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New Performance Cartographies in the...
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Gonzalez, Jorge.
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New Performance Cartographies in the City of San Juan.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
New Performance Cartographies in the City of San Juan./
作者:
Gonzalez, Jorge.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2015,
面頁冊數:
162 p.
附註:
Source: Dissertation Abstracts International, Volume: 76-09(E), Section: A.
Contained By:
Dissertation Abstracts International76-09A(E).
標題:
Theater. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3701279
ISBN:
9781321718164
New Performance Cartographies in the City of San Juan.
Gonzalez, Jorge.
New Performance Cartographies in the City of San Juan.
- Ann Arbor : ProQuest Dissertations & Theses, 2015 - 162 p.
Source: Dissertation Abstracts International, Volume: 76-09(E), Section: A.
Thesis (Ph.D.)--Arizona State University, 2015.
This item is not available from ProQuest Dissertations & Theses.
In this dissertation I use Henri Lefebvre's concept of the production of social space to study how political theatre companies and artists in the city of San Juan, Puerto Rico, appropriate and resignify, through performance, their current social space as a strategy to contest Puerto Rico's neoliberal state policies. As Lefebvre suggests, modern industrial cities like San Juan maintain hegemonic power relations through spatial practices, processes through which users and inhabitants of the city conceive, perceive and live space. Lefebvre further suggests that for social justice to be possible, space must be resignified in ways that expose otherwise invisibilized struggles for social belonging and differentiation. I argue that theatrical performance, by staging various social conflicts and contradictions between the dominating space and the appropriating space, can produce new "performance cartographies" through which its audiences---in large part disenfranchised from the neoliberal processes so celebrated elsewhere on the island---may find ways to resignify space or envision new spaces for social justice on their own behalf. Specifically, I examine five theatre groups and artists from oppressed sectors in San Juan, whose work is to various degrees in opposition to neoliberalism, to reveal how both their artistic and quotidian performances might be resignifying space toward these ends. How does the work of Agua, Sol y Sereno, Y no habia luz, Teatro Breve, Deborah Hunt and Tito Kayak strategically claim or appropriate space? What kind of knowledges emerge from these spatial tactics, and how are they helping envision new forms of living and social justice in the city?
ISBN: 9781321718164Subjects--Topical Terms:
522973
Theater.
New Performance Cartographies in the City of San Juan.
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In this dissertation I use Henri Lefebvre's concept of the production of social space to study how political theatre companies and artists in the city of San Juan, Puerto Rico, appropriate and resignify, through performance, their current social space as a strategy to contest Puerto Rico's neoliberal state policies. As Lefebvre suggests, modern industrial cities like San Juan maintain hegemonic power relations through spatial practices, processes through which users and inhabitants of the city conceive, perceive and live space. Lefebvre further suggests that for social justice to be possible, space must be resignified in ways that expose otherwise invisibilized struggles for social belonging and differentiation. I argue that theatrical performance, by staging various social conflicts and contradictions between the dominating space and the appropriating space, can produce new "performance cartographies" through which its audiences---in large part disenfranchised from the neoliberal processes so celebrated elsewhere on the island---may find ways to resignify space or envision new spaces for social justice on their own behalf. Specifically, I examine five theatre groups and artists from oppressed sectors in San Juan, whose work is to various degrees in opposition to neoliberalism, to reveal how both their artistic and quotidian performances might be resignifying space toward these ends. How does the work of Agua, Sol y Sereno, Y no habia luz, Teatro Breve, Deborah Hunt and Tito Kayak strategically claim or appropriate space? What kind of knowledges emerge from these spatial tactics, and how are they helping envision new forms of living and social justice in the city?
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