東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Sorrow Worlds: Romantic Melancholy a...

Lam, Collin D. .

FindBook

Google Book

Amazon

博客來

Sorrow Worlds: Romantic Melancholy and the Condition of History.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Sorrow Worlds: Romantic Melancholy and the Condition of History./
作者:	Lam, Collin D. .
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2023,
面頁冊數:	200 p.
附註:	Source: Dissertations Abstracts International, Volume: 84-12, Section: A.
Contained By:	Dissertations Abstracts International84-12A.
標題:	English literature. -
電子資源:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30425065
ISBN:	9798379730871

Sorrow Worlds: Romantic Melancholy and the Condition of History.
Lam, Collin D. .

Sorrow Worlds: Romantic Melancholy and the Condition of History. - Ann Arbor : ProQuest Dissertations & Theses, 2023 - 200 p.

Source: Dissertations Abstracts International, Volume: 84-12, Section: A.

Thesis (Ph.D.)--State University of New York at Binghamton, 2023.

Thomas Pfau has notably said of the Romantic period that it "confronted the task of awakening to its own historicity," and the Romantics approached this question of self-historicity through specific moods. Looking toward one mood in particular, melancholy's frequent association with Romanticism harbors a common assumption that the turn toward sentimentality in Romantic literature fostered a rejection of Classicism's "cult of reason." However, the apparent ubiquity of melancholy within the Romantic period has not been sufficiently investigated within Romantic scholarship, except in piecemeal readings of specific authors, or in an overgeneralized sense of negative feeling that focuses on its capriciousness and indolence. My dissertation addresses and dismisses these reactive readings by tracing melancholy's far more expansive and creative relationship to how the Romantics reconceived of history, whether in the context of forming personal, collective, or national histories. By first drawing on the interweaving connections between German idealism's negative conditions of experience, nature, and history, I map those foundations of loss and negation alongside their literary adoptions in the works of Samuel Taylor Coleridge and William Wordsworth. The import of German idealism's negative structures of existence transforms into a unique understanding of melancholy within Romantic literary consciousness. Melancholy was seen to be both the condition and critical methodology of history itself for the Romantics. Far more than a mere representation of feeling, the frequency of Romantic depictions of melancholy comes, I argue, from the Romantics' distrust of a stable external and historical world, leading them to imagine futures and new worlds from a foundation of inevitable destruction and ruin. Specifically, I call this practice "affective worlding." Similarly, the{A0}history of the modern nation and Romantic unity, conceived of in Jean-Jacques Rousseau's The Social Contract and William Blake's figures of Los and Albion, offer models of community that rely on loss, fragmentation, and melancholic abdications of natural power. In the last place, I propose an open-ended tracing of these analyses of melancholy in the Romantic period to postmodernism and other contemporary discourses to show how they continue the legacy of Romantic melancholy through a reading of Mary Shelley's The Last Man.

ISBN: 9798379730871Subjects--Topical Terms:

516356
English literature.
Subjects--Index Terms:

Affective worlding

Sorrow Worlds: Romantic Melancholy and the Condition of History.
LDR:03557nmm a2200385 4500 001 2402539
005 20241029122319.5
006 m o d
007 cr#unu||||||||
008 251215s2023 ||||||||||||||||| ||eng d
020 $a 9798379730871
035 $a (MiAaPQ)AAI30425065
035 $a AAI30425065
035 $a 2402539
040 $a MiAaPQ $c MiAaPQ
100 1 $a Lam, Collin D. . $3 3772773
245 1 0 $a Sorrow Worlds: Romantic Melancholy and the Condition of History.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2023
300 $a 200 p.
500 $a Source: Dissertations Abstracts International, Volume: 84-12, Section: A.
500 $a Advisor: Havard, John.
502 $a Thesis (Ph.D.)--State University of New York at Binghamton, 2023.
520 $a Thomas Pfau has notably said of the Romantic period that it "confronted the task of awakening to its own historicity," and the Romantics approached this question of self-historicity through specific moods. Looking toward one mood in particular, melancholy's frequent association with Romanticism harbors a common assumption that the turn toward sentimentality in Romantic literature fostered a rejection of Classicism's "cult of reason." However, the apparent ubiquity of melancholy within the Romantic period has not been sufficiently investigated within Romantic scholarship, except in piecemeal readings of specific authors, or in an overgeneralized sense of negative feeling that focuses on its capriciousness and indolence. My dissertation addresses and dismisses these reactive readings by tracing melancholy's far more expansive and creative relationship to how the Romantics reconceived of history, whether in the context of forming personal, collective, or national histories. By first drawing on the interweaving connections between German idealism's negative conditions of experience, nature, and history, I map those foundations of loss and negation alongside their literary adoptions in the works of Samuel Taylor Coleridge and William Wordsworth. The import of German idealism's negative structures of existence transforms into a unique understanding of melancholy within Romantic literary consciousness. Melancholy was seen to be both the condition and critical methodology of history itself for the Romantics. Far more than a mere representation of feeling, the frequency of Romantic depictions of melancholy comes, I argue, from the Romantics' distrust of a stable external and historical world, leading them to imagine futures and new worlds from a foundation of inevitable destruction and ruin. Specifically, I call this practice "affective worlding." Similarly, the{A0}history of the modern nation and Romantic unity, conceived of in Jean-Jacques Rousseau's The Social Contract and William Blake's figures of Los and Albion, offer models of community that rely on loss, fragmentation, and melancholic abdications of natural power. In the last place, I propose an open-ended tracing of these analyses of melancholy in the Romantic period to postmodernism and other contemporary discourses to show how they continue the legacy of Romantic melancholy through a reading of Mary Shelley's The Last Man.
590 $a School code: 0792.
650 4 $a English literature. $3 516356
650 4 $a British & Irish literature. $3 3284317
650 4 $a Romance literature. $3 2144781
653 $a Affective worlding
653 $a German idealism
653 $a History
653 $a Melancholy
653 $a Romanticism
690 $a 0593
690 $a 0313
710 2 $a State University of New York at Binghamton. $b English, General Literature, and Rhetoric. $3 1024648
773 0 $t Dissertations Abstracts International $g 84-12A.
790 $a 0792
791 $a Ph.D.
792 $a 2023
793 $a English
856 4 0 $u https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30425065