東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Voice of Being, Voice of Perpetual B...

Teyssier, Alice.

FindBook

Google Book

Amazon

博客來

Voice of Being, Voice of Perpetual Becoming: Embodied Rituals for Transformation.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Voice of Being, Voice of Perpetual Becoming: Embodied Rituals for Transformation./
作者:	Teyssier, Alice.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2017,
面頁冊數:	96 p.
附註:	Source: Dissertation Abstracts International, Volume: 78-11(E), Section: A.
Contained By:	Dissertation Abstracts International78-11A(E).
標題:	Music. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10284567
ISBN:	9780355041620

Voice of Being, Voice of Perpetual Becoming: Embodied Rituals for Transformation.
Teyssier, Alice.

Voice of Being, Voice of Perpetual Becoming: Embodied Rituals for Transformation. - Ann Arbor : ProQuest Dissertations & Theses, 2017 - 96 p.

Source: Dissertation Abstracts International, Volume: 78-11(E), Section: A.

Thesis (D.M.A.)--University of California, San Diego, 2017.

This dissertation positions the professional performer of contemporary music in her contemporary socio-economic landscape, the intangible economy of immaterial production, in order to investigate the intellectual, social and conceptual responsibilities that come with her deep corporeal privilege. The production of affective labor is inextricably connected to the body; knowledge and skill is acquired through the body, assimilated inside the individual and shared between bodies. A brief history of the rise and pervasiveness of neoliberalism and its implicit ability to transform all human relations into capital allows for an outline of the forms of immaterial value that stem directly from the human---her physical capabilities, her knowledge, her morals and taste, her social being. Turning the discussion of value and quality into an ethical one, the second part of the dissertation revolves around the performer's experimental practice as a ritual of progressive self-transformation; analyses of deep corporeal experiences through newness are first analyzed in terms of their impact on the performer's body, then on the subject's outlook on her social situation. A theory of value through the transformation of understood "private property" in contemporary music is proposed with two specific examples of open-source, community-based, collaborative projects. The discussions in this dissertation position the performance of contemporary music as the site of optimistic potential social, ecological and economical transformation, inciting performers to engage deeply, thoughtfully and ritualistically with their individual practice to discover new and innovative ideas for leveraging equality, justice and a positive outlook on the world.

ISBN: 9780355041620Subjects--Topical Terms:

516178
Music.

Voice of Being, Voice of Perpetual Becoming: Embodied Rituals for Transformation.
LDR:02723nmm a2200301 4500 001 2204189
005 20190709084844.5
008 201008s2017 ||||||||||||||||| ||eng d
020 $a 9780355041620
035 $a (MiAaPQ)AAI10284567
035 $a (MiAaPQ)ucsd:16528
035 $a AAI10284567
040 $a MiAaPQ $c MiAaPQ
100 1 $a Teyssier, Alice. $3 3431020
245 1 0 $a Voice of Being, Voice of Perpetual Becoming: Embodied Rituals for Transformation.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2017
300 $a 96 p.
500 $a Source: Dissertation Abstracts International, Volume: 78-11(E), Section: A.
500 $a Advisers: Susan Narucki; Steven Schick.
502 $a Thesis (D.M.A.)--University of California, San Diego, 2017.
520 $a This dissertation positions the professional performer of contemporary music in her contemporary socio-economic landscape, the intangible economy of immaterial production, in order to investigate the intellectual, social and conceptual responsibilities that come with her deep corporeal privilege. The production of affective labor is inextricably connected to the body; knowledge and skill is acquired through the body, assimilated inside the individual and shared between bodies. A brief history of the rise and pervasiveness of neoliberalism and its implicit ability to transform all human relations into capital allows for an outline of the forms of immaterial value that stem directly from the human---her physical capabilities, her knowledge, her morals and taste, her social being. Turning the discussion of value and quality into an ethical one, the second part of the dissertation revolves around the performer's experimental practice as a ritual of progressive self-transformation; analyses of deep corporeal experiences through newness are first analyzed in terms of their impact on the performer's body, then on the subject's outlook on her social situation. A theory of value through the transformation of understood "private property" in contemporary music is proposed with two specific examples of open-source, community-based, collaborative projects. The discussions in this dissertation position the performance of contemporary music as the site of optimistic potential social, ecological and economical transformation, inciting performers to engage deeply, thoughtfully and ritualistically with their individual practice to discover new and innovative ideas for leveraging equality, justice and a positive outlook on the world.
590 $a School code: 0033.
650 4 $a Music. $3 516178
650 4 $a Performing arts. $3 523119
690 $a 0413
690 $a 0641
710 2 $a University of California, San Diego. $b Music. $3 1043088
773 0 $t Dissertation Abstracts International $g 78-11A(E).
790 $a 0033
791 $a D.M.A.
792 $a 2017
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10284567