British & Irish literature.
概要
| 作品: | 500 作品在 0 項出版品 0 種語言 | |
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書目資訊
A Cosmopolitics of Conversion: Women's Religious Experience in Victorian British and Colonial Indian Prose.
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"What's the use of trying to read Shakespeare?": Modes of memory in Virginia Woolf's fiction and essays.
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Works in Progress: Child Characters in Victorian and Postcolonial Fiction, 1814 - 2006.
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Confrontation and withdrawal: Initiation in the novels of Mark Twain, Henry James, and Cao Xueqin.
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"The Nations of the Field and Wood": The Uncertain Ontology of Animals in Eighteenth-Century British Literature.
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Buying Thebes: Promoting a Cultural Commonwealth in Contemporary Anglophone Adaptations of Greek Tragedy.
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Introducing Shakespeare early: Why, when, and how to teach Shakespeare to elementary and middle school students.
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The Threat at Court: Subversive Uses of Translation, Transcription, and Tradition in the Henrician Court.
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Convergence and Contest: Humanism, Comic Books, and Higher Education in the Digital Age.
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Turning Toward the World: Aestheticism, Christianity, and the Ends of Art in Modernist Literature.
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Latin Labyrinths, Celtic Knots: Modernism and the Dead in Irish and Latin American Literature.
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The politics of taste: Mary Wollstonecraft and Jane Austen on the cultivation of democratic judgment.
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Nature, nurture, nation: Race and childhood in transatlantic American discourses of slavery.
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"Sind Eben Alles Menschen Gewesen". Plutarch Und Shakespeare in Goethes "Goetz von Berlichingen.
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Traveling Women and Consuming Place in Eighteenth-Century Travel Letters and Journals.
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"The Second Barrel is Nearly Always Fatal": Rhetoric in the Three Trials of Oscar Wilde.
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Rhetoric of Resistance: Social Justice in the Work of Wollstonecraft, Cugoano, and Godwin.
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The Gendered Pocket: Fashion and Patriarchal Anxieties about the Female Consumer in Select Victorian Literature.
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Affective Citizenship: Gender and Narratives of Affiliation in Multi-Ethnic British Literature.
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To Start, Continue, and Conclude: Foregrounding Narrative Production in Serial Fiction Publishing.
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Sustaining Sustainers: Moving Culturally Sustaining Pedagogies Across Classrooms and Communities.
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'Poisoning the Viewer': The Status of Drama and Dramatists, Paintings and Painters in Renaissance England.
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Theatrical Weddings and Pious Frauds: Performance and Law in Victorian Marriage Plots.
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Feminist Shakespeares: Adapting Shakespeare for a Modern Audience in the Hogarth Shakespeare Project.
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Wits, Shits, and Crits: The Problem of Digestive Interpretation in Pope, Swift, and Fielding.
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Myth-Making and Sacred Nature: J.R.R. Tolkien's and Frank Herbert's Mythopoeic Fiction.
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Transcendent realities: The search for meaning in the modernisms of Yeats, Joyce, and Pound.
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"Buy, Reade, Regard": Learning to Sing and Play Through the Printed Page in Early Modern England.
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The power of the other: A character analysis of the orphan figure in children's literature.
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All of Us with All of That: Militarized Life and Communal Affect in Twenty-First Century American Experimental Poetry.
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Dickensian Pedagogy, a Novel Approach: Educating David Copperfield, At the Knee Learning.
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"The Brute Earth Would Lend Her Nerves and Shake": Violent Female Speech in Early Modern Drama.
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The Intrusion of Trauma into Daily Routine: The Consequences of the Interwar, the Cold War, and the Vietnam War in Literature.
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Scene and Unseen: Abjection and the Female Body in Films and Drama of the Northern Irish Troubles, 1969-1998.
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Niche Formations: Rethinking Literary Opportunity in Modern Southeast Asian Literature.
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The Rise of the Mechanimal: How Authors of Scientific Romances Imagined Future Vehicles.
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Max Horkheimer, Theodor W. Adorno, . . . and C. S. Lewis? Two Revolutionary Philosophical, Moral, and Cultural Critiques.
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Negative capability as an ethic of empathy: Practicing narrative medicine with John Keats in mind.
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Reaching Readers: Textual Engagement and Personalized Learning in the Works of Christine de Pizan and Geoffrey Chaucer.
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The Picturesque and Its Decay: The Travel Writing and Journals of Dorothy Wordsworth, Mary Wollstonecraft, and Mary Shelley.
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Making Land, Making People: Rhetorics of Value and Improvement in Early Modern English Literature.
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Tragedy of the Teenage Girl: Female Characters in Contemporary Shakespearean Commercial Film Adaptations.
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Fragile Spectres: How Women of Victorian Britain Used the Occult and Spiritualist Movement to Create Autonomy.
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Critical introductions to pioneering works of social realism from the early Abbey Theatre.
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Moments of Creativity, Consciousness, and Critique: A Tradition in Black Male Autobiographies.
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Threatened masculinity in English fiction (1883-1915) and Cold War German cinema (1966-1986).
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Moving words/motion pictures: Proto-cinematic narrative in nineteenth-century British fiction.
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Gender and the king's two bodies: Interpreting female characters in select Elizabethan and Jacobean drama.
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Advice and Discontent: Staging Identity Through Legal Representation on the British Stage, 1660-1800.
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Nature's Spectacles: Ornament, Performance, and Natural History in the Long Eighteenth Century.
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Beyond the binaries: Passing as cisgender in "Middlesex", "Trumpet", and "Redefining Realness".
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Trans Literature: Transgender Histories and Genres of Embodiment, Medieval and Post-Medieval.
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DREAM AND DRAMA: IN LATE SIXTEENTH CENTURY AND EARLY SEVENTEENTH CENTURY--CHINA, ENGLAND AND SPAIN (THEATER).
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AWARENESS OF THE WOMAN QUESTION IN THE NOVELS OF GEORGE ELIOT AND EILEEN CHANG (ENGLAND, CHINA).
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Words alike, worlds apart: An inquiry into the ontological and metaphorical modes in Chinese and English lyric poetry.
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"An imagist turned philosopher": Formal innovation, conscious experience, and the self in modernist women's poetry.
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Wound up about brave new seed: Biotechnology and the food industry in dystopian literature.
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Writing Environment: Cultural Phenomenology of Place in Anna Seward's Writing Process.
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For love of country: History, nation and identity in British women's writings 1763-1812.
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The fictional sob sisters: Narrative construction of women journalists in popular literature.
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A soldier, a captain, and a king: Teaching Shakespeare and Melville in tandem under the Common Core State Standards.
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Surviving domestic tensions: Existential uncertainty in New World African diasporic women's literature.
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Imperialism and the sublime in the science fictional works of Jules Verne, H. G. Wells, and Karel Capek.
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Performing ethnic identities in global economies: Power and resistance in Sri Lanka's dirty war.
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Epidemiology of Terror: Health, Horror, and Politics in Colonial and Postcolonial Literature.
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Imagining Resistance and Solidarity in the Neoliberal Age of U.S. Imperialism, Black Feminism, and Caribbean Diaspora.
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Envisioning the transcendent: The complementarity of Darstellung and Vorstellung in English and German Romanticism.
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Giambattista Velluti in London (1825-1829): Literary Constructions of the Last Operatic Castrato.
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"In all the Factious Humours You Have Bred": Music as Political Propaganda in Seventeenth-Century England.
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Secret Springs of Action: Necessity and Anglo-American Literature in the Age of Revolution.
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The politics of translation: Authorship and authority in the writings of Alfred the Great.
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Voicing female ambition and purpose: The role of the artist figure in the works of George Eliot.
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"I am my own mistress": Narrating professional autonomy and love in Charlotte Bronte's novels.
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The impact of contemporary theological attitudes towards poverty on William Wordsworth's writing.
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Nursery of the nation: Mothers, midwives and national identity on the eighteenth-century comedic stage.
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"Scrupulous sympathy": James Joyce's "Ulysses" and the ethics of modern sentimentality.
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'The shame of all her kind': A genealogy of female monstrosity and metamorphosis from the Middle Ages through early modernity.
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Sound, Gender, Individual Will, and the Body in Nineteenth-Century British Literature.
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Through the Spaceship's Window: A Bio-Political Reading of 20th Century Latin American and Anglo-Saxon Science Fiction.
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Listening for Unreliable Narration: Narrative Noise in the Nineteenth-Century British Novel.
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Illuminating the Eighteenth-Century British Stage: Perfecting Performance through Education.
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Haunted narratives: The afterlife of Gothic aesthetics in contemporary transatlantic women's fiction.
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Since Sappho: Women in Classical Literature and Contemporary Women's Writing in English.
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"Titus Andronicus": The Material Effects of Sexual Assault and Trauma as Represented Through Design.
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The actor as critic: With some remarks upon the importance of the body in contemporary Shakespearean performance.
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Novel Ways of Seeing: Victorian Novels, Animated Adaptations, and the Disoriented Reader/Viewer.
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Avant-gardism in children's theater: The use of absurdist techniques by Anglophone children's playwrights.
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Who Knows What She Is Thinking? An Annotated Selection of Stevie Smith's Poems and Drawings.
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Genealogical Modernism: Family Structures, Identity, History, and Narrative in the 20th-Century "Long" Novel.
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Making Mockeries, Making Connections: The "Revolutionary Potential" of Parody in Twenty-first Century Art and Literature.
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Explorations of Childhood Gender-fluidity and the Subversion of Masculinity in Peter Pan.
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Apocalyptic Vision and Philosophical Optimism in Eighteenth-Century Literature and Philosophy.
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From Sentiment to Sagacity to Subjectivity: Dogs and Genre in Nineteenth-Century British Literature.
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Journey into Fear: Nineteenth Century Travel, Transportation, and the Disquieting Effects of Change.
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"To Be Termed Men": Women's Representations of Men and Masculinity in Early Modern England.
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Reconfiguring Self, World, and Word: Modernist Poetic Epiphanies in Eliot, Williams, Levertov, and Revell.
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"Home Is Where You Feel a Welcome": Homemaking as National Belonging in 20th and 21st c. Black British Novels.
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A regnal genealogy in trouble: The Trojan myth as a traumatic national historiography in medieval England.
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Private and common ground: The work of Ling Shuhua and Virginia Woolf in the late 1930s.
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Knowing Totality: Capitalism Across Consciousness and Community in Kim, Nostromo, Sons and Lovers, and Ulysses.
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Female Comic Grotesque Characters in Victorian Novels: Investigating the Possibilities of Liminality.
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Reforming Victorian Sense/Abilities: Disabilities in Elizabeth Gaskell'S Social Problem Novels.
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Symbols of English Identity: The Country House and Representations of Maternity in Modern British Fiction.
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The Fallen Woman: An Exploration of the Voiceless Women in Victorian England Through Three Plays of Oscar Wilde.
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Glossing the Virgin: The Incarnational Hermeneutics of Mary in the English Middle Ages.
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"We Are Two-Legged Wombs": The Paradigms of Objectification of Women in Margaret Atwood's Dystopia.
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From the Womb to the Word: Pregnancy and Pregnancy Metaphors in 16th and 17th Century English Literature.
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Romanticism as Religion: Beyond the Secularization Narrative in Readings of British Romantic Poetry.
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The Dystopian Impulse and Media Consumption: Redefining Utopia via the Narrative Economics of the New Media Age.
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"It Could Have Happened to Any of You": Post-Wounded Women in Three Contemporary Feminist Dystopian Novels.
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"To Feel with Other Beings": Affect and Activism in New Wave Feminist Science Fiction.
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"In a Moment I Am Perfectly Myself": A Study of the Lesbian Vampire as Crip-Queer Subject.
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Printed Past, Bookish Present, Digital Future: Media, Materiality, and Design in Contemporary Literature.
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A Subtler History Within History: Romanticism, Genre, and Revolution "In Solution," 1794-1818.
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Sexuality, Agency, and Independence in the Work of Aphra Behn, Mary Wollstonecraft, and Virginia Woolf.
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"Bottom, Thou Art Translated!": A Comparative Study of Two Russian Translations of A Midsummer Night's Dream.
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Through the Mirror of Erised Queerly: A Reckoning of Queer Influences, Subtext, and Imperatives in Harry Potter.
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Modernist Amateur Economists: Heterodox Economic Theory and British Literary Modernism.
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"Living in Posterity": Life, Death, and Futurity in Medieval and Early Modern English Literature.
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Wearing the Witch Identity as a Way of Becoming in Shirley Jackson's We Have Always Lived in the Castle.
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Computing the English Middle Ages: A Sociotechnical Study of Medievalists' Engagement with Digital Humanities.
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Transvestite sub/versions: Power, performance, and seduction in Shakespeare's comedies.
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The sexual politics of Oscar Wilde, Radclyffe Hall, D. H. Lawrence, and Virginia Woolf.
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Transgressive Migrations: Gender Roles, Space, and Place in American Novels, 1900-1999.
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Ovidian Reconfigurations of Identity and Mortality in William Shakespeare's Julius Caesar.
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Cultivating Leisure: Agriculture, Tourism, and Industrial Modernity in the North Carolina Sandhills, 1870-1930.
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The Language of Liturgy: Unintelligibility, Translation, and Performance in English Religious Writing, 1350-1550.
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At home in the city: Networked space and urban domesticity in American literature, 1850-1920.
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Presumption and Despair: The Figure of Bernard in Middle English Imaginative Literature.
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En-gendering Romantic Media Theory : = British Women Poets and Media Technologies, 1800-1832.
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The Descriptive Aesthetic : = British Aestheticism and the Realist Novel in the Late Nineteenth Century.
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Craft and Storytelling : = Romance and Reality in Joseph Conrad and Gabriel Garcia Marquez.
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The Unstoppable Anthropocene Engine : = Animal Studies in Literature and the Lack of Individual Animal Study.
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Need for Vertical Alignment in English Classes Between K-12 and Higher Education Institutions.
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From isolation to whole sight : = A study of humanist existentialism in John Fowles, Albert Camus, and Jean-Paul Sartre.
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Contagious Animality : = Species, Disease, and Metaphor in Early Modern Literature and Culture.
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Intervals of Grace : = Shakespeare and Chaucer's Existential Romances and the Repair of the Past.
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Transference and Countertransference : = Freud's Therapeutic Frame in Narratives of Psychotherapy.
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Documentary Knowledge, Visual Images, and Poetry in the Works of Theresa Hak Kyung Cha and Claudia Rankine.
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Unspeakable Things : = The Poetics of Secrecy in Ezra Pound and H.D = La poetique du secret chez Ezra Pound et H.D.
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"Say I Am Revenge" : = Violence, Performance, and the Figure of the Female Revenger in English Renaissance Drama.
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Tactile Theology : = Gender, Misogyny, and Possibility in Medieval English Literature.
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Haunting at Troy : = Troy Narratives, Trauma, and Desire for the Past in Late Medieval English Literature.
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From Bestseller to the Big Screen : = The Acquisition and Development of Popular Novels in Classical Hollywood.
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Unwiht : = Shifting Boundaries of Humanity in Early Middle English Language and Literature.
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The Power of Rhetoric in Game of Thrones : = How Gender and Language Reflect Character Development.
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Herbs and Beauty : = Gendered Poethood and Translated Affect in Late Imperial and Modern China.
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Health, illness, and medical theory in the novels of Jane Austen, Charles Dickens, and Charlotte Bronte.
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Fetishized Materialism : = Reanimating Material Things in the Early Modern Atlantic World.
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Immersive Shakespeare : = Locating Early Modern Immersion in Contemporary Adaptations.
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Reverent Romanticism : = Anthologizing Romantic Poetry in VictorianDevotional Literature.
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Pedagogical Translation Studies : = Arabic Translations of Jane Austen's Novels as Case Study.
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'Getting into / Focus' : = Mapping the Influence of Cinema in Marginal British Poetry, 1927-1950.
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The Fluent Image : = Affinities in the Aesthetics of William Wordsworth and Nineteenth-Century Landscape Painters.
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The geopolitics of incest in the Age of Conquest : = Gerald of Wales through Geoffrey Chaucer.
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"A Subject Becomes a Heart" : = The Therapeutic Style of the Heart of Darkness Novel Tradition.
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"To Be a Poet and a Poem" : = The Life of Literature and the Metafictional Self in A. S. Byatt's Possession.
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The Balladic Empire : = Nineteenth-Century Poetry, British Imperial Identity, and the Idea of the Ballad.
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Destruction and Resiliency : = Decolonizing Settler Knowledge in Native American Literature Through the Peoplehood Matrix.
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Women Wards and Enforced Marriage in Thomas Middleton's The Phoenix and Ben Jonson's The Magnetic Lady.
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Othello's Second Marriage : = The Temptation Scene and the Forms of Early Modern Marriage.
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Societal Structure, Family, and Masculinity in the Bildungsroman : = An Analysis of The Great Santini and Portnoy's Complaint.
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Reading Utopian Pedagogies : = Discovering the Practical Here and Now of Utopian Thinking.
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Anti-Female Language on the Early Modern Stage : = Abuse, Degradation, and Resistance.
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International Students : = Education, Emancipation and Exchange in Contemporary University Fiction.
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The importance of being paradoxical : = A study of maternal presence in the works of Oscar Wilde.
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Manifestations of nineteenth century feminine illness in Jane Austen's "Emma" and "Persuasion".
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Literary Essentialism and Charles Dickens : = Anti-Semitism in Oliver Twist and Our Mutual Friend.
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Sources for the "Early Christian" Style and Content in the Art of Dante Gabriel Rossetti.
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Women of feeling : = Female sensibility in eighteenth-century English novels and conduct literature.
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"Betwixt the World Destroyed and World Restored" : = Subjectivity And Paradisal Recovery In John Milton's Late Poems.
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The Ram and Ewe of Venice: Blackness and the Tragedy of Interracial Marriage in William Shakespeare's Othello.
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