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Crossing Over: From the Yiddish Rial...

Halpern, Stefanie.

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Crossing Over: From the Yiddish Rialto to the American Stage.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Crossing Over: From the Yiddish Rialto to the American Stage./
作者:	Halpern, Stefanie.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2017,
面頁冊數:	266 p.
附註:	Source: Dissertation Abstracts International, Volume: 78-10(E), Section: A.
Contained By:	Dissertation Abstracts International78-10A(E).
標題:	Theater. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10284153
ISBN:	9781369790979

Crossing Over: From the Yiddish Rialto to the American Stage.
Halpern, Stefanie.

Crossing Over: From the Yiddish Rialto to the American Stage. - Ann Arbor : ProQuest Dissertations & Theses, 2017 - 266 p.

Source: Dissertation Abstracts International, Volume: 78-10(E), Section: A.

Thesis (Ph.D.)--The Jewish Theological Seminary of America, 2017.

Crossing Over: From the Yiddish Rialto to the American Stage positions the study of Yiddish theater as essential to a more complete understanding of the American theatrical institution. It analyzes the ways in which Yiddish drama, performance, artists, and audiences transitioned from the American Yiddish theater to the mainstream American English-language stage. Yiddish actors such as Bertha Kalich and Jacob Ben-Ami, who were proponents of the realistic school of acting developed in Europe, found fame in America by distinguishing themselves from the melodramatic actors that dominated the Broadway theater landscape. Set designers like Boris Aronson, trained in the various European artistic movements, redefined the design aesthetic of the American theater. And Yiddish playwrights such as David Pinski and Jacob Gordin, through translation and adaptation, found expression on the mainstream stage, thus positioning the Yiddish drama firmly within the realm of high theater art. All of these practitioners helped shape dramatic and theatrical aesthetics and tastes that remain important components of the American stage today. Just as the question, "What is an American?" elicits a different response now than it did two generations ago, the question, "What is the American theater?" also requires readjustment. By exploring the Yiddish stage in America as a site of crossover, this dissertation shows that it was not merely an ethnic theater that existed on the margins, but rather an important cultural phenomenon that was part and parcel of the American theatrical institution.

ISBN: 9781369790979Subjects--Topical Terms:

522973
Theater.

Crossing Over: From the Yiddish Rialto to the American Stage.
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