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Exploring Political Action and Socia...
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Rominger, Marcel .
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Exploring Political Action and Socialization through Group Improvisation within the Music of Frederic Rzewski and Cornelius Cardew.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Exploring Political Action and Socialization through Group Improvisation within the Music of Frederic Rzewski and Cornelius Cardew./
作者:
Rominger, Marcel .
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2019,
面頁冊數:
236 p.
附註:
Source: Dissertations Abstracts International, Volume: 81-04, Section: A.
Contained By:
Dissertations Abstracts International81-04A.
標題:
Music. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27539446
ISBN:
9781392497852
Exploring Political Action and Socialization through Group Improvisation within the Music of Frederic Rzewski and Cornelius Cardew.
Rominger, Marcel .
Exploring Political Action and Socialization through Group Improvisation within the Music of Frederic Rzewski and Cornelius Cardew.
- Ann Arbor : ProQuest Dissertations & Theses, 2019 - 236 p.
Source: Dissertations Abstracts International, Volume: 81-04, Section: A.
Thesis (D.M.A.)--City University of New York, 2019.
This item must not be sold to any third party vendors.
In the late 1960s, socialist composers, Cornelius Cardew and Frederic Rzewski, each established ensembles with the purpose of performing works consisting of experimental forms of improvisation. By employing group improvisation, and including untrained, non-musicians within their performances, they strove to use these ensembles as a model for society itself; this model includes a dissolution of the hierarchy among performers and the barrier between performer and audience. Improvisation helped music resist commodification by the culture industry or appropriation by authoritarian regimes for the purpose of propaganda. This dissertation aims to explore how Cardew and Rzewski constituted effective socialization and political action within two works: Cardew's The Great Learning (Paragraph 1) and Rzewski's Les Moutons de Panurge.This dissertation explores the complex relationship between politics and art, particularly, how art maintains its autonomy while also being political. The political and compositional backgrounds of these two composers is examined in order to gauge their intentions within these works and evaluate the political efficacy of the resulting compositions. This is accomplished by examining the scores as well as various studio recordings and live performances. This dissertation proposes that it is only within performance that the relationship between improvisational choices and political efficacy is revealed.
ISBN: 9781392497852Subjects--Topical Terms:
516178
Music.
Exploring Political Action and Socialization through Group Improvisation within the Music of Frederic Rzewski and Cornelius Cardew.
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In the late 1960s, socialist composers, Cornelius Cardew and Frederic Rzewski, each established ensembles with the purpose of performing works consisting of experimental forms of improvisation. By employing group improvisation, and including untrained, non-musicians within their performances, they strove to use these ensembles as a model for society itself; this model includes a dissolution of the hierarchy among performers and the barrier between performer and audience. Improvisation helped music resist commodification by the culture industry or appropriation by authoritarian regimes for the purpose of propaganda. This dissertation aims to explore how Cardew and Rzewski constituted effective socialization and political action within two works: Cardew's The Great Learning (Paragraph 1) and Rzewski's Les Moutons de Panurge.This dissertation explores the complex relationship between politics and art, particularly, how art maintains its autonomy while also being political. The political and compositional backgrounds of these two composers is examined in order to gauge their intentions within these works and evaluate the political efficacy of the resulting compositions. This is accomplished by examining the scores as well as various studio recordings and live performances. This dissertation proposes that it is only within performance that the relationship between improvisational choices and political efficacy is revealed.
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