British & Irish literature.
Overview
| Works: | 500 works in 0 publications in 0 languages | |
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Titles
A Cosmopolitics of Conversion: Women's Religious Experience in Victorian British and Colonial Indian Prose.
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"What's the use of trying to read Shakespeare?": Modes of memory in Virginia Woolf's fiction and essays.
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Remembering Modernism in "The Remains of the Day," "Cat's Eye," and "Atonement".
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Works in Progress: Child Characters in Victorian and Postcolonial Fiction, 1814 - 2006.
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Fundamental approaches to English poetry for Chinese and other ESL/EFL students.
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Pound, Williams, and Chinese poetry: The shaping of a Modernist tradition, 1913-1923.
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Confrontation and withdrawal: Initiation in the novels of Mark Twain, Henry James, and Cao Xueqin.
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GODDESS, FAIRY MISTRESS, AND SOVEREIGNTY: WOMEN OF THE IRISH SUPERNATURAL.
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Advice and Discontent: Staging Identity Through Legal Representation on the British Stage, 1660-1800.
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Buying Thebes: Promoting a Cultural Commonwealth in Contemporary Anglophone Adaptations of Greek Tragedy.
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WHY UTOPIAS FAIL: A COMPARATIVE STUDY OF THE MODERN ANTI-UTOPIAN TRADITIONS IN CHINESE, ENGLISH, AND JAPANESE LITERATURES (DYSTOPIA).
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DREAM AND DRAMA: IN LATE SIXTEENTH CENTURY AND EARLY SEVENTEENTH CENTURY--CHINA, ENGLAND AND SPAIN (THEATER).
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AWARENESS OF THE WOMAN QUESTION IN THE NOVELS OF GEORGE ELIOT AND EILEEN CHANG (ENGLAND, CHINA).
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Charles Dickens and Lao She: A study of literary influence and parallels.
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Words alike, worlds apart: An inquiry into the ontological and metaphorical modes in Chinese and English lyric poetry.
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Not without literature: Joyce with Lacan in the reinvention of psychoanalysis.
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The Gothic Fantasy of History: Fear and Loss in the British Long Eighteenth Century.
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Convergence and Contest: Humanism, Comic Books, and Higher Education in the Digital Age.
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Epidemiology of Terror: Health, Horror, and Politics in Colonial and Postcolonial Literature.
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NATURAL MAGIC AND MODERN SCIENCE IN THE POETIC WORKS OF NOVALIS AND SHELLEY (ALCHEMY, ROMANTIC, NEOPLATONISM, PERCY BYSSHE SHELLEY).
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Turning Toward the World: Aestheticism, Christianity, and the Ends of Art in Modernist Literature.
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Latin Labyrinths, Celtic Knots: Modernism and the Dead in Irish and Latin American Literature.
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Democratic Experiments: Irish Literature between Nationalism and Modernism.
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Absorption and Denial: Toward an Aesthetics of Ends in Old and Middle English Poetry.
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"Stories Can Save Us": Writing as Therapy in War Literature, Poetry, and Memoir.
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The politics of translation: Authorship and authority in the writings of Alfred the Great.
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"A plague 'o both your houses": Shakespeare and early modern plague writing.
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Voicing female ambition and purpose: The role of the artist figure in the works of George Eliot.
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"I am my own mistress": Narrating professional autonomy and love in Charlotte Bronte's novels.
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The impact of contemporary theological attitudes towards poverty on William Wordsworth's writing.
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Nursery of the nation: Mothers, midwives and national identity on the eighteenth-century comedic stage.
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Subversive merit: The revision of the classical clever slave as witty servant and social satirist in the comedies of Ben Jonson.
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"Scrupulous sympathy": James Joyce's "Ulysses" and the ethics of modern sentimentality.
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Worldmaking in early modern Europe: Global imaginations from Montaigne to Milton.
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'The shame of all her kind': A genealogy of female monstrosity and metamorphosis from the Middle Ages through early modernity.
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The empty center: Acting out theatric alliance in three texts by Sarah Kane.
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Bodies as texts, texts as bodies: Corpses in nineteenth-century British literature.
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Towards a Critical Awareness of Worldliness: A. H. Tanpinar's "Huzur", Mahmoud Darwish's "Memory for Forgetfulness", and Virginia Woolf's "Mrs. Dalloway".
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Transfiguration maxima!: Harry Potter and the complexities of filmic adaptation.
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"The Nations of the Field and Wood": The Uncertain Ontology of Animals in Eighteenth-Century British Literature.
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Fragile Spectres: How Women of Victorian Britain Used the Occult and Spiritualist Movement to Create Autonomy.
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Critical introductions to pioneering works of social realism from the early Abbey Theatre.
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The republic of letters: Epistolarity, the public sphere, and the rise of the novel.
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AN INVESTIGATION OF THE EPISTOLARY NATURE OF SHAKESPEARE'S SONNETS 1-126.
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Moments of Creativity, Consciousness, and Critique: A Tradition in Black Male Autobiographies.
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Mary Shelley's "The Last Man": A critical analysis of anxiety and authorship.
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Split wounds: Diverging formations of trauma in "The Diagnostic and Statistical Manual of Mental Disorders" v, "Girl with the Dragon Tattoo", "And the Rat Laughed", and "Once Were Warriors".
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Threatened masculinity in English fiction (1883-1915) and Cold War German cinema (1966-1986).
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Moving words/motion pictures: Proto-cinematic narrative in nineteenth-century British fiction.
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Gender and the king's two bodies: Interpreting female characters in select Elizabethan and Jacobean drama.
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"Make several kingdoms of this monarchy": Place and identity in early modern drama.
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Nature's Spectacles: Ornament, Performance, and Natural History in the Long Eighteenth Century.
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Beyond the binaries: Passing as cisgender in "Middlesex", "Trumpet", and "Redefining Realness".
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Trans Literature: Transgender Histories and Genres of Embodiment, Medieval and Post-Medieval.
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Introducing Shakespeare early: Why, when, and how to teach Shakespeare to elementary and middle school students.
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The Threat at Court: Subversive Uses of Translation, Transcription, and Tradition in the Henrician Court.
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"An imagist turned philosopher": Formal innovation, conscious experience, and the self in modernist women's poetry.
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Sounding bodies and voices in nineteenth-century British and American Gothic fiction.
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Writing Environment: Cultural Phenomenology of Place in Anna Seward's Writing Process.
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"SUCH HOLY SONG": MUSIC AS IDEA, FORM, AND IMAGE IN THE POETRY OF WILLIAM BLAKE.
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Surviving domestic tensions: Existential uncertainty in New World African diasporic women's literature.
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Imperialism and the sublime in the science fictional works of Jules Verne, H. G. Wells, and Karel Capek.
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Performing ethnic identities in global economies: Power and resistance in Sri Lanka's dirty war.
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Imagining Resistance and Solidarity in the Neoliberal Age of U.S. Imperialism, Black Feminism, and Caribbean Diaspora.
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Envisioning the transcendent: The complementarity of Darstellung and Vorstellung in English and German Romanticism.
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The politics of taste: Mary Wollstonecraft and Jane Austen on the cultivation of democratic judgment.
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Man-Made Menopause and Architectural Embodiment in Herman Melville's "I and My Chimney" and "A Disembodied Listener": Hawthorne's Mesmeric Narrator in The House of the Seven Gables.
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Giambattista Velluti in London (1825-1829): Literary Constructions of the Last Operatic Castrato.
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"In all the Factious Humours You Have Bred": Music as Political Propaganda in Seventeenth-Century England.
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The Good Look: Victorian Visual Ethics and the Problem of Physical Difference.
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Children's literature and modern thought: Bridging the barrier of World War I.
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Water, prestige, and Christianity: An ecocritical look at Medieval literature.
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There's No Place Like "Home" Displacement, Domestic Space, and Ecological Consciousness in the work of Elizabeth Gaskell and Susanna Moodie.
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Inventing the Southwest: How Modernists Shaped an American Regional Experience.
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Kinship lessons: The cultural uses of childhood in late medieval England.
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Nature, nurture, nation: Race and childhood in transatlantic American discourses of slavery.
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Katharine Tynan's literature for children and the construction of Irish identity.
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"Sind Eben Alles Menschen Gewesen". Plutarch Und Shakespeare in Goethes "Goetz von Berlichingen.
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Ways of Thanking in American-English, Chinese-Mandarin, South Korean, and Thai: An Intercultural and Cross-linguistic Approach.
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Wound up about brave new seed: Biotechnology and the food industry in dystopian literature.
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For love of country: History, nation and identity in British women's writings 1763-1812.
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The fictional sob sisters: Narrative construction of women journalists in popular literature.
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A soldier, a captain, and a king: Teaching Shakespeare and Melville in tandem under the Common Core State Standards.
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Plagued Subjects: Political Culture of Crisis in Early Modern English Literature.
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Astraea's Adversary: The Rivalry Between Law and Literature in Elizabethan England.
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Secret Springs of Action: Necessity and Anglo-American Literature in the Age of Revolution.
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Traveling Women and Consuming Place in Eighteenth-Century Travel Letters and Journals.
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Place and Displacement: The Unsettling Connection of Women, Property, and the Law in British Novels of the Long Nineteenth Century.
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Sound, Gender, Individual Will, and the Body in Nineteenth-Century British Literature.
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Gestural Ekphrasis: Toward a Phenomenology of the Moving Body in Joyce and Woolf.
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"The Second Barrel is Nearly Always Fatal": Rhetoric in the Three Trials of Oscar Wilde.
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Rhetoric of Resistance: Social Justice in the Work of Wollstonecraft, Cugoano, and Godwin.
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Shakespeare's Middle Comedies: Human Agency and the Early Modern Experience.
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The Gendered Pocket: Fashion and Patriarchal Anxieties about the Female Consumer in Select Victorian Literature.
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Between Two Worlds: The Functions of Liminal Space in Twentieth-Century Literature.
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Affective Citizenship: Gender and Narratives of Affiliation in Multi-Ethnic British Literature.
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To Start, Continue, and Conclude: Foregrounding Narrative Production in Serial Fiction Publishing.
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Sustaining Sustainers: Moving Culturally Sustaining Pedagogies Across Classrooms and Communities.
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'Poisoning the Viewer': The Status of Drama and Dramatists, Paintings and Painters in Renaissance England.
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Theatrical Weddings and Pious Frauds: Performance and Law in Victorian Marriage Plots.
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'This, Reader, Is No Fiction': Examining the Rhetorical Uses of Reader Address across the Nineteenth- and Twentieth-Century Novel.
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Avant-gardism in children's theater: The use of absurdist techniques by Anglophone children's playwrights.
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Multisensory Monsters and the Psychology of the Senses in Anglo-Saxon Art.
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Western and Chinese literary genre theory and criticism: A comparative study.
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Making Mockeries, Making Connections: The "Revolutionary Potential" of Parody in Twenty-first Century Art and Literature.
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Documenting Gender Equity in Renaissance Anthologies: A Study of the Contemporary Anthologization of Early Modern Women Authors.
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Through the Spaceship's Window: A Bio-Political Reading of 20th Century Latin American and Anglo-Saxon Science Fiction.
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Radical Canons: Epigraphic Practice, Identity Formation, and Caribbean Writers.
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Listening for Unreliable Narration: Narrative Noise in the Nineteenth-Century British Novel.
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Illuminating the Eighteenth-Century British Stage: Perfecting Performance through Education.
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Feminist Shakespeares: Adapting Shakespeare for a Modern Audience in the Hogarth Shakespeare Project.
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"Titus Andronicus": The Material Effects of Sexual Assault and Trauma as Represented Through Design.
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The actor as critic: With some remarks upon the importance of the body in contemporary Shakespearean performance.
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Novel Ways of Seeing: Victorian Novels, Animated Adaptations, and the Disoriented Reader/Viewer.
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Toxic Ecologies: Contamination and Transgression in Victorian Fiction, 1851-1900.
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Who Knows What She Is Thinking? An Annotated Selection of Stevie Smith's Poems and Drawings.
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Genealogical Modernism: Family Structures, Identity, History, and Narrative in the 20th-Century "Long" Novel.
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A Comparative Study of Three Interfering Women in Western and Chinese Tales.
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Something Old, Something New: An Examination of Visual Interpretations of John Keats' "Isabella, or the Pot of Basil" and "Eve of St. Agnes", and Alfred, Lord Tennyson's "Mariana" and "Lady of Shalott" by Pre-Raphaelite Artists.
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The Lay of the Land: English Landscape Themes in Early Modern Painting in England.
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Explorations of Childhood Gender-fluidity and the Subversion of Masculinity in Peter Pan.
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Images of Race and the Influence of Abolition in Jane Eyre and Wuthering Heights.
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Apocalyptic Vision and Philosophical Optimism in Eighteenth-Century Literature and Philosophy.
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Women Writing Men: Genre, Narrative Authority, and "Mind Writing" 1752-1817.
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Noisy Isles: Sounds and Otherness in Medieval and Early Modern English Literature.
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When Fairy Tales Collide: Collaborative Fairy Tales as Postmodern Feminist Discourse in 21st-Century Novels, Graphic Novels, and Visual Culture.
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The effectiveness of graphic novels and comics in the high school ELA classroom.
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An Unhistoric Becoming: Reading George Eliot's Middlemarch with Walter Benjamin.
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The Representation of Masculine Honour in the Private Sphere in Renaissance England.
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Shakespeare and Religion: Capricious and Concealed Faith in Three Tragicomic Plays = = Shakespeare und Religion: Willkurlicher und verborgener Glaube in drei tragikomischen Stucken.
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The Intrusion of Trauma into Daily Routine: The Consequences of the Interwar, the Cold War, and the Vietnam War in Literature.
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Niche Formations: Rethinking Literary Opportunity in Modern Southeast Asian Literature.
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Satirizing the Audience: Shakespeare and the Uses of Obscurity, 1594-1601.
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Knowing Totality: Capitalism Across Consciousness and Community in Kim, Nostromo, Sons and Lovers, and Ulysses.
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Glossing the Virgin: The Incarnational Hermeneutics of Mary in the English Middle Ages.
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Sound and Vision: Mysticism, Dante's Commedia and Dante Gabriel Rossetti.
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Reading for Enlightenment in the Beginning of Philosophical Transactions.
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The Lodge in the Wilderness: Ecologies of Contemplation in British Romantic Poetry.
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Romanticism as Religion: Beyond the Secularization Narrative in Readings of British Romantic Poetry.
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The Dystopian Impulse and Media Consumption: Redefining Utopia via the Narrative Economics of the New Media Age.
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"It Could Have Happened to Any of You": Post-Wounded Women in Three Contemporary Feminist Dystopian Novels.
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The Greener Inhumanity of Renaissance Pastoral: A Posthumanist Reading of the Bucolic Literature of Early Modern England and Italy.
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Conservation and Correction: A Study of Ecology and Romantic Conservative Thought.
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Recasting the Coolie: Racialization, Caste, and Narratives of Asian Indentureship.
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"Carv'd Out in Bloody Lines": Interiority, Truth, and Violence in Early Modern Drama.
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Helping Diverse Students to Harness Prior Knowledge through FYC Writing Prompts.
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The Female Body as Contagion, Commodity, and Cure: Examining Discursive Agency Through Patriarchal Quackery in Elizabeth Inchbald and Mary Robinson.
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A Subtler History Within History: Romanticism, Genre, and Revolution "In Solution," 1794-1818.
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Sexuality, Agency, and Independence in the Work of Aphra Behn, Mary Wollstonecraft, and Virginia Woolf.
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Transgressive Migrations: Gender Roles, Space, and Place in American Novels, 1900-1999.
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Presumption and Despair: The Figure of Bernard in Middle English Imaginative Literature.
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"She Had a Good Ende" : = Female Gender Roles, Trauma, and Subversion in Sir Thomas Malory's Le Morte Darthur and Young Adult Literature Adatpations.
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Immersive Shakespeare : = Locating Early Modern Immersion in Contemporary Adaptations.
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The Descriptive Aesthetic : = British Aestheticism and the Realist Novel in the Late Nineteenth Century.
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Reverent Romanticism : = Anthologizing Romantic Poetry in VictorianDevotional Literature.
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The Futility of Prophecy : = Prophecy and Poetry in English Narratives of Troy.
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Pedagogical Translation Studies : = Arabic Translations of Jane Austen's Novels as Case Study.
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New Geographies of the Contemporary Novel : = Scale, Border, Semi-periphery, World.
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Beyond Deadly Sins and Virgin Impairments : = Medieval Bodies in Disability Studies.
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Gender, Power and Disguise: Cross-Dressing Women Within Shakespeare and Spenser.
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Journey into Fear: Nineteenth Century Travel, Transportation, and the Disquieting Effects of Change.
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"To Be Termed Men": Women's Representations of Men and Masculinity in Early Modern England.
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Haunted narratives: The afterlife of Gothic aesthetics in contemporary transatlantic women's fiction.
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Since Sappho: Women in Classical Literature and Contemporary Women's Writing in English.
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Appropriate Conduct at Home and Abroad: Forming and Reforming Imperialist Ideologies in Popular Dutch and British Juvenile Novels, 1814-1879.
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Imagining Global Female Futures in Black Speculative and Science Fiction.
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Issues with Reality: Defining and Exploring the Logics of Alternate Reality Games.
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The Cross and the Sword: Political Myth-Making, Hegemony, and Intericonicity in the Christianization of the Iberian Peninsula and Britain.
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From Sentiment to Sagacity to Subjectivity: Dogs and Genre in Nineteenth-Century British Literature.
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Personified Preaching: Black Feminist Sermonic Practice in Literature and Music.
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Wits, Shits, and Crits: The Problem of Digestive Interpretation in Pope, Swift, and Fielding.
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"Buy, Reade, Regard": Learning to Sing and Play Through the Printed Page in Early Modern England.
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The power of the other: A character analysis of the orphan figure in children's literature.
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Diagnosing the Will to Suffer: Lovesickness in the Medical and Literary Traditions.
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Readings of Reading: Purpose and Process in Teaching Literature = = Lectures de lecture: objectif et processus dans l'enseignement de la litterature.
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All of Us with All of That: Militarized Life and Communal Affect in Twenty-First Century American Experimental Poetry.
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Fictions of Authority: The Normativity of Representation after Shakespeare.
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Out of Compass: English Women's Writing and the Cultures of Travel, 1604-1680.
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Dickensian Pedagogy, a Novel Approach: Educating David Copperfield, At the Knee Learning.
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"The Brute Earth Would Lend Her Nerves and Shake": Violent Female Speech in Early Modern Drama.
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Reestablishing Reader-Response Criticism in Composition Studies: The Respecting of Subjectivity, Indeterminacy, and the Rhetoric of Indirection in the Reading Experience of the Gospel of Mark.
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Reconfiguring Self, World, and Word: Modernist Poetic Epiphanies in Eliot, Williams, Levertov, and Revell.
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"Home Is Where You Feel a Welcome": Homemaking as National Belonging in 20th and 21st c. Black British Novels.
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I've Got a Bad, Bad Feeling: Epistemology and Affect in Literary Studies.
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Dying Laughing: On the Death and Resurrection of the Clown in Shakespearean Drama.
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Theatrical Realism: Staging Reality in French Theory and British Fiction, 1670-1764.
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The Early Plays of Shakespeare: Chronology, Authorship, and Intertextuality.
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Re-Presenting the Other: Cleopatra and Othello in Shakespeare Intertexts, 1678-2016.
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Scene and Unseen: Abjection and the Female Body in Films and Drama of the Northern Irish Troubles, 1969-1998.
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Narrative Intimacy: The Confidante in the Nineteenth-Century British Novel.
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The Role of Film and Television in American Shakespeare Studies: 1940s to 1990s.
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A regnal genealogy in trouble: The Trojan myth as a traumatic national historiography in medieval England.
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The Rise of the Mechanimal: How Authors of Scientific Romances Imagined Future Vehicles.
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Private and common ground: The work of Ling Shuhua and Virginia Woolf in the late 1930s.
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Max Horkheimer, Theodor W. Adorno, . . . and C. S. Lewis? Two Revolutionary Philosophical, Moral, and Cultural Critiques.
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Female Comic Grotesque Characters in Victorian Novels: Investigating the Possibilities of Liminality.
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Reforming Victorian Sense/Abilities: Disabilities in Elizabeth Gaskell'S Social Problem Novels.
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Symbols of English Identity: The Country House and Representations of Maternity in Modern British Fiction.
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"Beautiful and Terrible in the Face": Reconfiguring the Southern Beauty Myth Through the Short Fiction and Autobiographical Writings of Eudora Welty.
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The Fallen Woman: An Exploration of the Voiceless Women in Victorian England Through Three Plays of Oscar Wilde.
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"We Are Two-Legged Wombs": The Paradigms of Objectification of Women in Margaret Atwood's Dystopia.
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"An Instrument in the Shape / of a Woman": Reading as Re-Vision in Adrienne Rich.
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From the Womb to the Word: Pregnancy and Pregnancy Metaphors in 16th and 17th Century English Literature.
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Objects of Affection: Intimate Exchanges in Marlowe, Shakespeare, Spenser, and Wroth.
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Reaching Readers: Textual Engagement and Personalized Learning in the Works of Christine de Pizan and Geoffrey Chaucer.
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"To Feel with Other Beings": Affect and Activism in New Wave Feminist Science Fiction.
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Poetic inspiration in cultural contexts: A comparative study of the European Romantic concept of inspiration and the Chinese Six Dynasties view of the "inspired" state of creation.
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A comparative study of time presentation in Elizabethan and Yuan-Ming drama.
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Imprinted Memories: How Artificial Memory Practices Reimagined Mind, Memory, and the Printed Page in Nineteenth-Century Britain.
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"To Become Who You Wish to Be": Actual-Play Tabletop Roleplaying Game Podcasts as Oral Storytelling Outlets for Queer Community, Representation, and Identity.
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"In a Moment I Am Perfectly Myself": A Study of the Lesbian Vampire as Crip-Queer Subject.
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Printed Past, Bookish Present, Digital Future: Media, Materiality, and Design in Contemporary Literature.
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The Picturesque and Its Decay: The Travel Writing and Journals of Dorothy Wordsworth, Mary Wollstonecraft, and Mary Shelley.
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Mothers and Daughters 'Reforming Themselves to Reform the World': The Legacy of Feminism in Mary Wollstonecraft and Mary Shelley.
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Toward an Understanding of the Novelistic Dimension of Jean-Jacques Rousseau's Emile.
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Spiritual Destruction and Healing of the Human-Nature Bond: Eco-Consciousness and Eco-Spirituality in the Films of Hayao Miyazaki and Multi-Ethnic North American Literature.
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"Bottom, Thou Art Translated!": A Comparative Study of Two Russian Translations of A Midsummer Night's Dream.
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Through the Mirror of Erised Queerly: A Reckoning of Queer Influences, Subtext, and Imperatives in Harry Potter.
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Making Land, Making People: Rhetorics of Value and Improvement in Early Modern English Literature.
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"Nothing is but what is not": The subjunctive aesthetic in early modern England.
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Seeing American Blindness: Critical Race Theory in 20th Century American Literature.
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Modernist Amateur Economists: Heterodox Economic Theory and British Literary Modernism.
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"Living in Posterity": Life, Death, and Futurity in Medieval and Early Modern English Literature.
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Wearing the Witch Identity as a Way of Becoming in Shirley Jackson's We Have Always Lived in the Castle.
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Epistemology of the cross-dresser: Sexual politics in early modern England.
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Tragedy of the Teenage Girl: Female Characters in Contemporary Shakespearean Commercial Film Adaptations.
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Ovidian Reconfigurations of Identity and Mortality in William Shakespeare's Julius Caesar.
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Cultivating Leisure: Agriculture, Tourism, and Industrial Modernity in the North Carolina Sandhills, 1870-1930.
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Retracing the Black Venus: Figures of Intimate Commerce in the Atlantic World.
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The Language of Liturgy: Unintelligibility, Translation, and Performance in English Religious Writing, 1350-1550.
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At home in the city: Networked space and urban domesticity in American literature, 1850-1920.
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Speculative Orientalism : = Zen and Tao in American New Wave Science Fiction.
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Encouraging Activism in Secondary English : = Reading and Writing for Social Justice.
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En-gendering Romantic Media Theory : = British Women Poets and Media Technologies, 1800-1832.
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Heroism in the Chivalric Code : = From Medieval to Modern and Tales of Queens and Good Women : Religion and Societal-Based Trauma.
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Generosity as Generality : = The Poetics of Largeness in Renaissance Literature.
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Fetishized Materialism : = Reanimating Material Things in the Early Modern Atlantic World.
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Uplifting Her Voice : = Reimagining Lavinia from Shakespeare's Titus Andronicus.
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Nineteenth Century British Literature and Sacred Temporalities : = The "Operations of Time" on Emotion, Intellect, and Politics.
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Textual Encounters : = Reading Character in the Nineteenth-Century Novel.
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The ends of my American memory : = Fiction and an essay on gnostical autobiography.
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Craft and Storytelling : = Romance and Reality in Joseph Conrad and Gabriel Garcia Marquez.
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Spectacular Flesh : = Erotic Horror as Feminist Praxis in Women's Literature & Film.
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"The Wings of Inclination" : = The Anglo-Persianate Realm in Women's Travel Narratives and the Travelling Imaginary, 1750-1850.
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'Getting into / Focus' : = Mapping the Influence of Cinema in Marginal British Poetry, 1927-1950.
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The Fluent Image : = Affinities in the Aesthetics of William Wordsworth and Nineteenth-Century Landscape Painters.
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Memory as Monster : = Trauma and Memory in Horror Novels, Films, TV, and Videogames.
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The geopolitics of incest in the Age of Conquest : = Gerald of Wales through Geoffrey Chaucer.
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The Unstoppable Anthropocene Engine : = Animal Studies in Literature and the Lack of Individual Animal Study.
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Need for Vertical Alignment in English Classes Between K-12 and Higher Education Institutions.
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The Multistable Material of Modernism : = Perception, Objects, and Identity.
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Unfinished Business : = Ghosts, Mediums, & the Feminist Neo-Victorian Novel.
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Transcendent realities: The search for meaning in the modernisms of Yeats, Joyce, and Pound.
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From isolation to whole sight : = A study of humanist existentialism in John Fowles, Albert Camus, and Jean-Paul Sartre.
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Myth-Making and Sacred Nature: J.R.R. Tolkien's and Frank Herbert's Mythopoeic Fiction.
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Essential and Ubiquitous: The Inns of Eighteenth-century British Fiction.
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Sound Judgment: Ideologies of Listening and the Birth of English Music Criticism.
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Negative capability as an ethic of empathy: Practicing narrative medicine with John Keats in mind.
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Computing the English Middle Ages: A Sociotechnical Study of Medievalists' Engagement with Digital Humanities.
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Transvestite sub/versions: Power, performance, and seduction in Shakespeare's comedies.
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The sexual politics of Oscar Wilde, Radclyffe Hall, D. H. Lawrence, and Virginia Woolf.
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Buddhist-Christian Controversy in English-Language Literature (1816-1906).
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"A Subject Becomes a Heart" : = The Therapeutic Style of the Heart of Darkness Novel Tradition.
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"To Be a Poet and a Poem" : = The Life of Literature and the Metafictional Self in A. S. Byatt's Possession.
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The Balladic Empire : = Nineteenth-Century Poetry, British Imperial Identity, and the Idea of the Ballad.
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Destruction and Resiliency : = Decolonizing Settler Knowledge in Native American Literature Through the Peoplehood Matrix.
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Enchanted Modernisms : = Global Literary Afterlives of the Spirit, 1922-1949.
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The Poetics of Archaism : = Victorian Translators of Old Norse and Persian Legends.
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Race, Racism, and the Representation of Niger-Congo West African Grammar in African American Language : = Ebonics in Works by Paul Laurence Dunbar, Mark Twain, and Zora Neale Hurston.
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Reading Utopian Pedagogies : = Discovering the Practical Here and Now of Utopian Thinking.
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Women Wards and Enforced Marriage in Thomas Middleton's The Phoenix and Ben Jonson's The Magnetic Lady.
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Othello's Second Marriage : = The Temptation Scene and the Forms of Early Modern Marriage.
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Societal Structure, Family, and Masculinity in the Bildungsroman : = An Analysis of The Great Santini and Portnoy's Complaint.
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Refoliating the Anthropocene : = Plant Being and Indigenous Ecological Knowledges in 20th and 21st Century Black Women's Literature.
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O Brightening Glance : = Ritualized Visuality in the Late Drama of W.B. Yeats.
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Rhetorics of Refusal and Reclamation in Black Queer Femme Bravado Hip-Hop Music; How Nicki Minaj and Lil Nas X Break Barriers, Defy Standards, and Create Inclusive Spaces.
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Penitent Knights and Courtly Saints : = Hypertextuality and Complicated Boundaries Between the Genres of Middle English Romance and Hagiography.
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Controlling Women's Appetites : = Food and Femininity in Victorian Literature.
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The Power of Rhetoric in Game of Thrones : = How Gender and Language Reflect Character Development.
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Herbs and Beauty : = Gendered Poethood and Translated Affect in Late Imperial and Modern China.
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Absent Mothers, Guiding Sisters and Proper Ladies : = Familial Female Dynamics in Jane Austen's Novels = אמהות נעדרות, אחיות מנחות וגברות מהוגנות: דינמיקה משפחתית נשית ברומנים של ג'יין אוסטן.
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Gender Stereotyping in Contemporary Bestselling, Young Adult Fiction Books.
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The body in illness and health : = A consideration of the Jane Austen canon.
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Women of feeling : = Female sensibility in eighteenth-century English novels and conduct literature.
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(Electronic resources)
Contagious Animality : = Species, Disease, and Metaphor in Early Modern Literature and Culture.
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(Electronic resources)
Intervals of Grace : = Shakespeare and Chaucer's Existential Romances and the Repair of the Past.
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(Electronic resources)
Transference and Countertransference : = Freud's Therapeutic Frame in Narratives of Psychotherapy.
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Documentary Knowledge, Visual Images, and Poetry in the Works of Theresa Hak Kyung Cha and Claudia Rankine.
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Unspeakable Things : = The Poetics of Secrecy in Ezra Pound and H.D = La poetique du secret chez Ezra Pound et H.D.
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"Say I Am Revenge" : = Violence, Performance, and the Figure of the Female Revenger in English Renaissance Drama.
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(Electronic resources)
Tactile Theology : = Gender, Misogyny, and Possibility in Medieval English Literature.
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(Electronic resources)
Anti-Female Language on the Early Modern Stage : = Abuse, Degradation, and Resistance.
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(Electronic resources)
Misogyny & Murder : = An Examination of the Portrayal of Women in 1980's Horror Films : "Nymphomania", Stupidity, Exploitation, and Violence.
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International Students : = Education, Emancipation and Exchange in Contemporary University Fiction.
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Haunting at Troy : = Troy Narratives, Trauma, and Desire for the Past in Late Medieval English Literature.
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Becoming English : = Religion, Race, and Racial Capitalism in Early English Drama.
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(Electronic resources)
From Bestseller to the Big Screen : = The Acquisition and Development of Popular Novels in Classical Hollywood.
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Unwiht : = Shifting Boundaries of Humanity in Early Middle English Language and Literature.
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The importance of being paradoxical : = A study of maternal presence in the works of Oscar Wilde.
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"The Laws of Gods and Men ... But We are not Men" Female Aggression and Survival in George RR Martin's A Song of Ice and Fire and HBO's Game of Thrones.
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In Sickness and in Health : = Jane Austen's Use of Illness and Accident In "Sense and Sensibility", "Pride and Prejudice", "Emma", and "Persuasion".
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(Electronic resources)
Manifestations of nineteenth century feminine illness in Jane Austen's "Emma" and "Persuasion".
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(Electronic resources)
Harry Potter and social constructs : = How J.K. Rowlings's message of equality fails.
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(Electronic resources)
Literary Essentialism and Charles Dickens : = Anti-Semitism in Oliver Twist and Our Mutual Friend.
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(Electronic resources)
You mo fan yi zhu ding shi "xiao"? = = yi Good Omens fan ti yu jian ti zhong wen yi ben wei li = A Good Pun Is Its Own Reword : On Traditional and Simplified Translations of Humor in Good Omens.
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(Electronic resources)
Sources for the "Early Christian" Style and Content in the Art of Dante Gabriel Rossetti.
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(Electronic resources)
Health, illness, and medical theory in the novels of Jane Austen, Charles Dickens, and Charlotte Bronte.
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(Electronic resources)
"Betwixt the World Destroyed and World Restored" : = Subjectivity And Paradisal Recovery In John Milton's Late Poems.
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(Electronic resources)
Forgive Me, Father, for I Have Sinned: The Dramatic Potency of Confession on the Early Modern English Shakespearean Stage.
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(Electronic resources)
Falling in the 'Unequal Contest': Adhesiveness and Surplus Punishment in Shakespeare.
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(Electronic resources)
Master Mulcaster's Pageantry of Miseducation in Book One of Spenser's Faerie Queene.
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(Electronic resources)
The Ram and Ewe of Venice: Blackness and the Tragedy of Interracial Marriage in William Shakespeare's Othello.
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(Electronic resources)
"Father As It Pleases Me": Christopher Marlowe's Inspiration of William Shakespeare Within Much Ado About Nothing.
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(Electronic resources)
"Changeling Humorists:" The Speech Acts of the Early Modern English Fool.
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"That Danger Shall Seem Sport": Shakespearean Romantic Comedy for a Postfeminist Era.
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