語系:
繁體中文
English
說明(常見問題)
回圖書館首頁
手機版館藏查詢
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
Dreaming Change, Changing Dreams in ...
~
Moore, Richard W., Jr.
FindBook
Google Book
Amazon
博客來
Dreaming Change, Changing Dreams in the British Gothic Novel, 1765-1818.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Dreaming Change, Changing Dreams in the British Gothic Novel, 1765-1818./
作者:
Moore, Richard W., Jr.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2018,
面頁冊數:
170 p.
附註:
Source: Dissertation Abstracts International, Volume: 79-10(E), Section: A.
Contained By:
Dissertation Abstracts International79-10A(E).
標題:
British & Irish literature. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10815495
ISBN:
9780438043091
Dreaming Change, Changing Dreams in the British Gothic Novel, 1765-1818.
Moore, Richard W., Jr.
Dreaming Change, Changing Dreams in the British Gothic Novel, 1765-1818.
- Ann Arbor : ProQuest Dissertations & Theses, 2018 - 170 p.
Source: Dissertation Abstracts International, Volume: 79-10(E), Section: A.
Thesis (Ph.D.)--Fordham University, 2018.
This dissertation examines the centrality of dreams in British gothic novels. I explore how gothic dreams change across five novels: Horace Walpole's The Castle of Otranto: A Gothic Story (1765), Clara Reeve's The Old English Baron: A Gothic Story (1778), Matthew G. Lewis's The Monk: A Romance (1796), Charlotte Dacre's Zofloya; Or, The Moor (1806), and Mary Shelley's Frankenstein; Or, The Modern Prometheus (1818). Central to all of these works, the dreams serve vital roles in the novels' responses to the profound questions of the eighteenth and early nineteenth century. My study departs from earlier ones as I examine dreams not as spaces for individuals, but as temporally and politically-charged spaces in which dreamers lose volition and confront questions concerning historiography, revolution, and empire: dreams of national stability change into those of revolution and finally into those of empire. In Walpole's and Reeve's novels, dreams are so unambiguously prophetic that they take on a teleological quality and serve either to parody the authority of Whig historiography, in The Castle of Otranto, or to reestablish its authority, in the case of The Old English Baron. After the French Revolution, however, prophetic dreams and moments in The Monk are complicated by a cloud of uncertainty and the awareness or emergence of monstrosity. I argue that although monstrosity appears buried in The Monk, it reemerges in the dream scenes in Zofloya and in Frankenstein as dream and reality become intertwined, the prophetic nightmare turns real, and the monstrous remains.
ISBN: 9780438043091Subjects--Topical Terms:
3284317
British & Irish literature.
Dreaming Change, Changing Dreams in the British Gothic Novel, 1765-1818.
LDR
:02512nmm a2200289 4500
001
2164848
005
20181127124955.5
008
190424s2018 ||||||||||||||||| ||eng d
020
$a
9780438043091
035
$a
(MiAaPQ)AAI10815495
035
$a
(MiAaPQ)fordham:11164
035
$a
AAI10815495
040
$a
MiAaPQ
$c
MiAaPQ
100
1
$a
Moore, Richard W., Jr.
$3
3352901
245
1 0
$a
Dreaming Change, Changing Dreams in the British Gothic Novel, 1765-1818.
260
1
$a
Ann Arbor :
$b
ProQuest Dissertations & Theses,
$c
2018
300
$a
170 p.
500
$a
Source: Dissertation Abstracts International, Volume: 79-10(E), Section: A.
500
$a
Adviser: Susan C. Greenfield.
502
$a
Thesis (Ph.D.)--Fordham University, 2018.
520
$a
This dissertation examines the centrality of dreams in British gothic novels. I explore how gothic dreams change across five novels: Horace Walpole's The Castle of Otranto: A Gothic Story (1765), Clara Reeve's The Old English Baron: A Gothic Story (1778), Matthew G. Lewis's The Monk: A Romance (1796), Charlotte Dacre's Zofloya; Or, The Moor (1806), and Mary Shelley's Frankenstein; Or, The Modern Prometheus (1818). Central to all of these works, the dreams serve vital roles in the novels' responses to the profound questions of the eighteenth and early nineteenth century. My study departs from earlier ones as I examine dreams not as spaces for individuals, but as temporally and politically-charged spaces in which dreamers lose volition and confront questions concerning historiography, revolution, and empire: dreams of national stability change into those of revolution and finally into those of empire. In Walpole's and Reeve's novels, dreams are so unambiguously prophetic that they take on a teleological quality and serve either to parody the authority of Whig historiography, in The Castle of Otranto, or to reestablish its authority, in the case of The Old English Baron. After the French Revolution, however, prophetic dreams and moments in The Monk are complicated by a cloud of uncertainty and the awareness or emergence of monstrosity. I argue that although monstrosity appears buried in The Monk, it reemerges in the dream scenes in Zofloya and in Frankenstein as dream and reality become intertwined, the prophetic nightmare turns real, and the monstrous remains.
590
$a
School code: 0072.
650
4
$a
British & Irish literature.
$3
3284317
690
$a
0593
710
2
$a
Fordham University.
$b
English.
$3
3188809
773
0
$t
Dissertation Abstracts International
$g
79-10A(E).
790
$a
0072
791
$a
Ph.D.
792
$a
2018
793
$a
English
856
4 0
$u
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10815495
筆 0 讀者評論
館藏地:
全部
電子資源
出版年:
卷號:
館藏
1 筆 • 頁數 1 •
1
條碼號
典藏地名稱
館藏流通類別
資料類型
索書號
使用類型
借閱狀態
預約狀態
備註欄
附件
W9364395
電子資源
11.線上閱覽_V
電子書
EB
一般使用(Normal)
在架
0
1 筆 • 頁數 1 •
1
多媒體
評論
新增評論
分享你的心得
Export
取書館
處理中
...
變更密碼
登入