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Dicotomia: Context, Aesthetic, and P...
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Estevez, Gabriela Sofia Gomez.
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Dicotomia: Context, Aesthetic, and Performance of the Symphonic Works of Margarita Luna Garcia.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Dicotomia: Context, Aesthetic, and Performance of the Symphonic Works of Margarita Luna Garcia./
作者:
Estevez, Gabriela Sofia Gomez.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2023,
面頁冊數:
51 p.
附註:
Source: Dissertations Abstracts International, Volume: 85-03, Section: A.
Contained By:
Dissertations Abstracts International85-03A.
標題:
Language. -
電子資源:
https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30556505
ISBN:
9798380264389
Dicotomia: Context, Aesthetic, and Performance of the Symphonic Works of Margarita Luna Garcia.
Estevez, Gabriela Sofia Gomez.
Dicotomia: Context, Aesthetic, and Performance of the Symphonic Works of Margarita Luna Garcia.
- Ann Arbor : ProQuest Dissertations & Theses, 2023 - 51 p.
Source: Dissertations Abstracts International, Volume: 85-03, Section: A.
Thesis (D.M.A.)--Louisiana State University and Agricultural & Mechanical College, 2023.
Dominican women had an active role in the musical life and discourse of the Dominican Republic in the twentieth century and made substantial contributions as composers, performers, pedagogues, and scholars. Margarita Luna Garcia (1921-2016), Dominican composer and pedagogue, was one of the most notable figures of avant-garde music in the Dominican Republic in the twentieth century. Numerous modernist trends converge in her works including serialism, indeterminacy, and graphic notation. Influenced by Paul Hindemith, Bela Bartok, Krzysztof Penderecki, and Dominican composer Manuel Simo, her works synthesize vernacular musical material and modernist techniques. Luna Garcia's orchestral works make use of folk rhythms, native instruments, and are driven by explorations of timbre and time. The lack of availability of reliable and published materials (orchestral parts and scores) restricts the performance of these works. This study aims to: a) provide a historical context and framework to the composer and her works, b) describe her compositional style and aesthetic through in-depth musical analysis, and c) produce newly engraved performance materials of Luna Garcia's last orchestral work Dicotomia(1989).
ISBN: 9798380264389Subjects--Topical Terms:
643551
Language.
Dicotomia: Context, Aesthetic, and Performance of the Symphonic Works of Margarita Luna Garcia.
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Dominican women had an active role in the musical life and discourse of the Dominican Republic in the twentieth century and made substantial contributions as composers, performers, pedagogues, and scholars. Margarita Luna Garcia (1921-2016), Dominican composer and pedagogue, was one of the most notable figures of avant-garde music in the Dominican Republic in the twentieth century. Numerous modernist trends converge in her works including serialism, indeterminacy, and graphic notation. Influenced by Paul Hindemith, Bela Bartok, Krzysztof Penderecki, and Dominican composer Manuel Simo, her works synthesize vernacular musical material and modernist techniques. Luna Garcia's orchestral works make use of folk rhythms, native instruments, and are driven by explorations of timbre and time. The lack of availability of reliable and published materials (orchestral parts and scores) restricts the performance of these works. This study aims to: a) provide a historical context and framework to the composer and her works, b) describe her compositional style and aesthetic through in-depth musical analysis, and c) produce newly engraved performance materials of Luna Garcia's last orchestral work Dicotomia(1989).
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