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Movement and Sound : = Tracing the Intersection of Dance and Music in Piano Works by Maurice Ravel, Francis Poulenc, and Badie Khaleghian.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Movement and Sound :/
其他題名:
Tracing the Intersection of Dance and Music in Piano Works by Maurice Ravel, Francis Poulenc, and Badie Khaleghian.
作者:
Owen, Caroline Hill.
面頁冊數:
1 online resource (81 pages)
附註:
Source: Dissertations Abstracts International, Volume: 84-03, Section: A.
Contained By:
Dissertations Abstracts International84-03A.
標題:
Music. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28970757click for full text (PQDT)
ISBN:
9798841774259
Movement and Sound : = Tracing the Intersection of Dance and Music in Piano Works by Maurice Ravel, Francis Poulenc, and Badie Khaleghian.
Owen, Caroline Hill.
Movement and Sound :
Tracing the Intersection of Dance and Music in Piano Works by Maurice Ravel, Francis Poulenc, and Badie Khaleghian. - 1 online resource (81 pages)
Source: Dissertations Abstracts International, Volume: 84-03, Section: A.
Thesis (D.M.)--The Florida State University, 2022.
Includes bibliographical references
This document, which is divided into two main parts, explores works written for the piano that bridge the art forms of music and dance. Part I of the document focuses on two sets of twentieth-century suites written by French composers: Maurice Ravel's Le Tombeau de Couperin and Francis Poulenc's Suite francaise d'apres Claude Gervaise. Part II discusses my collaboration with composer Badie Khaleghian on a new work, entitled Electric Sky Blue (2022), for piano, dance, and interactive intermedia.In Part I, my examination of Le Tombeau de Couperin and Suite francaise highlights the extent to which both Ravel and Poulenc retain traditional elements of past dance forms while adapting the dance suite to their own individual musical languages. By tracing the infusion of the French dance tradition into the works of Baroque and pre-Baroque composers, and subsequently, into the twentieth century, I seek to illuminate the ways in which gaining a thorough understanding of this tradition--including its history, dance forms, and aesthetics--contributes to a more informed, effective study and performance of these 20th-century suites. Further, I briefly discuss the effects that both piano works had on the twentieth-century French aesthetic and musical identity in the years surrounding World War I.Part II of the document serves as an account of the collaborative and compositional processes of producing a new multidisciplinary work, Electric Sky Blue, which incorporates both dance and piano. I also provide an analysis of the dialogue between these media along with interactive visuals and audio throughout the piece and, further, the structural and expressive significance of this dialogue. Lastly, I discuss reasons for the importance of producing multidisciplinary, intermedia works for twenty-first-century audiences.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023
Mode of access: World Wide Web
ISBN: 9798841774259Subjects--Topical Terms:
516178
Music.
Subjects--Index Terms:
DanceIndex Terms--Genre/Form:
542853
Electronic books.
Movement and Sound : = Tracing the Intersection of Dance and Music in Piano Works by Maurice Ravel, Francis Poulenc, and Badie Khaleghian.
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This document, which is divided into two main parts, explores works written for the piano that bridge the art forms of music and dance. Part I of the document focuses on two sets of twentieth-century suites written by French composers: Maurice Ravel's Le Tombeau de Couperin and Francis Poulenc's Suite francaise d'apres Claude Gervaise. Part II discusses my collaboration with composer Badie Khaleghian on a new work, entitled Electric Sky Blue (2022), for piano, dance, and interactive intermedia.In Part I, my examination of Le Tombeau de Couperin and Suite francaise highlights the extent to which both Ravel and Poulenc retain traditional elements of past dance forms while adapting the dance suite to their own individual musical languages. By tracing the infusion of the French dance tradition into the works of Baroque and pre-Baroque composers, and subsequently, into the twentieth century, I seek to illuminate the ways in which gaining a thorough understanding of this tradition--including its history, dance forms, and aesthetics--contributes to a more informed, effective study and performance of these 20th-century suites. Further, I briefly discuss the effects that both piano works had on the twentieth-century French aesthetic and musical identity in the years surrounding World War I.Part II of the document serves as an account of the collaborative and compositional processes of producing a new multidisciplinary work, Electric Sky Blue, which incorporates both dance and piano. I also provide an analysis of the dialogue between these media along with interactive visuals and audio throughout the piece and, further, the structural and expressive significance of this dialogue. Lastly, I discuss reasons for the importance of producing multidisciplinary, intermedia works for twenty-first-century audiences.
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