern Immersion in Contemporary Adaptations.
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Two Works by Isang Yun and Byungdong Paik for Harpsichord or Piano : = Analysis and Performance Guide.
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The Historical and Cultural Influences of Gagok 가곡 (Korean Art Song) : = A Musical Guide.
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A Performer's Analysis of Isang Yun's Monolog for Bassoon with an Emphasis on the Role of Traditional Korean Influences.
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The World of Tan Dun : = the Central Importance of Eight Memories in Watercolor, Op. 1.
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Heritagization of Traditional Performing Arts : = Impact and Negotiation of Transmission Practices in Taiwan.
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Designing and Investigating a Magic Performance-Based Method to Facilitate Design Flexibility.
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Leos Janacek : = The Theory of Speech Melody in His Piano Sonata 1. X. 1905 and In The Mists.
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All the World's a Stage : = Creating for Live Performance Inside and Outside of the Boundaries of a Theater.
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Jeff Scott's "Startin' Sumthin', Composed for the Monmouth Winds," Transcribed for Full Wind Band.
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An Analysis of the Compositional Technique and Structures of Nikolai Kapustin's Piano Sonata No. 6, Opus 62.
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Florence B. Price's Compositional Style to Song Settings of Paul Laurence Dunbar's Dialect Poetry : = A Performance Guide.
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The Evolution of Musical Theatre in Nigeria : = A Case Study of Bolanle Austen-Peters' Musicals.
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Audio-Visual Stress : = Cognitive Approaches to the Perceptual Performativity of William Forsythe and Ensemble.
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Interpreting the Journey of Orpheus : = An Exploration of Five Operas Based on the Myth of Orpheus Over Four Centuries.
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Prokofiev and the Soviet Dilemma : = Censorship, Autonomy and the Piano Transcriptions.
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The Practices of Everyday Life and the Syrian Body : = Art, Life, and Political Activism of the Syrian Crisis, 2011-2022.
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A Rave at the End of World : = The Politics of Queer Hauntology and Psychedelic Chronomancy.
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Beyond Boundaries : = The Aesthetics of the Scream in the Music of the Second Viennese School.
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