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Using Metaphor to Unpack Traumatic Material.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Using Metaphor to Unpack Traumatic Material./
作者:
Ginn, Katie Erin.
面頁冊數:
1 online resource (62 pages)
附註:
Source: Masters Abstracts International, Volume: 81-02.
Contained By:
Masters Abstracts International81-02.
標題:
Dance. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=22583247click for full text (PQDT)
ISBN:
9781085614641
Using Metaphor to Unpack Traumatic Material.
Ginn, Katie Erin.
Using Metaphor to Unpack Traumatic Material.
- 1 online resource (62 pages)
Source: Masters Abstracts International, Volume: 81-02.
Thesis (M.F.A.)--Saint Mary's College of California, 2019.
Includes bibliographical references
Using Metaphor to Unpack Traumatic Material questions if a choreographer can process trauma somatically, translate this experience into choreography to the dancers, and present choreographic work for an audience to experience somatically or otherwise. Furthermore, can this be done without putting self, dancers, or audience at risk of re-traumatization? This paper includes research in the subjects of phenomenology, trigger warnings, post-traumatic stress disorder, somatics, and Laban Movement Analysis and Bartenieff Fundamentals. The corresponding choreographic project, Un-, created a personal narrative on stage supported by movement and design inspired by emotional content. Un- incorporated the research to create gesture, metaphor, symbolism, loose storytelling, and design to depict emotions connected to my experience with natural disaster, assault, and other traumas. Based on my own reflections and the reactions from my dancers and the audience, I believe that somatic self-healing, knowing, and organizing occurred in this process and in the final product.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023
Mode of access: World Wide Web
ISBN: 9781085614641Subjects--Topical Terms:
610547
Dance.
Subjects--Index Terms:
Laban Movement AnalysisIndex Terms--Genre/Form:
542853
Electronic books.
Using Metaphor to Unpack Traumatic Material.
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Using Metaphor to Unpack Traumatic Material questions if a choreographer can process trauma somatically, translate this experience into choreography to the dancers, and present choreographic work for an audience to experience somatically or otherwise. Furthermore, can this be done without putting self, dancers, or audience at risk of re-traumatization? This paper includes research in the subjects of phenomenology, trigger warnings, post-traumatic stress disorder, somatics, and Laban Movement Analysis and Bartenieff Fundamentals. The corresponding choreographic project, Un-, created a personal narrative on stage supported by movement and design inspired by emotional content. Un- incorporated the research to create gesture, metaphor, symbolism, loose storytelling, and design to depict emotions connected to my experience with natural disaster, assault, and other traumas. Based on my own reflections and the reactions from my dancers and the audience, I believe that somatic self-healing, knowing, and organizing occurred in this process and in the final product.
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