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Making It Real: Performance Styles a...

Colvin, Joseph Brandon.

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Making It Real: Performance Styles and Contexts in Contemporary American Microbudget Cinema.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Making It Real: Performance Styles and Contexts in Contemporary American Microbudget Cinema./
作者:	Colvin, Joseph Brandon.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2018,
面頁冊數:	372 p.
附註:	Source: Dissertation Abstracts International, Volume: 79-09(E), Section: A.
Contained By:	Dissertation Abstracts International79-09A(E).
標題:	Film studies. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10816963
ISBN:	9780355936599

Making It Real: Performance Styles and Contexts in Contemporary American Microbudget Cinema.
Colvin, Joseph Brandon.

Making It Real: Performance Styles and Contexts in Contemporary American Microbudget Cinema. - Ann Arbor : ProQuest Dissertations & Theses, 2018 - 372 p.

Source: Dissertation Abstracts International, Volume: 79-09(E), Section: A.

Thesis (Ph.D.)--The University of Wisconsin - Madison, 2018.

Discussing realism is a central challenge for analysts of cinematic performance style. This dissertation proposes a model for addressing this challenge by combining art historical conceptions of group style, style change, and cultural marketplaces with precise analyses of formal patterning within and across films. The analytical tools developed for this approach include fresh concepts and terms for understanding realistic performance, quantitative comparisons of isolated performance variables, and grounding in actual behavioral tendencies derived from cognitive science.

ISBN: 9780355936599Subjects--Topical Terms:

2122736
Film studies.

Making It Real: Performance Styles and Contexts in Contemporary American Microbudget Cinema.
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500 $a Adviser: J. J. Murphy.
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520 $a Discussing realism is a central challenge for analysts of cinematic performance style. This dissertation proposes a model for addressing this challenge by combining art historical conceptions of group style, style change, and cultural marketplaces with precise analyses of formal patterning within and across films. The analytical tools developed for this approach include fresh concepts and terms for understanding realistic performance, quantitative comparisons of isolated performance variables, and grounding in actual behavioral tendencies derived from cognitive science.
520 $a The result of this methodology is the delineation of three stylistic modes of realist performance---the spontaneous mode, the kinetic mode, and the restrained mode---within a unified corpus of realist works: microbudget American dramas made from 2009--2015. 14 films by 12 directors are analyzed in detail, including films directed by Joe Swanberg, Joshua and Benny Safdie, Eliza Hittman, and Hannah Fidell. The spontaneous mode, governed by a commitment to behavioral messiness, relies on improvisation to access the impromptu qualities of casual interaction. The kinetic mode constitutes a relatively heightened approach to realistic performance, amplifying expressiveness in pursuit of emotional and psychological rawness. Contrarily, the restrained mode's realism emphasizes the inherent ambiguity of human behavior by using neutrality and withdrawal to mask or minimize expression.
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