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Part One: The Dramatic Function of O...

Saxon, Katherine Rosemary.

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Part One: The Dramatic Function of Off-Stage Music in Bizet's "Carmen" Part Two: A Portfolio of Compositions.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Part One: The Dramatic Function of Off-Stage Music in Bizet's "Carmen" Part Two: A Portfolio of Compositions./
作者:	Saxon, Katherine Rosemary.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2014,
面頁冊數:	194 p.
附註:	Source: Dissertation Abstracts International, Volume: 76-02(E), Section: A.
Contained By:	Dissertation Abstracts International76-02A(E).
標題:	Music. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3637495
ISBN:	9781321203028

Part One: The Dramatic Function of Off-Stage Music in Bizet's "Carmen" Part Two: A Portfolio of Compositions.
Saxon, Katherine Rosemary.

Part One: The Dramatic Function of Off-Stage Music in Bizet's "Carmen" Part Two: A Portfolio of Compositions. - Ann Arbor : ProQuest Dissertations & Theses, 2014 - 194 p.

Source: Dissertation Abstracts International, Volume: 76-02(E), Section: A.

Thesis (Ph.D.)--University of California, Santa Barbara, 2014.

Part One: Why does everyone love George Bizet's Carmen? What does Bizet do, both musically and dramatically, to make this timeless work of art so effective? In Part I of this dissertation, I focus an aspect of these questions, namely, what makes the final scene, Don Jose and Carmen's last duet, so powerful? How does Bizet create an atmosphere of utter despair? I believe the answer lies in part with Bizet's use of off-stage music.

ISBN: 9781321203028Subjects--Topical Terms:

516178
Music.

Part One: The Dramatic Function of Off-Stage Music in Bizet's "Carmen" Part Two: A Portfolio of Compositions.
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520 $a In this dissertation, I explore the dramatic function of each off-stage musical instance in the opera. I also include analyses of other musical and dramatic passages that are either related to the off-stage passages, or to themes of space and distance. I conclude that Bizet's continuous use of off-stage music heightens the dramatic tension of each act and ultimately propels the drama toward the final scene. Thus, when Bizet uses off-stage music in the final scene, he is able to create eerie, disturbing on-stage silences that frame the tragic ending.
520 $a Part Two: Part II of my dissertation is a portfolio of compositions. The majority of these works were presented during my Ph.D. recital on June 3, 2012. A Game was played by the UCSB symphony during their winter term concert in 2009. UCSB's Ensemble for Contemporary Music programmed Quilt I on a concert in late May 2012.
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