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The Sound of Metal : = Timbral Characteristics of Crash Cymbals, Triangles, and Tambourines.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
The Sound of Metal :/
其他題名:
Timbral Characteristics of Crash Cymbals, Triangles, and Tambourines.
作者:
Barranco, Michael.
面頁冊數:
1 online resource (89 pages)
附註:
Source: Dissertations Abstracts International, Volume: 84-03, Section: B.
Contained By:
Dissertations Abstracts International84-03B.
標題:
Performing arts. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29208215click for full text (PQDT)
ISBN:
9798351417035
The Sound of Metal : = Timbral Characteristics of Crash Cymbals, Triangles, and Tambourines.
Barranco, Michael.
The Sound of Metal :
Timbral Characteristics of Crash Cymbals, Triangles, and Tambourines. - 1 online resource (89 pages)
Source: Dissertations Abstracts International, Volume: 84-03, Section: B.
Thesis (D.M.A.)--George Mason University, 2022.
Includes bibliographical references
Analysis and description of the timbral characteristics of percussion instruments has been verbally transmitted from teacher to student for generations. Percussion educators use this vocabulary to indicate their desired sound, which determines the instrument selection of their students and peers in solo, chamber, and ensemble settings. Unfortunately, this vocabulary often fails to coherently translate to young percussion students as well as composers and educators with no prior percussion training. This dissertation will explore the timbral possibilities of three unpitched metallic instruments that frequently appear in the percussion repertoire: tambourines, triangles, and crash cymbals. The analysis synchronizes three forms of methodologies: spectrogram analysis, binary oppositions, and timbral semantics. The methodology is then applied to musical examples, which I term guided orchestration and open orchestration. Here, we will be able to select the instruments that are the most timbrally appropriate for each individual musical settings such as large ensemble, chamber, and solo works, thus forming timbral continuity in the formation of auditory streams in orchestral layers. We will then be able to conceptualize the terms utilized in the percussion community to describe the available sounds on these instruments.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023
Mode of access: World Wide Web
ISBN: 9798351417035Subjects--Topical Terms:
523119
Performing arts.
Subjects--Index Terms:
Crash cymbalsIndex Terms--Genre/Form:
542853
Electronic books.
The Sound of Metal : = Timbral Characteristics of Crash Cymbals, Triangles, and Tambourines.
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Source: Dissertations Abstracts International, Volume: 84-03, Section: B.
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Analysis and description of the timbral characteristics of percussion instruments has been verbally transmitted from teacher to student for generations. Percussion educators use this vocabulary to indicate their desired sound, which determines the instrument selection of their students and peers in solo, chamber, and ensemble settings. Unfortunately, this vocabulary often fails to coherently translate to young percussion students as well as composers and educators with no prior percussion training. This dissertation will explore the timbral possibilities of three unpitched metallic instruments that frequently appear in the percussion repertoire: tambourines, triangles, and crash cymbals. The analysis synchronizes three forms of methodologies: spectrogram analysis, binary oppositions, and timbral semantics. The methodology is then applied to musical examples, which I term guided orchestration and open orchestration. Here, we will be able to select the instruments that are the most timbrally appropriate for each individual musical settings such as large ensemble, chamber, and solo works, thus forming timbral continuity in the formation of auditory streams in orchestral layers. We will then be able to conceptualize the terms utilized in the percussion community to describe the available sounds on these instruments.
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