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Perspectives on the symbiosis of tra...
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Kim, Sooyoung.
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Perspectives on the symbiosis of traditional and modernist techniques in four violin compositions by Sergei Prokofiev.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Perspectives on the symbiosis of traditional and modernist techniques in four violin compositions by Sergei Prokofiev./
作者:
Kim, Sooyoung.
面頁冊數:
79 p.
附註:
Source: Dissertation Abstracts International, Volume: 71-10, Section: A, page: 3478.
Contained By:
Dissertation Abstracts International71-10A.
標題:
Music. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3419974
ISBN:
9781124205397
Perspectives on the symbiosis of traditional and modernist techniques in four violin compositions by Sergei Prokofiev.
Kim, Sooyoung.
Perspectives on the symbiosis of traditional and modernist techniques in four violin compositions by Sergei Prokofiev.
- 79 p.
Source: Dissertation Abstracts International, Volume: 71-10, Section: A, page: 3478.
Thesis (D.M.A.)--University of Cincinnati, 2010.
This document examines four violin compositions by Sergei Prokofiev (1891--1953): his Five Melodies for Violin and Piano, Op. 35bis (1925), Sonata for Two Violins in C Major, Op. 56 (1932), Sonata for Violin and Piano No. 2 in D Major, Op. 94bis (1943), and Sonata for Solo Violin, Op. 115 (1947). Although each work features unique attributes and distinctive timbral qualities, this study demonstrates that these four violin compositions share the underlying concept of stylistic symbiosis, precisely the blending of traditional and modernist techniques. From this perspective, a comparative study of these four violin compositions contributes to our understanding of how Prokofiev's neo-classical approach to composition---so pronounced in his large-scale works---operates in the intimate arena of his chamber music.
ISBN: 9781124205397Subjects--Topical Terms:
516178
Music.
Perspectives on the symbiosis of traditional and modernist techniques in four violin compositions by Sergei Prokofiev.
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This document examines four violin compositions by Sergei Prokofiev (1891--1953): his Five Melodies for Violin and Piano, Op. 35bis (1925), Sonata for Two Violins in C Major, Op. 56 (1932), Sonata for Violin and Piano No. 2 in D Major, Op. 94bis (1943), and Sonata for Solo Violin, Op. 115 (1947). Although each work features unique attributes and distinctive timbral qualities, this study demonstrates that these four violin compositions share the underlying concept of stylistic symbiosis, precisely the blending of traditional and modernist techniques. From this perspective, a comparative study of these four violin compositions contributes to our understanding of how Prokofiev's neo-classical approach to composition---so pronounced in his large-scale works---operates in the intimate arena of his chamber music.
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