語系:
繁體中文
English
說明(常見問題)
回圖書館首頁
手機版館藏查詢
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
Pointing and Laughing: Stand-Up Come...
~
Valenta, Darren J.
FindBook
Google Book
Amazon
博客來
Pointing and Laughing: Stand-Up Comedy and Anti-Mental-Illness-Stigma Advocacy.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Pointing and Laughing: Stand-Up Comedy and Anti-Mental-Illness-Stigma Advocacy./
作者:
Valenta, Darren J.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2020,
面頁冊數:
277 p.
附註:
Source: Dissertations Abstracts International, Volume: 82-02, Section: A.
Contained By:
Dissertations Abstracts International82-02A.
標題:
Communication. -
電子資源:
https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27739470
ISBN:
9798662485747
Pointing and Laughing: Stand-Up Comedy and Anti-Mental-Illness-Stigma Advocacy.
Valenta, Darren J.
Pointing and Laughing: Stand-Up Comedy and Anti-Mental-Illness-Stigma Advocacy.
- Ann Arbor : ProQuest Dissertations & Theses, 2020 - 277 p.
Source: Dissertations Abstracts International, Volume: 82-02, Section: A.
Thesis (Ph.D.)--Southern Illinois University at Carbondale, 2020.
This item must not be sold to any third party vendors.
Stand-up comedy represents a particularly potent form of rhetorical and performative criticism because of its potential duality. On the surface, a comedy set can look breezy and entertaining while containing a sharper, more critical message underneath. Like a fluffy, besprinkled cupcake hiding a potent antibiotic, stand-up comedy offers potentially healing insight under the cover of whimsy. Comedians have always utilized their performances to skewer those in power, but an increasing number have taken to the stage recently to address a particularly insidious social and cultural malady. The stigma associated with mental illness continues to limit the opportunities of those living with mental disorders, meaning comedians utilizing their performances to push back against this stigma represent a significant form of anti-mental-illness-stigma advocacy.In this dissertation, I argue that stand-up comedy is a uniquely subversive and resistant communicative act that enables performers to combat the stigma associated with mental illness. Grounding my discussion in literature about mental illness and two of the most common disorders, anxiety and depression, I construct an original performance criticism evaluative framework derived from three anti-stigma-advocacy techniques: protest, educate, and contact. While these techniques offer guidance for any kind of anti-stigma advocacy, I draw them into the realm of anti-mental-illness-stigma advocacy by utilizing my framework in a performance criticism of stand-up performances by Aparna Nancherla, Maria Bamford, Bo Burnham, and Chris Gethard-four comics known for discussing their mental health onstage. Moreover, I weave autoethnographic responses to each performance throughout my analysis to showcase the power of these cases of comedic anti-mental-illness-stigma advocacy to alter my perspective on my own anxiety.Ultimately, this dissertation demonstrates the potential of stand-up comedy as anti-mental-illness-stigma advocacy by chronicling my own growth in response to the work of these comedians. It also identifies aspects of stand-up that may be potentially useful to other kinds of anti-stigma advocacy. Additionally, the framework created and used in this dissertation provides both a rubric for future anti-stigma performance criticism and a blueprint for creating anti-stigma performance. Stand-up comedy is a significant performance genre and stand-up comedians can launch biting critiques that cultivate greater cultural citizenship for the marginalized and disenfranchised. A significant number of people will undoubtedly continue to spot the silly facade of stand-up comedy and look past the deeper insight, even though it can educate an audience, protest misinformation, and provide opportunities for contact between otherwise unfamiliar demographics. My effort here is to value stand-up comedy as a powerful communicative act because it has changed my life and will continue to incite change for many others. And that's no joke.
ISBN: 9798662485747Subjects--Topical Terms:
524709
Communication.
Subjects--Index Terms:
Advocacy
Pointing and Laughing: Stand-Up Comedy and Anti-Mental-Illness-Stigma Advocacy.
LDR
:04221nmm a2200385 4500
001
2277159
005
20210517123435.5
008
220723s2020 ||||||||||||||||| ||eng d
020
$a
9798662485747
035
$a
(MiAaPQ)AAI27739470
035
$a
AAI27739470
040
$a
MiAaPQ
$c
MiAaPQ
100
1
$a
Valenta, Darren J.
$3
3555466
245
1 0
$a
Pointing and Laughing: Stand-Up Comedy and Anti-Mental-Illness-Stigma Advocacy.
260
1
$a
Ann Arbor :
$b
ProQuest Dissertations & Theses,
$c
2020
300
$a
277 p.
500
$a
Source: Dissertations Abstracts International, Volume: 82-02, Section: A.
500
$a
Advisor: Pensoneau-Conway, Sandra L.
502
$a
Thesis (Ph.D.)--Southern Illinois University at Carbondale, 2020.
506
$a
This item must not be sold to any third party vendors.
520
$a
Stand-up comedy represents a particularly potent form of rhetorical and performative criticism because of its potential duality. On the surface, a comedy set can look breezy and entertaining while containing a sharper, more critical message underneath. Like a fluffy, besprinkled cupcake hiding a potent antibiotic, stand-up comedy offers potentially healing insight under the cover of whimsy. Comedians have always utilized their performances to skewer those in power, but an increasing number have taken to the stage recently to address a particularly insidious social and cultural malady. The stigma associated with mental illness continues to limit the opportunities of those living with mental disorders, meaning comedians utilizing their performances to push back against this stigma represent a significant form of anti-mental-illness-stigma advocacy.In this dissertation, I argue that stand-up comedy is a uniquely subversive and resistant communicative act that enables performers to combat the stigma associated with mental illness. Grounding my discussion in literature about mental illness and two of the most common disorders, anxiety and depression, I construct an original performance criticism evaluative framework derived from three anti-stigma-advocacy techniques: protest, educate, and contact. While these techniques offer guidance for any kind of anti-stigma advocacy, I draw them into the realm of anti-mental-illness-stigma advocacy by utilizing my framework in a performance criticism of stand-up performances by Aparna Nancherla, Maria Bamford, Bo Burnham, and Chris Gethard-four comics known for discussing their mental health onstage. Moreover, I weave autoethnographic responses to each performance throughout my analysis to showcase the power of these cases of comedic anti-mental-illness-stigma advocacy to alter my perspective on my own anxiety.Ultimately, this dissertation demonstrates the potential of stand-up comedy as anti-mental-illness-stigma advocacy by chronicling my own growth in response to the work of these comedians. It also identifies aspects of stand-up that may be potentially useful to other kinds of anti-stigma advocacy. Additionally, the framework created and used in this dissertation provides both a rubric for future anti-stigma performance criticism and a blueprint for creating anti-stigma performance. Stand-up comedy is a significant performance genre and stand-up comedians can launch biting critiques that cultivate greater cultural citizenship for the marginalized and disenfranchised. A significant number of people will undoubtedly continue to spot the silly facade of stand-up comedy and look past the deeper insight, even though it can educate an audience, protest misinformation, and provide opportunities for contact between otherwise unfamiliar demographics. My effort here is to value stand-up comedy as a powerful communicative act because it has changed my life and will continue to incite change for many others. And that's no joke.
590
$a
School code: 0209.
650
4
$a
Communication.
$3
524709
650
4
$a
Performing arts.
$3
523119
650
4
$a
Disability studies.
$3
543687
653
$a
Advocacy
653
$a
Autoethnography
653
$a
Mental illness
653
$a
Performance criticism
653
$a
Stand-up comedy
653
$a
Stigma
690
$a
0459
690
$a
0641
690
$a
0201
710
2
$a
Southern Illinois University at Carbondale.
$b
Communication Studies.
$3
3353970
773
0
$t
Dissertations Abstracts International
$g
82-02A.
790
$a
0209
791
$a
Ph.D.
792
$a
2020
793
$a
English
856
4 0
$u
https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27739470
筆 0 讀者評論
館藏地:
全部
電子資源
出版年:
卷號:
館藏
1 筆 • 頁數 1 •
1
條碼號
典藏地名稱
館藏流通類別
資料類型
索書號
使用類型
借閱狀態
預約狀態
備註欄
附件
W9428893
電子資源
11.線上閱覽_V
電子書
EB
一般使用(Normal)
在架
0
1 筆 • 頁數 1 •
1
多媒體
評論
新增評論
分享你的心得
Export
取書館
處理中
...
變更密碼
登入