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Lady Macbeth: The Woman Behind the Mask.

Morgan, Margret.

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Lady Macbeth: The Woman Behind the Mask.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Lady Macbeth: The Woman Behind the Mask./
Author:	Morgan, Margret.
Description:	76 p.
Notes:	Source: Masters Abstracts International, Volume: 54-04.
Contained By:	Masters Abstracts International54-04(E).
Subject:	Theater. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1588711
ISBN:	9781321748086

Lady Macbeth: The Woman Behind the Mask.
Morgan, Margret.

Lady Macbeth: The Woman Behind the Mask. - 76 p.

Source: Masters Abstracts International, Volume: 54-04.

Thesis (M.F.A.)--Regent University, 2015.

This thesis encompasses my process of creating the character Lady Macbeth for a production of Macbeth by William Shakespeare at Regent University's Main Stage, directed by Dr. Michael Kirkland, and performed from October 10th to 19th, 2014. I will discuss this creative process in detail from early research into the final performance. In the introduction, I address my state of problem, where I share all the challenges to play this role and how I will try to tackle them. Chapter One collects all the research about the play and its themes. Chapter Two is dedicated to textual analysis of the play, defining the premises, the counter and controlling idea, structural progression, and spine phrases of the main characters. Chapter Three concentrates on character analysis and methods in overcoming challenges in playing Lady Macbeth. Chapter Four are assemblage of my journals of my experience that I wrote during my process and performances. Finally, Chapter Five concludes with my personal thoughts about the process both positive and negative, critical responses from two professional theatre scholars, and a reflection on what I would do differently if I were to play this role again.

ISBN: 9781321748086Subjects--Topical Terms:

522973
Theater.

Lady Macbeth: The Woman Behind the Mask.
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245 1 0 $a Lady Macbeth: The Woman Behind the Mask.
300 $a 76 p.
500 $a Source: Masters Abstracts International, Volume: 54-04.
500 $a Adviser: Marianne Savell.
502 $a Thesis (M.F.A.)--Regent University, 2015.
520 $a This thesis encompasses my process of creating the character Lady Macbeth for a production of Macbeth by William Shakespeare at Regent University's Main Stage, directed by Dr. Michael Kirkland, and performed from October 10th to 19th, 2014. I will discuss this creative process in detail from early research into the final performance. In the introduction, I address my state of problem, where I share all the challenges to play this role and how I will try to tackle them. Chapter One collects all the research about the play and its themes. Chapter Two is dedicated to textual analysis of the play, defining the premises, the counter and controlling idea, structural progression, and spine phrases of the main characters. Chapter Three concentrates on character analysis and methods in overcoming challenges in playing Lady Macbeth. Chapter Four are assemblage of my journals of my experience that I wrote during my process and performances. Finally, Chapter Five concludes with my personal thoughts about the process both positive and negative, critical responses from two professional theatre scholars, and a reflection on what I would do differently if I were to play this role again.
590 $a School code: 1058.
650 4 $a Theater. $3 522973
650 4 $a Performing arts. $3 523119
650 4 $a Art criticism. $3 526357
690 $a 0465
690 $a 0641
690 $a 0365
710 2 $a Regent University. $b School of Communication & the Arts. $3 3179047
773 0 $t Masters Abstracts International $g 54-04(E).
790 $a 1058
791 $a M.F.A.
792 $a 2015
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1588711