東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

New perspectives: Transcriptions for...

Hodges, Nicholas John.

FindBook

Google Book

Amazon

博客來

New perspectives: Transcriptions for the viola.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	New perspectives: Transcriptions for the viola./
作者:	Hodges, Nicholas John.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2016,
面頁冊數:	48 p.
附註:	Source: Dissertation Abstracts International, Volume: 77-10(E), Section: A.
Contained By:	Dissertation Abstracts International77-10A(E).
標題:	Music. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10128591
ISBN:	9781339865928

New perspectives: Transcriptions for the viola.
Hodges, Nicholas John.

New perspectives: Transcriptions for the viola. - Ann Arbor : ProQuest Dissertations & Theses, 2016 - 48 p.

Source: Dissertation Abstracts International, Volume: 77-10(E), Section: A.

Thesis (D.M.A.)--University of Maryland, College Park, 2016.

One must only glance upon Franz Zeyringer's 400-page, exhaustive Literatur fur Viola to understand the error of the familiar but casual criticism of the paucity of the viola catalogue. Examining Zeyringer's resource, however, we find a trend: while the viola repertoire contains many pieces (over 14,000 works) and does lay claim to many masterworks (Bartok's Viola Concerto, Hindemith's Sonatas, Mozart's Sinfonia Concertante, etc.), many of the pieces originally written for the instrument are not widely recognized compositions and not often considered outstanding achievements. The violist, much like the double-bassist, bassoonist, and hornist, faces a certain challenge when selecting repertoire for a recital: a lack of large, important works that both fit the instrument and challenge the recitalist.

ISBN: 9781339865928Subjects--Topical Terms:

516178
Music.

New perspectives: Transcriptions for the viola.
LDR:03478nmm a2200349 4500 001 2158098
005 20180608130834.5
008 190424s2016 ||||||||||||||||| ||eng d
020 $a 9781339865928
035 $a (MiAaPQ)AAI10128591
035 $a (MiAaPQ)umd:16892
035 $a AAI10128591
040 $a MiAaPQ $c MiAaPQ
100 1 $a Hodges, Nicholas John. $3 3345921
245 1 0 $a New perspectives: Transcriptions for the viola.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2016
300 $a 48 p.
500 $a Source: Dissertation Abstracts International, Volume: 77-10(E), Section: A.
500 $a Includes supplementary digital materials.
500 $a Adviser: James Stern.
502 $a Thesis (D.M.A.)--University of Maryland, College Park, 2016.
520 $a One must only glance upon Franz Zeyringer's 400-page, exhaustive Literatur fur Viola to understand the error of the familiar but casual criticism of the paucity of the viola catalogue. Examining Zeyringer's resource, however, we find a trend: while the viola repertoire contains many pieces (over 14,000 works) and does lay claim to many masterworks (Bartok's Viola Concerto, Hindemith's Sonatas, Mozart's Sinfonia Concertante, etc.), many of the pieces originally written for the instrument are not widely recognized compositions and not often considered outstanding achievements. The violist, much like the double-bassist, bassoonist, and hornist, faces a certain challenge when selecting repertoire for a recital: a lack of large, important works that both fit the instrument and challenge the recitalist.
520 $a This project will aim to expand recital repertoire for the viola through the development of new transcriptions, using the previously transcribed Fantasy Pieces by Schumann (trans. Leonard Davis) and Sonata No. 2 in E-flat, Op. 120 by Brahms (trans. Brahms) as an inspiration and guide. As a result, the catalogue of viola repertoire will not only be increased but the difference in tone and depth of the instrument may unveil previously unnoticed perspectives on the works. With a primary aim to expand the literature of the viola through the development of new transcriptions, this project will also strive to offer new, previously unnoticed perspectives on preexisting works. Through the changing of the instrumentation, listeners and performers will have the opportunity to explore the character of the compositions in a fresh and possibly illuminating way. Perhaps this project will encourage previously unexplored transcriptions to be realized and performed. While the recital repertoire for the viola boasts many and great works, the original transcriptions of this project attempt to infuse the collection with new and interesting possibilities for both study and performance.
520 $a This dissertation project is comprised of three recitals featuring works transcribed for viola and, in most cases, newly transcribed by myself. All events took place on the campus of University of Maryland, College Park: Recital #1 on November 9, 2014 in the Gildenhorn Recital Hall of the Clarice Smith Performing Arts Center; Recital #2 on May 9, 2015, in Ulrich Recital Hall; and Recital #3 on November 6, 2015, in the Gildenhorn Recital Hall.
590 $a School code: 0117.
650 4 $a Music. $3 516178
650 4 $a Performing arts. $3 523119
650 4 $a Music education. $3 3168367
690 $a 0413
690 $a 0641
690 $a 0522
710 2 $a University of Maryland, College Park. $b Music. $3 1267375
773 0 $t Dissertation Abstracts International $g 77-10A(E).
790 $a 0117
791 $a D.M.A.
792 $a 2016
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10128591