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The sexual politics of Oscar Wilde, Radclyffe Hall, D. H. Lawrence, and Virginia Woolf.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The sexual politics of Oscar Wilde, Radclyffe Hall, D. H. Lawrence, and Virginia Woolf./
作者:	Liou, Liang-ya.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 1993,
面頁冊數:	205 p.
附註:	Source: Dissertations Abstracts International, Volume: 55-06, Section: A.
Contained By:	Dissertations Abstracts International55-06A.
標題:	British and Irish literature. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9400938
ISBN:	9798645419882

The sexual politics of Oscar Wilde, Radclyffe Hall, D. H. Lawrence, and Virginia Woolf.
Liou, Liang-ya.

The sexual politics of Oscar Wilde, Radclyffe Hall, D. H. Lawrence, and Virginia Woolf. - Ann Arbor : ProQuest Dissertations & Theses, 1993 - 205 p.

Source: Dissertations Abstracts International, Volume: 55-06, Section: A.

Thesis (Ph.D.)--The University of Texas at Austin, 1993.

This item must not be sold to any third party vendors.

The purpose of this project is to map the sexual politics in Oscar Wilde's The Picture of Dorian Gray, Radclyffe Hall's The Well of Loneliness, D. H. Lawrence's The Rainbow and Women in Love, and Virginia Woolf's Mrs. Dalloway and To the Lighthouse. The complicated representations of gender and sexuality in these texts are analyzed in relation to late-nineteenth-century and early-twentieth-century sexology, Freud's psychoanalytic theory, the women's suffrage movement, homosexual subcultures, and homosexual political activity. The developments of a politics of sexual identities and a politics of gender are unraveled. As a study of cultural politics, this project deals with both canonical and uncanonical works in order to deconstruct the claim of "universal" subjectivity that underwrites the modernist canon. The myth of "universal" subjectivity is shown to be predicated on white, heterosexual, masculine, middle-class assumptions. The methodology is the constructivist model posited by Michel Foucault in The History of Sexuality. The basic axioms of feminist criticism and gay and lesbian studies are subscribed to. The bourgeois patriarchy, which naturalizes gender, heterosexuality, and phallocentricism, is critiqued.

ISBN: 9798645419882Subjects--Topical Terms:

3433225
British and Irish literature.
Subjects--Index Terms:

Hall, Radclyffe

The sexual politics of Oscar Wilde, Radclyffe Hall, D. H. Lawrence, and Virginia Woolf.
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500 $a Publisher info.: Dissertation/Thesis.
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502 $a Thesis (Ph.D.)--The University of Texas at Austin, 1993.
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520 $a The purpose of this project is to map the sexual politics in Oscar Wilde's The Picture of Dorian Gray, Radclyffe Hall's The Well of Loneliness, D. H. Lawrence's The Rainbow and Women in Love, and Virginia Woolf's Mrs. Dalloway and To the Lighthouse. The complicated representations of gender and sexuality in these texts are analyzed in relation to late-nineteenth-century and early-twentieth-century sexology, Freud's psychoanalytic theory, the women's suffrage movement, homosexual subcultures, and homosexual political activity. The developments of a politics of sexual identities and a politics of gender are unraveled. As a study of cultural politics, this project deals with both canonical and uncanonical works in order to deconstruct the claim of "universal" subjectivity that underwrites the modernist canon. The myth of "universal" subjectivity is shown to be predicated on white, heterosexual, masculine, middle-class assumptions. The methodology is the constructivist model posited by Michel Foucault in The History of Sexuality. The basic axioms of feminist criticism and gay and lesbian studies are subscribed to. The bourgeois patriarchy, which naturalizes gender, heterosexuality, and phallocentricism, is critiqued.
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