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Satirizing the Audience: Shakespeare...

Juberg, Marc J.

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Satirizing the Audience: Shakespeare and the Uses of Obscurity, 1594-1601.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Satirizing the Audience: Shakespeare and the Uses of Obscurity, 1594-1601./
作者:	Juberg, Marc J.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2020,
面頁冊數:	301 p.
附註:	Source: Dissertations Abstracts International, Volume: 82-01, Section: A.
Contained By:	Dissertations Abstracts International82-01A.
標題:	Theater. -
電子資源:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27959573
ISBN:	9798662373785

Satirizing the Audience: Shakespeare and the Uses of Obscurity, 1594-1601.
Juberg, Marc J.

Satirizing the Audience: Shakespeare and the Uses of Obscurity, 1594-1601. - Ann Arbor : ProQuest Dissertations & Theses, 2020 - 301 p.

Source: Dissertations Abstracts International, Volume: 82-01, Section: A.

Thesis (Ph.D.)--University of Minnesota, 2020.

This item must not be sold to any third party vendors.

This dissertation examines Shakespeare's techniques of formal obscurity in four plays: Love's Labour's Lost, As You Like It, Hamlet, and Troilus and Cressida. Shakespeare and his contemporaries, Juberg shows, attached specific satirical and aesthetic functions to deliberately obscure writing. As satire migrated from page to stage in the last decade of the 16th century, Shakespeare recombined the generic codes and conventionally confusing language of print satire to create his own type of satirical theater, with which he challenged prevailing norms of literary and theatrical interpretation and tested the limits of audience understanding.

ISBN: 9798662373785Subjects--Topical Terms:

522973
Theater.
Subjects--Index Terms:

Audience Response

Satirizing the Audience: Shakespeare and the Uses of Obscurity, 1594-1601.
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500 $a Source: Dissertations Abstracts International, Volume: 82-01, Section: A.
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506 $a This item must not be sold to any third party vendors.
520 $a This dissertation examines Shakespeare's techniques of formal obscurity in four plays: Love's Labour's Lost, As You Like It, Hamlet, and Troilus and Cressida. Shakespeare and his contemporaries, Juberg shows, attached specific satirical and aesthetic functions to deliberately obscure writing. As satire migrated from page to stage in the last decade of the 16th century, Shakespeare recombined the generic codes and conventionally confusing language of print satire to create his own type of satirical theater, with which he challenged prevailing norms of literary and theatrical interpretation and tested the limits of audience understanding.
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653 $a Poetics
653 $a Satire
653 $a Shakespeare, William
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