東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Edmund Campion's "Losing Touch" for ...

Sakamoto, Kevin E.

FindBook

Google Book

Amazon

博客來

Edmund Campion's "Losing Touch" for amplified vibraphone and fixed electronic sounds (1994): An analysis and performance guide.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Edmund Campion's "Losing Touch" for amplified vibraphone and fixed electronic sounds (1994): An analysis and performance guide./
作者:	Sakamoto, Kevin E.
面頁冊數:	48 p.
附註:	Source: Masters Abstracts International, Volume: 54-06.
Contained By:	Masters Abstracts International54-06(E).
標題:	Music. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1592703
ISBN:	9781321882865

Edmund Campion's "Losing Touch" for amplified vibraphone and fixed electronic sounds (1994): An analysis and performance guide.
Sakamoto, Kevin E.

Edmund Campion's "Losing Touch" for amplified vibraphone and fixed electronic sounds (1994): An analysis and performance guide. - 48 p.

Source: Masters Abstracts International, Volume: 54-06.

Thesis (M.M.)--California State University, Long Beach, 2015.

Since the mid-twentieth century, many composers and performers have embraced the idea of synchronizing live musicians with electronic sounds to create a new musical experience, with organizations such as IRCAM advancing the development of electroacoustic music and technology. The genre of solo and chamber percussion music has also flourished since the twentieth century, with composers exploring the many sounds these instruments have to offer. Consequently, the parallel developments of electronic and percussion music eventually came together to form a new idiom.

ISBN: 9781321882865Subjects--Topical Terms:

516178
Music.

Edmund Campion's "Losing Touch" for amplified vibraphone and fixed electronic sounds (1994): An analysis and performance guide.
LDR:02077nmm a2200301 4500 001 2072523
005 20160808080948.5
008 170521s2015 ||||||||||||||||| ||eng d
020 $a 9781321882865
035 $a (MiAaPQ)AAI1592703
035 $a AAI1592703
040 $a MiAaPQ $c MiAaPQ
100 1 $a Sakamoto, Kevin E. $3 3187714
245 1 0 $a Edmund Campion's "Losing Touch" for amplified vibraphone and fixed electronic sounds (1994): An analysis and performance guide.
300 $a 48 p.
500 $a Source: Masters Abstracts International, Volume: 54-06.
500 $a Includes supplementary digital materials.
500 $a Adviser: Edward Atkatz.
502 $a Thesis (M.M.)--California State University, Long Beach, 2015.
520 $a Since the mid-twentieth century, many composers and performers have embraced the idea of synchronizing live musicians with electronic sounds to create a new musical experience, with organizations such as IRCAM advancing the development of electroacoustic music and technology. The genre of solo and chamber percussion music has also flourished since the twentieth century, with composers exploring the many sounds these instruments have to offer. Consequently, the parallel developments of electronic and percussion music eventually came together to form a new idiom.
520 $a One recent composer, Edmund Campion, helped propel electroacoustic music into the twenty-first century with many works incorporating electronics with live musicians. One of Campion's works, Losing Touch for amplified vibraphone and fixed electronic sounds (1994), pairs vibraphone with electronics to create a sound world unlike those before it. This project report provides a closer look at Losing Touch with a formal analysis and a guide to the performer on how to interpret this piece and navigate its technical challenges.
590 $a School code: 6080.
650 4 $a Music. $3 516178
650 4 $a Performing arts. $3 523119
690 $a 0413
690 $a 0641
710 2 $a California State University, Long Beach. $b Bob Cole Conservatory of Music. $3 3187700
773 0 $t Masters Abstracts International $g 54-06(E).
790 $a 6080
791 $a M.M.
792 $a 2015
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1592703