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Popular Royalism and Cheap Print in Interregnum England.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Popular Royalism and Cheap Print in Interregnum England./
作者:
Smith, Jane.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2022,
面頁冊數:
249 p.
附註:
Source: Dissertations Abstracts International, Volume: 83-11, Section: A.
Contained By:
Dissertations Abstracts International83-11A.
標題:
English literature. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28965964
ISBN:
9798802712283
Popular Royalism and Cheap Print in Interregnum England.
Smith, Jane.
Popular Royalism and Cheap Print in Interregnum England.
- Ann Arbor : ProQuest Dissertations & Theses, 2022 - 249 p.
Source: Dissertations Abstracts International, Volume: 83-11, Section: A.
Thesis (Ph.D.)--The University of North Carolina at Chapel Hill, 2022.
This item must not be sold to any third party vendors.
Given the scarcity of documentary evidence of royalism among ordinary men and women in Interregnum England, this dissertation contends that popular royalism can be recovered through the analysis of cheap print. An examination of entertaining pamphlets, ballads, chapbooks, and plays reveals that popular royalism was a dynamic phenomenon marked by incompatible ideas. It hewed not only to a backward-looking royalism aligned with the socially and politically conservative values of the Caroline elite, but also to a more progressive, forward-looking royalism informed by the populist politics that had fueled the revolution. Chapter 1 examines pamphlets published in the aftermath of the Battle of Worcester whose subject was highwayman James Hind. It argues that Charles II's defeat helped create an opportunity for a non-aristocratic royalism to exert itself. In these texts, support for monarchy clashes with notions of permeable social categories and egalitarian social organization. Chapter 2 surveys pamphlets that John Taylor, diehard royalist and prolific writer of cheap print, published during the Commonwealth. In Taylor's last works, the paradoxes of popular royalism manifested in his apparently incompatible commitments: fealty to an absolute sovereign and fidelity to the imperatives of a sovereign self. Chapter 3 proposes that a cluster of old stories recycled in the 1650s-The gentle craft, Jack of Newberie, and The shoomakers holiday-spoke to the fantasies of readers who wished for the restoration of monarchy and the Established Church. This chapter locates the tensions of popular royalism not so much within individual texts as across a set of related stories whose worker-heroes both defer to monarchical authority and mount a vigorous critique of royal policy. Chapter 4 maintains that the figure of the outlaw hero in pamphlets and black-letter ballads published in the late years of Cromwell's Protectorate was by then firmly attached to popular royalism. In the early Restoration, however, the figure and its politics seem to have been so threatening to the reestablished monarchy as to have warranted their containment.
ISBN: 9798802712283Subjects--Topical Terms:
516356
English literature.
Subjects--Index Terms:
Cheap print
Popular Royalism and Cheap Print in Interregnum England.
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Given the scarcity of documentary evidence of royalism among ordinary men and women in Interregnum England, this dissertation contends that popular royalism can be recovered through the analysis of cheap print. An examination of entertaining pamphlets, ballads, chapbooks, and plays reveals that popular royalism was a dynamic phenomenon marked by incompatible ideas. It hewed not only to a backward-looking royalism aligned with the socially and politically conservative values of the Caroline elite, but also to a more progressive, forward-looking royalism informed by the populist politics that had fueled the revolution. Chapter 1 examines pamphlets published in the aftermath of the Battle of Worcester whose subject was highwayman James Hind. It argues that Charles II's defeat helped create an opportunity for a non-aristocratic royalism to exert itself. In these texts, support for monarchy clashes with notions of permeable social categories and egalitarian social organization. Chapter 2 surveys pamphlets that John Taylor, diehard royalist and prolific writer of cheap print, published during the Commonwealth. In Taylor's last works, the paradoxes of popular royalism manifested in his apparently incompatible commitments: fealty to an absolute sovereign and fidelity to the imperatives of a sovereign self. Chapter 3 proposes that a cluster of old stories recycled in the 1650s-The gentle craft, Jack of Newberie, and The shoomakers holiday-spoke to the fantasies of readers who wished for the restoration of monarchy and the Established Church. This chapter locates the tensions of popular royalism not so much within individual texts as across a set of related stories whose worker-heroes both defer to monarchical authority and mount a vigorous critique of royal policy. Chapter 4 maintains that the figure of the outlaw hero in pamphlets and black-letter ballads published in the late years of Cromwell's Protectorate was by then firmly attached to popular royalism. In the early Restoration, however, the figure and its politics seem to have been so threatening to the reestablished monarchy as to have warranted their containment.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28965964
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