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Distort them as you please: The soni...

Maguire, Ryan.

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Distort them as you please: The sonic artifacts of compositional transformation.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Distort them as you please: The sonic artifacts of compositional transformation./
作者:	Maguire, Ryan.
面頁冊數:	97 p.
附註:	Source: Masters Abstracts International, Volume: 53-05.
Contained By:	Masters Abstracts International53-05(E).
標題:	Music. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1564129
ISBN:	9781321152012

Distort them as you please: The sonic artifacts of compositional transformation.
Maguire, Ryan.

Distort them as you please: The sonic artifacts of compositional transformation. - 97 p.

Source: Masters Abstracts International, Volume: 53-05.

Thesis (A.M.)--Dartmouth College, 2013.

This item must not be sold to any third party vendors.

This thesis discusses a series of compositions created over the past year that combine the use of external data with intuitive aesthetic decisions. I begin with a brief chapter that draws out connections between recent projects by placing them in historical context. In each composition, I bring non-musical information into the creation cycle as novel stimuli, placing myself both in charge and in service of this material. I ask how different representations of data can generate new music and what my role as composer might be. I assess several compositional strategies characterized by the act of transformation. First, a series of pieces entitled Heard incorporate various transcription strategies into the creative process. Next, I present a compositional method which passes digital data through a variety of file formats, audifying the data at each step. Following this, I use MP3 compression to develop musical material and explore the potential of this format as an aesthetic object. Finally, I review all of the compositions and highlight common ideas. Through transcription, reformatting data, and digital compression, each composition makes use of the artifacts of its particular transformation as musical material.

ISBN: 9781321152012Subjects--Topical Terms:

516178
Music.

Distort them as you please: The sonic artifacts of compositional transformation.
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520 $a This thesis discusses a series of compositions created over the past year that combine the use of external data with intuitive aesthetic decisions. I begin with a brief chapter that draws out connections between recent projects by placing them in historical context. In each composition, I bring non-musical information into the creation cycle as novel stimuli, placing myself both in charge and in service of this material. I ask how different representations of data can generate new music and what my role as composer might be. I assess several compositional strategies characterized by the act of transformation. First, a series of pieces entitled Heard incorporate various transcription strategies into the creative process. Next, I present a compositional method which passes digital data through a variety of file formats, audifying the data at each step. Following this, I use MP3 compression to develop musical material and explore the potential of this format as an aesthetic object. Finally, I review all of the compositions and highlight common ideas. Through transcription, reformatting data, and digital compression, each composition makes use of the artifacts of its particular transformation as musical material.
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