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Archival Entanglements : = Re/Encountering History in Contemporary Decolonial, Feminist, and Queer Art and Performance.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Archival Entanglements :/
其他題名:	Re/Encountering History in Contemporary Decolonial, Feminist, and Queer Art and Performance.
作者:	Gagnon, Olivia Michiko.
面頁冊數:	1 online resource (274 pages)
附註:	Source: Dissertations Abstracts International, Volume: 81-05, Section: A.
Contained By:	Dissertations Abstracts International81-05A.
標題:	Performing arts. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=22587804click for full text (PQDT)
ISBN:	9781392370582

Archival Entanglements : = Re/Encountering History in Contemporary Decolonial, Feminist, and Queer Art and Performance.
Gagnon, Olivia Michiko.

Archival Entanglements :Re/Encountering History in Contemporary Decolonial, Feminist, and Queer Art and Performance. - 1 online resource (274 pages)

Source: Dissertations Abstracts International, Volume: 81-05, Section: A.

Thesis (Ph.D.)--New York University, 2019.

Includes bibliographical references

This dissertation explores how contemporary art and performance are used to revisit the archive's ossified historical record in ways that disrupt the masculinist-colonialist paradigms that have delimited the lives of minoritarian subjects. Bringing together a transnational group of Indigenous, diasporic, postcolonial, and of color artists who employ archival materials as part of their practice, I argue that their creative and performatic archival engagements challenge the strictures of archival power not only by yielding occluded counter-histories that trouble accepted notions of 'Truth' and 'Factuality,' but also by proffering new ways of knowing, feeling, and being-with the past; other modes of historiographic labor; and alternative formulations of kinship and relation predicated on temporal, social, and ecological entanglements. Theorizing these works' decolonial, feminist, and queer modes of archival redress and their disruption of received versions of history, I draw my case studies from various aesthetic performances with the archive (including live performance, visual art, installation, video, film, sculpture): Inuk musician Tanya Tagaq's Tanya Tagaq in Concert with Nanook of the North (2012; multiple performances); Inuk artist Asinnajaq's short film Three Thousand (2017); Canadian artist Cheryl Sim's multimedia The Thomas Wang Project (2015); Italian filmmaker Alina Marazzi's film Un'ora sola ti vorrei (2002); my mother, Canadian cultural critic Monika Kin Gagnon's interactive documentary Archiving R69 (2011); German artist Hito Steyerl's short documentary montage Lovely Andrea (2007); Dominican-American artist Joiri Minaya's performative sculptural installation #dominicanwomengooglesearch (2016); and U.S. American artist Juliana Huxtable's operatic multimedia performance There Are Certain Facts that Cannot Be Disputed (2015).

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9781392370582Subjects--Topical Terms:

523119
Performing arts.
Subjects--Index Terms:

Colonial archivesIndex Terms--Genre/Form:

542853
Electronic books.

Archival Entanglements : = Re/Encountering History in Contemporary Decolonial, Feminist, and Queer Art and Performance.
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