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A Comparison of Cello and Viola Da Gamba Bow Technique and Style from 1600-1750.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	A Comparison of Cello and Viola Da Gamba Bow Technique and Style from 1600-1750./
作者:	Yu, Wei-Shuan.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2021,
面頁冊數:	147 p.
附註:	Source: Dissertations Abstracts International, Volume: 83-06, Section: A.
Contained By:	Dissertations Abstracts International83-06A.
標題:	Performing arts. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28890227
ISBN:	9798492756147

A Comparison of Cello and Viola Da Gamba Bow Technique and Style from 1600-1750.
Yu, Wei-Shuan.

A Comparison of Cello and Viola Da Gamba Bow Technique and Style from 1600-1750. - Ann Arbor : ProQuest Dissertations & Theses, 2021 - 147 p.

Source: Dissertations Abstracts International, Volume: 83-06, Section: A.

Thesis (D.M.A.)--University of Cincinnati, 2021.

This item must not be sold to any third party vendors.

The violin and viola da gamba families have existed side-by-side since the early 16th century. The cello and bass viol from these two string families were both popular continuo instruments during the Baroque period. Many cellists during the time also played the viola da gamba and tended to hold the cello bow the same way they held the viol bow, with an underhand bow grip. The main method of holding the cello bow now, of course, came from violin playing. This document will examine the development of bow holding for both instruments, cello and viola da gamba, and the evolution of bows during the 17th and 18th centuries. It will study the rules of bowing, cello and viola da gamba techniques, and styles in different countries. It will compare some pieces written for viol and cello as case studies. Finally, it will share accounts based on interviews with current Baroque cello/viola da gamba experts about their insights into cello bowing, as compared to viol bowing.

ISBN: 9798492756147Subjects--Topical Terms:

523119
Performing arts.
Subjects--Index Terms:

Cello

A Comparison of Cello and Viola Da Gamba Bow Technique and Style from 1600-1750.
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520 $a The violin and viola da gamba families have existed side-by-side since the early 16th century. The cello and bass viol from these two string families were both popular continuo instruments during the Baroque period. Many cellists during the time also played the viola da gamba and tended to hold the cello bow the same way they held the viol bow, with an underhand bow grip. The main method of holding the cello bow now, of course, came from violin playing. This document will examine the development of bow holding for both instruments, cello and viola da gamba, and the evolution of bows during the 17th and 18th centuries. It will study the rules of bowing, cello and viola da gamba techniques, and styles in different countries. It will compare some pieces written for viol and cello as case studies. Finally, it will share accounts based on interviews with current Baroque cello/viola da gamba experts about their insights into cello bowing, as compared to viol bowing.
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