語系:
繁體中文
English
說明(常見問題)
回圖書館首頁
手機版館藏查詢
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
African American high school student...
~
Becker, Carla Marie.
FindBook
Google Book
Amazon
博客來
African American high school students in a space of creative engagement: From can't to can.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
African American high school students in a space of creative engagement: From can't to can./
作者:
Becker, Carla Marie.
面頁冊數:
319 p.
附註:
Source: Dissertation Abstracts International, Volume: 75-10(E), Section: A.
Contained By:
Dissertation Abstracts International75-10A(E).
標題:
Music education. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3622257
ISBN:
9781303939020
African American high school students in a space of creative engagement: From can't to can.
Becker, Carla Marie.
African American high school students in a space of creative engagement: From can't to can.
- 319 p.
Source: Dissertation Abstracts International, Volume: 75-10(E), Section: A.
Thesis (Ed.D.)--Teachers College, Columbia University, 2014.
Most North American high-school music programs require participation within the traditional band/choir/orchestra paradigm. Research suggests, however, that many African American students feel disconnected from course offerings like these. Rejecting school-based music education, many African American youth are actively engaged in community-based programs, creating, producing, writing, and practicing various art forms of their own interest, becoming producers of knowledge and culture. Some researchers have investigated arts programs that attract African American students through spoken word, Hip Hop, and gospel ensembles, resulting in high levels of engagement and participation. Few, however, have studied school-based programs that offer experiences in multiple, creative, and multi-faceted art platforms. Using qualitative research methods, this study investigated an exemplary program, the High School for Recording Arts, St. Paul, Minnesota, which has a track record of attracting, retaining, and graduating African American students. The researcher explored how racial identity is expressed and negotiated through creative engagements with multimodal art forms. Troubling standardized discourses around student success -- norms which are derivative of white middle class values -- high levels of engagement and self-actualization were discovered, which were linked to myriad musical and artistic processes. The findings indicate that African American students who had previously displayed disengaged behavior in schools, flourished when they were offered the space and freedom to explore. Students became increasingly sophisticated musicians, multi-modal producers, entrepreneurs, critical thinkers, world travelers, community activists, producers of knowledge, and self-initiated learners. Findings indicate that it is possible to create an arts/music program that encourages such development by implementing unique and innovative school structures, policies, curricula, and pedagogy. Moreover, it is clear that race matters in education. Yet, diverse conceptions of race and the performance of race were not easily characterized by researcher, students, or school administration. Implications, especially around race, speak to important contemporary issues in music education with regard to policy, school structure, curricula, instruction, student relationships, and creative production.
ISBN: 9781303939020Subjects--Topical Terms:
3168367
Music education.
African American high school students in a space of creative engagement: From can't to can.
LDR
:03365nmm a2200301 4500
001
2065060
005
20151128133628.5
008
170521s2014 ||||||||||||||||| ||eng d
020
$a
9781303939020
035
$a
(MiAaPQ)AAI3622257
035
$a
AAI3622257
040
$a
MiAaPQ
$c
MiAaPQ
100
1
$a
Becker, Carla Marie.
$3
3179729
245
1 0
$a
African American high school students in a space of creative engagement: From can't to can.
300
$a
319 p.
500
$a
Source: Dissertation Abstracts International, Volume: 75-10(E), Section: A.
500
$a
Advisers: Randall E. Allsup; Lori Custodero.
502
$a
Thesis (Ed.D.)--Teachers College, Columbia University, 2014.
520
$a
Most North American high-school music programs require participation within the traditional band/choir/orchestra paradigm. Research suggests, however, that many African American students feel disconnected from course offerings like these. Rejecting school-based music education, many African American youth are actively engaged in community-based programs, creating, producing, writing, and practicing various art forms of their own interest, becoming producers of knowledge and culture. Some researchers have investigated arts programs that attract African American students through spoken word, Hip Hop, and gospel ensembles, resulting in high levels of engagement and participation. Few, however, have studied school-based programs that offer experiences in multiple, creative, and multi-faceted art platforms. Using qualitative research methods, this study investigated an exemplary program, the High School for Recording Arts, St. Paul, Minnesota, which has a track record of attracting, retaining, and graduating African American students. The researcher explored how racial identity is expressed and negotiated through creative engagements with multimodal art forms. Troubling standardized discourses around student success -- norms which are derivative of white middle class values -- high levels of engagement and self-actualization were discovered, which were linked to myriad musical and artistic processes. The findings indicate that African American students who had previously displayed disengaged behavior in schools, flourished when they were offered the space and freedom to explore. Students became increasingly sophisticated musicians, multi-modal producers, entrepreneurs, critical thinkers, world travelers, community activists, producers of knowledge, and self-initiated learners. Findings indicate that it is possible to create an arts/music program that encourages such development by implementing unique and innovative school structures, policies, curricula, and pedagogy. Moreover, it is clear that race matters in education. Yet, diverse conceptions of race and the performance of race were not easily characterized by researcher, students, or school administration. Implications, especially around race, speak to important contemporary issues in music education with regard to policy, school structure, curricula, instruction, student relationships, and creative production.
590
$a
School code: 0055.
650
4
$a
Music education.
$3
3168367
650
4
$a
Performing arts.
$3
523119
650
4
$a
African American studies.
$3
2122686
650
4
$a
Black studies.
$3
2122689
690
$a
0522
690
$a
0641
690
$a
0296
690
$a
0325
710
2
$a
Teachers College, Columbia University.
$b
Arts and Humanities.
$3
2093559
773
0
$t
Dissertation Abstracts International
$g
75-10A(E).
790
$a
0055
791
$a
Ed.D.
792
$a
2014
793
$a
English
856
4 0
$u
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3622257
筆 0 讀者評論
館藏地:
全部
電子資源
出版年:
卷號:
館藏
1 筆 • 頁數 1 •
1
條碼號
典藏地名稱
館藏流通類別
資料類型
索書號
使用類型
借閱狀態
預約狀態
備註欄
附件
W9297770
電子資源
11.線上閱覽_V
電子書
EB
一般使用(Normal)
在架
0
1 筆 • 頁數 1 •
1
多媒體
評論
新增評論
分享你的心得
Export
取書館
處理中
...
變更密碼
登入