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Scene and Unseen: Abjection and the ...

Batchelder, Kelly Michelle.

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Scene and Unseen: Abjection and the Female Body in Films and Drama of the Northern Irish Troubles, 1969-1998.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Scene and Unseen: Abjection and the Female Body in Films and Drama of the Northern Irish Troubles, 1969-1998./
Author:	Batchelder, Kelly Michelle.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2020,
Description:	221 p.
Notes:	Source: Dissertations Abstracts International, Volume: 82-02, Section: A.
Contained By:	Dissertations Abstracts International82-02A.
Subject:	British & Irish literature. -
Online resource:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27742013
ISBN:	9798662485488

Scene and Unseen: Abjection and the Female Body in Films and Drama of the Northern Irish Troubles, 1969-1998.
Batchelder, Kelly Michelle.

Scene and Unseen: Abjection and the Female Body in Films and Drama of the Northern Irish Troubles, 1969-1998. - Ann Arbor : ProQuest Dissertations & Theses, 2020 - 221 p.

Source: Dissertations Abstracts International, Volume: 82-02, Section: A.

Thesis (Ph.D.)--Southern Illinois University at Carbondale, 2020.

This item must not be sold to any third party vendors.

This dissertation focuses on the empowerment and disempowerment of the female body during the Troubles of Northern Ireland (1969-1998). It explores the ways that visual texts - mainly film and theater - expose, explain, and challenge the denigrating perceptions of the female body that prevailed during and after the prison protests of the early 1980s for special category status. In each of my four chapters, I examine a Troubles film or drama via French Feminist Julia Kristeva's theorization of the female body as an abject threat to patriarchy. This dissertation utilizes the theory of abjection as a way to explain the elision of the female body, manifested as the so-called "dirty" protester, the mother and wife of the hunger striker, and the transgender female, from the pages of history, but with the ultimate goal of challenging the very perception of the female body as inherently abject.

ISBN: 9798662485488Subjects--Topical Terms:

3284317
British & Irish literature.
Subjects--Index Terms:

Abjection

Scene and Unseen: Abjection and the Female Body in Films and Drama of the Northern Irish Troubles, 1969-1998.
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245 1 0 $a Scene and Unseen: Abjection and the Female Body in Films and Drama of the Northern Irish Troubles, 1969-1998.
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300 $a 221 p.
500 $a Source: Dissertations Abstracts International, Volume: 82-02, Section: A.
500 $a Advisor: Dougherty, Jane Elizabeth.
502 $a Thesis (Ph.D.)--Southern Illinois University at Carbondale, 2020.
506 $a This item must not be sold to any third party vendors.
520 $a This dissertation focuses on the empowerment and disempowerment of the female body during the Troubles of Northern Ireland (1969-1998). It explores the ways that visual texts - mainly film and theater - expose, explain, and challenge the denigrating perceptions of the female body that prevailed during and after the prison protests of the early 1980s for special category status. In each of my four chapters, I examine a Troubles film or drama via French Feminist Julia Kristeva's theorization of the female body as an abject threat to patriarchy. This dissertation utilizes the theory of abjection as a way to explain the elision of the female body, manifested as the so-called "dirty" protester, the mother and wife of the hunger striker, and the transgender female, from the pages of history, but with the ultimate goal of challenging the very perception of the female body as inherently abject.
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653 $a Irish studies
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