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En-gendering Romantic Media Theory : = British Women Poets and Media Technologies, 1800-1832.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	En-gendering Romantic Media Theory :/
其他題名:	British Women Poets and Media Technologies, 1800-1832.
作者:	Debelius, Christie Brooke.
面頁冊數:	1 online resource (241 pages)
附註:	Source: Dissertations Abstracts International, Volume: 84-03, Section: A.
Contained By:	Dissertations Abstracts International84-03A.
標題:	Womens studies. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29260986click for full text (PQDT)
ISBN:	9798841729136

En-gendering Romantic Media Theory : = British Women Poets and Media Technologies, 1800-1832.
Debelius, Christie Brooke.

En-gendering Romantic Media Theory :British Women Poets and Media Technologies, 1800-1832. - 1 online resource (241 pages)

Source: Dissertations Abstracts International, Volume: 84-03, Section: A.

Thesis (Ph.D.)--Indiana University, 2022.

Includes bibliographical references

This dissertation argues that women poets in the Romantic period both recognized and took advantage of the gendered power dynamics built into various forms of media. Writing amid a media revolution, these poets reflected prolifically and incisively on their own media-saturated world in poems that represent both poetry's ability to function as a medium and its interaction with other forms of media in a larger ecology. Their concern with poetry's status as a medium tapped into urgent conversations in a variety of arenas, from pedagogy to politics and history to the publishing industry itself. Yet women poets' position as Romantic-era media theorists has been largely neglected, even though scholarly interest in Romantic writers and media theory has increased steadily in recent years. My analysis returns women poets such as Charlotte Smith, Mary Robinson, Felicia Hemans, and Letitia Elizabeth Landon to the prominent place they occupied in debates about the implications of new and newly expanding media in their time. In doing so, I show that women poets played a role in shaping the conversations about media in the Romantic period-that they were active participants in these ongoing cultural discussions who sought both to understand media and to critique it, to contribute to its production and to think through its complexities and implications alongside their readers. Critical understandings of Romantic-period media theory have thus far been shaped by the perspectives of more canonical male poets; I argue that we can enrich these understandings significantly by also approaching media through the eyes of women, whose gendered perspectives gave shape to their own understandings of media and mediation. In doing so, this dissertation offers a fuller history of how gender has shaped the way we approach, use, and theorize media-a history that might help us understand our own media-saturated culture anew.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9798841729136Subjects--Topical Terms:

2122688
Womens studies.
Subjects--Index Terms:

British RomanticismIndex Terms--Genre/Form:

542853
Electronic books.

En-gendering Romantic Media Theory : = British Women Poets and Media Technologies, 1800-1832.
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