東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

The emergence of Spanish Impressioni...

Yang, Harmony Hsin-Hsin.

FindBook

Google Book

Amazon

博客來

The emergence of Spanish Impressionism and its interaction with French Impressionism in music at the turn of the twentieth century: Selections from the solo and collaborative piano repertoire.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The emergence of Spanish Impressionism and its interaction with French Impressionism in music at the turn of the twentieth century: Selections from the solo and collaborative piano repertoire./
作者:	Yang, Harmony Hsin-Hsin.
面頁冊數:	56 p.
附註:	Source: Dissertation Abstracts International, Volume: 77-10(E), Section: A.
Contained By:	Dissertation Abstracts International77-10A(E).
標題:	Music. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10128608
ISBN:	9781339866093

The emergence of Spanish Impressionism and its interaction with French Impressionism in music at the turn of the twentieth century: Selections from the solo and collaborative piano repertoire.
Yang, Harmony Hsin-Hsin.

The emergence of Spanish Impressionism and its interaction with French Impressionism in music at the turn of the twentieth century: Selections from the solo and collaborative piano repertoire. - 56 p.

Source: Dissertation Abstracts International, Volume: 77-10(E), Section: A.

Thesis (D.M.A.)--University of Maryland, College Park, 2016.

French Impressionism is a term which is often used in discussing music originating in France towards the end of the nineteenth century. The term Spanish Impressionism could also be used when discussing Spanish music written by the Spanish composers who studied and worked in Paris at the same time as their French counterparts. After all, Spanish music written during this time exhibits many of the same characteristics and aesthetics as French music of the same era. This dissertation will focus on the French and Spanish composers writing during that exciting time.

ISBN: 9781339866093Subjects--Topical Terms:

516178
Music.

The emergence of Spanish Impressionism and its interaction with French Impressionism in music at the turn of the twentieth century: Selections from the solo and collaborative piano repertoire.
LDR:02896nmm a2200313 4500 001 2116004
005 20170417092338.5
008 180830s2016 ||||||||||||||||| ||eng d
020 $a 9781339866093
035 $a (MiAaPQ)AAI10128608
035 $a AAI10128608
040 $a MiAaPQ $c MiAaPQ
100 1 $a Yang, Harmony Hsin-Hsin. $3 3277685
245 1 4 $a The emergence of Spanish Impressionism and its interaction with French Impressionism in music at the turn of the twentieth century: Selections from the solo and collaborative piano repertoire.
300 $a 56 p.
500 $a Source: Dissertation Abstracts International, Volume: 77-10(E), Section: A.
500 $a Includes supplementary digital materials.
500 $a Adviser: Rita Sloan.
502 $a Thesis (D.M.A.)--University of Maryland, College Park, 2016.
520 $a French Impressionism is a term which is often used in discussing music originating in France towards the end of the nineteenth century. The term Spanish Impressionism could also be used when discussing Spanish music written by the Spanish composers who studied and worked in Paris at the same time as their French counterparts. After all, Spanish music written during this time exhibits many of the same characteristics and aesthetics as French music of the same era. This dissertation will focus on the French and Spanish composers writing during that exciting time.
520 $a Musical impressionism emphasizes harmonic effects and rhythmic fluidity in the pursuit of evocative moods, sound pictures of nature or places over the formalism of structure and thematic concerns. The music of this time is highly virtuosic as well as musically demanding, since many of the composers were brilliant pianists. My three dissertation recitals concentrated on works which exhibited the many facets of impressionism as well as the technical and musical challenges. The repertoire included selections by Spanish composers Manuel de Falla, Isaac Albeniz, Enrique Granados, Joaquin Turina, and Joaquin Rodrigo and French composers Claude Debussy and Maurice Ravel.
520 $a The recitals were on April 30, 2013, February 23, 2014 and October 11, 2015. They included solo piano works by Granados and Albeniz, vocal works by Debussy, Ravel, de Falla, Turina and Rodrigo, piano trios by Granados and Turina, instrumental duos by Debussy, Ravel and de Falla, and a two-piano work of Debussy transcribed by Ravel. All three recitals were held in Gildenhorn Recital Hall at the University of Maryland and copies of this dissertation and recordings of each recital may be found through the Digital Repository at the University of Maryland (DRUM).
590 $a School code: 0117.
650 4 $a Music. $3 516178
650 4 $a Performing arts. $3 523119
690 $a 0413
690 $a 0641
710 2 $a University of Maryland, College Park. $b Music. $3 1267375
773 0 $t Dissertation Abstracts International $g 77-10A(E).
790 $a 0117
791 $a D.M.A.
792 $a 2016
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10128608