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One: Prelude and partial postlude.

Racadag, Alan.

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One: Prelude and partial postlude.

Record Type:	Electronic resources : Monograph/item
Title/Author:	One: Prelude and partial postlude./
Author:	Racadag, Alan.
Description:	14 p.
Notes:	Source: Masters Abstracts International, Volume: 54-06.
Contained By:	Masters Abstracts International54-06(E).
Subject:	Performing arts. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1592224
ISBN:	9781321862119

One: Prelude and partial postlude.
Racadag, Alan.

One: Prelude and partial postlude. - 14 p.

Source: Masters Abstracts International, Volume: 54-06.

Thesis (Mus.M.)--Bowling Green State University, 2015.

One: Prelude and Partial Postlude is a five-minute piece for orchestra. The instrumentation consists of three flutes, three oboes, three Bb-clarinets, three bassoons, four horns, three C trumpets, three trombones, tuba, 2 percussionists (tam-tam and bass drum), harp, piano, twelve first violins, ten second violins, eight violas, seven celli, and six double basses.

ISBN: 9781321862119Subjects--Topical Terms:

523119
Performing arts.

One: Prelude and partial postlude.
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008 170521s2015 ||||||||||||||||| ||eng d
020 $a 9781321862119
035 $a (MiAaPQ)AAI1592224
035 $a AAI1592224
040 $a MiAaPQ $c MiAaPQ
100 1 $a Racadag, Alan. $3 3187705
245 1 0 $a One: Prelude and partial postlude.
300 $a 14 p.
500 $a Source: Masters Abstracts International, Volume: 54-06.
500 $a Adviser: Mikel Kuehn.
502 $a Thesis (Mus.M.)--Bowling Green State University, 2015.
520 $a One: Prelude and Partial Postlude is a five-minute piece for orchestra. The instrumentation consists of three flutes, three oboes, three Bb-clarinets, three bassoons, four horns, three C trumpets, three trombones, tuba, 2 percussionists (tam-tam and bass drum), harp, piano, twelve first violins, ten second violins, eight violas, seven celli, and six double basses.
520 $a Informed by observations of musical perception and psychology, the piece features textures that simultaneously draw attention to the multiplicity of individual players and to the orchestra as one massive whole. The dense layering of sound constantly changes the listener's perception of background, middle ground, and foreground material.
520 $a One consists of four sections that articulate a continuous process. A mensuration canon builds sixteen simultaneous iterations of the subject while steadily increasing in tempo. The canon creates individual meters on the smallest temporal scale and a constantly expanding polymeter on the largest scale. The harmonic language of the piece ranges from to atonality to polytonality and is the direct result of harmonic relationships between canonic iterations. The canon subject consists of three voices, each based on the octatonic scale. Together, the voices encompass all twelve transpositions of the major triad and are carefully constructed so that the circle of perfect fourths emerges from their combination. The inspiration for the piece came from a sudden awareness of plentiful existence.
590 $a School code: 0018.
650 4 $a Performing arts. $3 523119
650 4 $a Music. $3 516178
690 $a 0641
690 $a 0413
710 2 $a Bowling Green State University. $b Music Composition. $3 3187706
773 0 $t Masters Abstracts International $g 54-06(E).
790 $a 0018
791 $a Mus.M.
792 $a 2015
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1592224