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The Sound of Metal : = Timbral Characteristics of Crash Cymbals, Triangles, and Tambourines.

Record Type:	Electronic resources : Monograph/item
Title/Author:	The Sound of Metal :/
Reminder of title:	Timbral Characteristics of Crash Cymbals, Triangles, and Tambourines.
Author:	Barranco, Michael.
Description:	1 online resource (89 pages)
Notes:	Source: Dissertations Abstracts International, Volume: 84-03, Section: B.
Contained By:	Dissertations Abstracts International84-03B.
Subject:	Performing arts. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29208215click for full text (PQDT)
ISBN:	9798351417035

The Sound of Metal : = Timbral Characteristics of Crash Cymbals, Triangles, and Tambourines.
Barranco, Michael.

The Sound of Metal :Timbral Characteristics of Crash Cymbals, Triangles, and Tambourines. - 1 online resource (89 pages)

Source: Dissertations Abstracts International, Volume: 84-03, Section: B.

Thesis (D.M.A.)--George Mason University, 2022.

Includes bibliographical references

Analysis and description of the timbral characteristics of percussion instruments has been verbally transmitted from teacher to student for generations. Percussion educators use this vocabulary to indicate their desired sound, which determines the instrument selection of their students and peers in solo, chamber, and ensemble settings. Unfortunately, this vocabulary often fails to coherently translate to young percussion students as well as composers and educators with no prior percussion training. This dissertation will explore the timbral possibilities of three unpitched metallic instruments that frequently appear in the percussion repertoire: tambourines, triangles, and crash cymbals. The analysis synchronizes three forms of methodologies: spectrogram analysis, binary oppositions, and timbral semantics. The methodology is then applied to musical examples, which I term guided orchestration and open orchestration. Here, we will be able to select the instruments that are the most timbrally appropriate for each individual musical settings such as large ensemble, chamber, and solo works, thus forming timbral continuity in the formation of auditory streams in orchestral layers. We will then be able to conceptualize the terms utilized in the percussion community to describe the available sounds on these instruments.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9798351417035Subjects--Topical Terms:

523119
Performing arts.
Subjects--Index Terms:

Crash cymbalsIndex Terms--Genre/Form:

542853
Electronic books.

The Sound of Metal : = Timbral Characteristics of Crash Cymbals, Triangles, and Tambourines.
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100 1 $a Barranco, Michael. $3 3699593
245 1 4 $a The Sound of Metal : $b Timbral Characteristics of Crash Cymbals, Triangles, and Tambourines.
264 0 $c 2022
300 $a 1 online resource (89 pages)
336 $a text $b txt $2 rdacontent
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500 $a Source: Dissertations Abstracts International, Volume: 84-03, Section: B.
500 $a Advisor: Lavengood, Megan.
502 $a Thesis (D.M.A.)--George Mason University, 2022.
504 $a Includes bibliographical references
520 $a Analysis and description of the timbral characteristics of percussion instruments has been verbally transmitted from teacher to student for generations. Percussion educators use this vocabulary to indicate their desired sound, which determines the instrument selection of their students and peers in solo, chamber, and ensemble settings. Unfortunately, this vocabulary often fails to coherently translate to young percussion students as well as composers and educators with no prior percussion training. This dissertation will explore the timbral possibilities of three unpitched metallic instruments that frequently appear in the percussion repertoire: tambourines, triangles, and crash cymbals. The analysis synchronizes three forms of methodologies: spectrogram analysis, binary oppositions, and timbral semantics. The methodology is then applied to musical examples, which I term guided orchestration and open orchestration. Here, we will be able to select the instruments that are the most timbrally appropriate for each individual musical settings such as large ensemble, chamber, and solo works, thus forming timbral continuity in the formation of auditory streams in orchestral layers. We will then be able to conceptualize the terms utilized in the percussion community to describe the available sounds on these instruments.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2023
538 $a Mode of access: World Wide Web
650 4 $a Performing arts. $3 523119
650 4 $a Music. $3 516178
650 4 $a Acoustics. $3 879105
653 $a Crash cymbals
653 $a Metal
653 $a Percussion
653 $a Tambourines
653 $a Timbre
653 $a Triangles
655 7 $a Electronic books. $2 lcsh $3 542853
690 $a 0641
690 $a 0413
690 $a 0986
710 2 $a ProQuest Information and Learning Co. $3 783688
710 2 $a George Mason University. $b Musical Arts. $3 3699594
773 0 $t Dissertations Abstracts International $g 84-03B.
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29208215 $z click for full text (PQDT)