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Physical and Musical Techniques for ...
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Jackson, Tai Jung Tsai.
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Physical and Musical Techniques for the Expressive Marimbist.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Physical and Musical Techniques for the Expressive Marimbist./
作者:
Jackson, Tai Jung Tsai.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2018,
面頁冊數:
46 p.
附註:
Source: Dissertations Abstracts International, Volume: 79-12, Section: A.
Contained By:
Dissertations Abstracts International79-12A.
標題:
Pedagogy. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10745915
ISBN:
9780438006898
Physical and Musical Techniques for the Expressive Marimbist.
Jackson, Tai Jung Tsai.
Physical and Musical Techniques for the Expressive Marimbist.
- Ann Arbor : ProQuest Dissertations & Theses, 2018 - 46 p.
Source: Dissertations Abstracts International, Volume: 79-12, Section: A.
Thesis (D.M.A.)--University of Kansas, 2018.
This item must not be added to any third party search indexes.
This is an examination of pedagogical techniques to be taught to marimba and percussion students in order to improve the technical aspects of quality sound production. Examined first is the interpretation of time and techniques used to improve performing precise metronomic time. Secondly, specific movements of the body are discussed in an effort to minimize the risk of pain or injury after prolonged practice. The second section also addresses the concept of controlling the breath while performing and how breathing techniques from other musical activities can be translated to the marimba and other percussion instruments. Lastly, the paper discusses controlling the stroke speed while playing, which can improve musical interpretation.
ISBN: 9780438006898Subjects--Topical Terms:
2122828
Pedagogy.
Subjects--Index Terms:
Breathe
Physical and Musical Techniques for the Expressive Marimbist.
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This is an examination of pedagogical techniques to be taught to marimba and percussion students in order to improve the technical aspects of quality sound production. Examined first is the interpretation of time and techniques used to improve performing precise metronomic time. Secondly, specific movements of the body are discussed in an effort to minimize the risk of pain or injury after prolonged practice. The second section also addresses the concept of controlling the breath while performing and how breathing techniques from other musical activities can be translated to the marimba and other percussion instruments. Lastly, the paper discusses controlling the stroke speed while playing, which can improve musical interpretation.
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