語系:
繁體中文
English
說明(常見問題)
回圖書館首頁
手機版館藏查詢
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
FindBook
Google Book
Amazon
博客來
Magical thinking in Shakespeare's tragedies.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Magical thinking in Shakespeare's tragedies./
作者:
Favila, Marina Christi.
面頁冊數:
1 online resource (308 pages)
附註:
Source: Dissertations Abstracts International, Volume: 57-04, Section: A.
Contained By:
Dissertations Abstracts International57-04A.
標題:
British and Irish literature. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9541103click for full text (PQDT)
ISBN:
9798208762271
Magical thinking in Shakespeare's tragedies.
Favila, Marina Christi.
Magical thinking in Shakespeare's tragedies.
- 1 online resource (308 pages)
Source: Dissertations Abstracts International, Volume: 57-04, Section: A.
Thesis (Ph.D.)--University of Massachusetts Amherst, 1995.
Includes bibliographical references
Put simply, magical thinking is the belief that one may affect reality by thought alone. Where Freud classifies such a concept as neurotic delusion, Winnicott embraces the idea as a memory from infancy and argues that "omnipotence of thoughts" is the origin of creativity. Both viewpoints are represented in Shakespeare's universe, their positions sometimes at war in the playing out of the hero's dilemma. This dissertation traces the idea of magical thinking through psychoanalysis, anthropology, and art, then explores the battle of thoughts in Shakespeare's tragedies. Freud's viewpoint is well-founded in Hamlet: for thoughts in Denmark are not tools with which to control reality, but a reality that cannot be controlled. The hero drowns in thoughts. He cannot escape them, particularly the thought of Gertrude's infidelity, which resurfaces in dagger words and pregnant metaphors, to the point that sometimes Hamlet forgets his revenge. His search to find a plan to kill the king thus parallels his search to find a way to kill his thoughts. Hamlet tries to bury them in the actor, who can control his thoughts long enough to "act." Both Othello and Macbeth likewise flounder in thoughts they can't control. Othello's thought echoes Hamlet's thought of a woman's infidelity. Othello cannot live with this thought, forget or disprove it. Indeed the thought is like virginity itself: once thought, he can never reclaim his ignorance or his wife's innocence. So he buries the thought in Desdemona's body--then kills it. The thoughts that plague Macbeth, however, are the result, not the cause, of his killing. He murders Duncan and Banquo only to be buried alive with "those thoughts that should indeed have died/With them they think on." Hamlet tries to escape thoughts. Othello's thoughts betray him. Macbeth defies them. Cleopatra embraces them--wholeheartedly, She is the mistress of magical thinking, Winnicott's "good-enough mother," nursing Antony on desire. Though the lovers' dream to be legends, god and goddess, may be delusional, their wish is transformed into a beautiful illusion for the audience as they birth death as Elysium, tragedy as romance, through the magic of poetry.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023
Mode of access: World Wide Web
ISBN: 9798208762271Subjects--Topical Terms:
3433225
British and Irish literature.
Subjects--Index Terms:
Shakespeare, WilliamIndex Terms--Genre/Form:
542853
Electronic books.
Magical thinking in Shakespeare's tragedies.
LDR
:03455nmm a2200349K 4500
001
2357985
005
20230725053828.5
006
m o d
007
cr mn ---uuuuu
008
241011s1995 xx obm 000 0 eng d
020
$a
9798208762271
035
$a
(MiAaPQ)AAI9541103
035
$a
AAI9541103
040
$a
MiAaPQ
$b
eng
$c
MiAaPQ
$d
NTU
100
1
$a
Favila, Marina Christi.
$3
3698517
245
1 0
$a
Magical thinking in Shakespeare's tragedies.
264
0
$c
1995
300
$a
1 online resource (308 pages)
336
$a
text
$b
txt
$2
rdacontent
337
$a
computer
$b
c
$2
rdamedia
338
$a
online resource
$b
cr
$2
rdacarrier
500
$a
Source: Dissertations Abstracts International, Volume: 57-04, Section: A.
500
$a
Publisher info.: Dissertation/Thesis.
500
$a
Advisor: Kerrigan, William.
502
$a
Thesis (Ph.D.)--University of Massachusetts Amherst, 1995.
504
$a
Includes bibliographical references
520
$a
Put simply, magical thinking is the belief that one may affect reality by thought alone. Where Freud classifies such a concept as neurotic delusion, Winnicott embraces the idea as a memory from infancy and argues that "omnipotence of thoughts" is the origin of creativity. Both viewpoints are represented in Shakespeare's universe, their positions sometimes at war in the playing out of the hero's dilemma. This dissertation traces the idea of magical thinking through psychoanalysis, anthropology, and art, then explores the battle of thoughts in Shakespeare's tragedies. Freud's viewpoint is well-founded in Hamlet: for thoughts in Denmark are not tools with which to control reality, but a reality that cannot be controlled. The hero drowns in thoughts. He cannot escape them, particularly the thought of Gertrude's infidelity, which resurfaces in dagger words and pregnant metaphors, to the point that sometimes Hamlet forgets his revenge. His search to find a plan to kill the king thus parallels his search to find a way to kill his thoughts. Hamlet tries to bury them in the actor, who can control his thoughts long enough to "act." Both Othello and Macbeth likewise flounder in thoughts they can't control. Othello's thought echoes Hamlet's thought of a woman's infidelity. Othello cannot live with this thought, forget or disprove it. Indeed the thought is like virginity itself: once thought, he can never reclaim his ignorance or his wife's innocence. So he buries the thought in Desdemona's body--then kills it. The thoughts that plague Macbeth, however, are the result, not the cause, of his killing. He murders Duncan and Banquo only to be buried alive with "those thoughts that should indeed have died/With them they think on." Hamlet tries to escape thoughts. Othello's thoughts betray him. Macbeth defies them. Cleopatra embraces them--wholeheartedly, She is the mistress of magical thinking, Winnicott's "good-enough mother," nursing Antony on desire. Though the lovers' dream to be legends, god and goddess, may be delusional, their wish is transformed into a beautiful illusion for the audience as they birth death as Elysium, tragedy as romance, through the magic of poetry.
533
$a
Electronic reproduction.
$b
Ann Arbor, Mich. :
$c
ProQuest,
$d
2023
538
$a
Mode of access: World Wide Web
650
4
$a
British and Irish literature.
$3
3433225
650
4
$a
Theater.
$3
522973
650
4
$a
British & Irish literature.
$3
3284317
653
$a
Shakespeare, William
655
7
$a
Electronic books.
$2
lcsh
$3
542853
690
$a
0593
690
$a
0465
710
2
$a
ProQuest Information and Learning Co.
$3
783688
710
2
$a
University of Massachusetts Amherst.
$3
1019433
773
0
$t
Dissertations Abstracts International
$g
57-04A.
856
4 0
$u
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9541103
$z
click for full text (PQDT)
筆 0 讀者評論
館藏地:
全部
電子資源
出版年:
卷號:
館藏
1 筆 • 頁數 1 •
1
條碼號
典藏地名稱
館藏流通類別
資料類型
索書號
使用類型
借閱狀態
預約狀態
備註欄
附件
W9480341
電子資源
11.線上閱覽_V
電子書
EB
一般使用(Normal)
在架
0
1 筆 • 頁數 1 •
1
多媒體
評論
新增評論
分享你的心得
Export
取書館
處理中
...
變更密碼
登入