語系:
繁體中文
English
說明(常見問題)
回圖書館首頁
手機版館藏查詢
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
FindBook
Google Book
Amazon
博客來
A Rave at the End of World : = The Politics of Queer Hauntology and Psychedelic Chronomancy.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
A Rave at the End of World :/
其他題名:
The Politics of Queer Hauntology and Psychedelic Chronomancy.
作者:
Feiner, Sean Michael.
面頁冊數:
1 online resource (110 pages)
附註:
Source: Masters Abstracts International, Volume: 81-04.
Contained By:
Masters Abstracts International81-04.
標題:
Performing arts. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=13885819click for full text (PQDT)
ISBN:
9781085773850
A Rave at the End of World : = The Politics of Queer Hauntology and Psychedelic Chronomancy.
Feiner, Sean Michael.
A Rave at the End of World :
The Politics of Queer Hauntology and Psychedelic Chronomancy. - 1 online resource (110 pages)
Source: Masters Abstracts International, Volume: 81-04.
Thesis (M.F.A.)--State University of New York at Buffalo, 2019.
Includes bibliographical references
This project is a historical and theoretical exploration of the global phenomenon of underground dance music culture known as the rave. In particular, the project asks what is the history, technologies, and practices that lead to historical examples of rave culture and contemporary rave practices. The rise of fascism and neofascism in Western democracies in recent years is compared to the politics and tactics of rave culture. Drawing on the work of Mark Fisher and Jose Munoz this thesis explores issues of queer resistant practice, identified as queer hauntology, and anti-capitalist temporal thinking and organizing against neoliberal control society, identified as psychedelic chronomancy. The project lays out a theoretical or methodological toolkit, then a history of dance music and queer nightlife cultures, and then turns to an experimental personal narrative ethnography. In doing so the project wishes to ask how hauntological mechanisms allow for thinking beyond heterosexual straight neoliberal time and domination, and how the rave is a vessel and mechanism of assemblage thinking and decentralized political efforts to imagine and rescue lost futures.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023
Mode of access: World Wide Web
ISBN: 9781085773850Subjects--Topical Terms:
523119
Performing arts.
Subjects--Index Terms:
Dance musicIndex Terms--Genre/Form:
542853
Electronic books.
A Rave at the End of World : = The Politics of Queer Hauntology and Psychedelic Chronomancy.
LDR
:02567nmm a2200421K 4500
001
2360213
005
20230926101811.5
006
m o d
007
cr mn ---uuuuu
008
241011s2019 xx obm 000 0 eng d
020
$a
9781085773850
035
$a
(MiAaPQ)AAI13885819
035
$a
AAI13885819
040
$a
MiAaPQ
$b
eng
$c
MiAaPQ
$d
NTU
100
1
$a
Feiner, Sean Michael.
$3
3700828
245
1 2
$a
A Rave at the End of World :
$b
The Politics of Queer Hauntology and Psychedelic Chronomancy.
264
0
$c
2019
300
$a
1 online resource (110 pages)
336
$a
text
$b
txt
$2
rdacontent
337
$a
computer
$b
c
$2
rdamedia
338
$a
online resource
$b
cr
$2
rdacarrier
500
$a
Source: Masters Abstracts International, Volume: 81-04.
500
$a
Advisor: Anstey, Josephine.
502
$a
Thesis (M.F.A.)--State University of New York at Buffalo, 2019.
504
$a
Includes bibliographical references
520
$a
This project is a historical and theoretical exploration of the global phenomenon of underground dance music culture known as the rave. In particular, the project asks what is the history, technologies, and practices that lead to historical examples of rave culture and contemporary rave practices. The rise of fascism and neofascism in Western democracies in recent years is compared to the politics and tactics of rave culture. Drawing on the work of Mark Fisher and Jose Munoz this thesis explores issues of queer resistant practice, identified as queer hauntology, and anti-capitalist temporal thinking and organizing against neoliberal control society, identified as psychedelic chronomancy. The project lays out a theoretical or methodological toolkit, then a history of dance music and queer nightlife cultures, and then turns to an experimental personal narrative ethnography. In doing so the project wishes to ask how hauntological mechanisms allow for thinking beyond heterosexual straight neoliberal time and domination, and how the rave is a vessel and mechanism of assemblage thinking and decentralized political efforts to imagine and rescue lost futures.
533
$a
Electronic reproduction.
$b
Ann Arbor, Mich. :
$c
ProQuest,
$d
2023
538
$a
Mode of access: World Wide Web
650
4
$a
Performing arts.
$3
523119
650
4
$a
Art criticism.
$3
526357
650
4
$a
LGBTQ studies.
$3
2122706
650
4
$a
Music.
$3
516178
653
$a
Dance music
653
$a
Hauntology
653
$a
Houses
653
$a
Psychedelia
653
$a
Raves
653
$a
Techno music
655
7
$a
Electronic books.
$2
lcsh
$3
542853
690
$a
0641
690
$a
0365
690
$a
0492
690
$a
0413
710
2
$a
ProQuest Information and Learning Co.
$3
783688
710
2
$a
State University of New York at Buffalo.
$b
Media Study.
$3
1020354
773
0
$t
Masters Abstracts International
$g
81-04.
856
4 0
$u
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=13885819
$z
click for full text (PQDT)
筆 0 讀者評論
館藏地:
全部
電子資源
出版年:
卷號:
館藏
1 筆 • 頁數 1 •
1
條碼號
典藏地名稱
館藏流通類別
資料類型
索書號
使用類型
借閱狀態
預約狀態
備註欄
附件
W9482569
電子資源
11.線上閱覽_V
電子書
EB
一般使用(Normal)
在架
0
1 筆 • 頁數 1 •
1
多媒體
評論
新增評論
分享你的心得
Export
取書館
處理中
...
變更密碼
登入