東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

FindBook

Google Book

Amazon

博客來

Meeting Trees Halfway: Environmental Encounters in Theatre and Performance.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Meeting Trees Halfway: Environmental Encounters in Theatre and Performance./
作者:	De Roover, Megan Laura.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2018,
面頁冊數:	342 p.
附註:	Source: Dissertations Abstracts International, Volume: 79-11, Section: A.
Contained By:	Dissertations Abstracts International79-11A.
標題:	Theater. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10791005
ISBN:	9780355891133

Meeting Trees Halfway: Environmental Encounters in Theatre and Performance.
De Roover, Megan Laura.

Meeting Trees Halfway: Environmental Encounters in Theatre and Performance. - Ann Arbor : ProQuest Dissertations & Theses, 2018 - 342 p.

Source: Dissertations Abstracts International, Volume: 79-11, Section: A.

Thesis (Ph.D.)--Arizona State University, 2018.

This item is not available from ProQuest Dissertations & Theses.

How do trees (live and representational) participate in our theatrical and performed encounters with them? If trees are not inherently scenic, as their treatment in language and on stage might reinforce, how can they be retheorized as agents and participants in dramatic encounters? Using Diana Taylor's theory of scenario to understand embodied encounters, I propose an alternative approach to understanding environmental beings (like trees) called "synercentrism," which takes as its central tenet the active, if not 100 percent "willed," participation of both human and non-human beings. I begin by mapping a continuum from objecthood to agenthood to trace the different ways that plants and trees are used, represented, and included in our encounters. The continuum provides a framework that more comprehensively unpacks human-plant relationships. My dissertation addresses the rich variety of representations and embodiments by focusing on three central chapter topics: the history of tree representation and inclusion in dramatic literature and performance; interactions with living trees in gardens, parks, and other dramatic arenas; and individual plays and plants that have a particularly strong grasp on cultural imaginaries. Each chapter is followed by one or more corresponding case studies (the first chapter is followed by case studies on plants in musical theatre; the second on performing plants and collaborative performance events; and the last on the dance drama Memory Rings and the Methuselah tree). I conclude with a discussion of how the framework of synercentrism can aid in the disruption of terministic screens and facilitate reciprocal relationships with trees and other environmental agents.

ISBN: 9780355891133Subjects--Topical Terms:

522973
Theater.
Subjects--Index Terms:

Encounters

Meeting Trees Halfway: Environmental Encounters in Theatre and Performance.
LDR:03068nmm a2200421 4500 001 2352912
005 20221209093030.5
008 241004s2018 ||||||||||||||||| ||eng d
020 $a 9780355891133
035 $a (MiAaPQ)AAI10791005
035 $a (MiAaPQ)asu:17673
035 $a AAI10791005
040 $a MiAaPQ $c MiAaPQ
100 1 $a De Roover, Megan Laura. $3 3692580
245 1 0 $a Meeting Trees Halfway: Environmental Encounters in Theatre and Performance.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2018
300 $a 342 p.
500 $a Source: Dissertations Abstracts International, Volume: 79-11, Section: A.
500 $a Publisher info.: Dissertation/Thesis.
500 $a Advisor: Underiner, Tamara L.
502 $a Thesis (Ph.D.)--Arizona State University, 2018.
506 $a This item is not available from ProQuest Dissertations & Theses.
506 $a This item must not be sold to any third party vendors.
520 $a How do trees (live and representational) participate in our theatrical and performed encounters with them? If trees are not inherently scenic, as their treatment in language and on stage might reinforce, how can they be retheorized as agents and participants in dramatic encounters? Using Diana Taylor's theory of scenario to understand embodied encounters, I propose an alternative approach to understanding environmental beings (like trees) called "synercentrism," which takes as its central tenet the active, if not 100 percent "willed," participation of both human and non-human beings. I begin by mapping a continuum from objecthood to agenthood to trace the different ways that plants and trees are used, represented, and included in our encounters. The continuum provides a framework that more comprehensively unpacks human-plant relationships. My dissertation addresses the rich variety of representations and embodiments by focusing on three central chapter topics: the history of tree representation and inclusion in dramatic literature and performance; interactions with living trees in gardens, parks, and other dramatic arenas; and individual plays and plants that have a particularly strong grasp on cultural imaginaries. Each chapter is followed by one or more corresponding case studies (the first chapter is followed by case studies on plants in musical theatre; the second on performing plants and collaborative performance events; and the last on the dance drama Memory Rings and the Methuselah tree). I conclude with a discussion of how the framework of synercentrism can aid in the disruption of terministic screens and facilitate reciprocal relationships with trees and other environmental agents.
590 $a School code: 0010.
650 4 $a Theater. $3 522973
650 4 $a Performing arts. $3 523119
650 4 $a Theater history. $3 2144911
653 $a Encounters
653 $a Environmental humanities
653 $a Performance studies
653 $a Plants
653 $a Theatre
653 $a Trees
690 $a 0465
690 $a 0641
690 $a 0644
710 2 $a Arizona State University. $b Theatre. $3 1677340
773 0 $t Dissertations Abstracts International $g 79-11A.
790 $a 0010
791 $a Ph.D.
792 $a 2018
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10791005