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The Role of the Performance Document...
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Simon, Danni E.
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The Role of the Performance Document: The Photographic Paradox and the Ephemeral Event.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
The Role of the Performance Document: The Photographic Paradox and the Ephemeral Event./
作者:
Simon, Danni E.
面頁冊數:
80 p.
附註:
Source: Masters Abstracts International, Volume: 54-05.
Contained By:
Masters Abstracts International54-05(E).
標題:
Art history. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1589924
ISBN:
9781321784404
The Role of the Performance Document: The Photographic Paradox and the Ephemeral Event.
Simon, Danni E.
The Role of the Performance Document: The Photographic Paradox and the Ephemeral Event.
- 80 p.
Source: Masters Abstracts International, Volume: 54-05.
Thesis (M.A.)--Sotheby's Institute of Art - New York, 2015.
In contemporary artistic practice, there has been a resurgence of performance- based work, resulting in an unprecedented interest in performance documentation. As performance art proliferates and gains admission into the exhibitions and archives of the traditional visual arts institution, the question of how to institutionalize these ephemeral practices comes to the fore. The documentation of performance, specifically the photographic document, has proven to be pivotal in the collection, preservation, and institutionalization of transient art. Now, more than ever before, the inherent paradox of archiving a live event with a static photographic trace haunts artistic discourse. This thesis explores the evolution of the performance document---focusing on the performance photograph---beginning in the 1960s and continuing into our contemporary moment. How does the performance photograph relate to the live event it purports to record, and how has the role of this performance document changed?
ISBN: 9781321784404Subjects--Topical Terms:
2122701
Art history.
The Role of the Performance Document: The Photographic Paradox and the Ephemeral Event.
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In contemporary artistic practice, there has been a resurgence of performance- based work, resulting in an unprecedented interest in performance documentation. As performance art proliferates and gains admission into the exhibitions and archives of the traditional visual arts institution, the question of how to institutionalize these ephemeral practices comes to the fore. The documentation of performance, specifically the photographic document, has proven to be pivotal in the collection, preservation, and institutionalization of transient art. Now, more than ever before, the inherent paradox of archiving a live event with a static photographic trace haunts artistic discourse. This thesis explores the evolution of the performance document---focusing on the performance photograph---beginning in the 1960s and continuing into our contemporary moment. How does the performance photograph relate to the live event it purports to record, and how has the role of this performance document changed?
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